برچسب: Amy

  • What Does A Pottery Mentor Bring To The Table? | Amy Lee

    What Does A Pottery Mentor Bring To The Table? | Amy Lee


    Amy Lee | Episode 1129

    Amy Lee fell in love with rocks and clay at age two. While studying GeoEnvironmental Science, pottery became Amy’s passion. Alongside a multi-decade IT career, Amy has built and supported creative communities. Today, Amy continues to create and inspire from her Virginia studio, blending science, art, and community.

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    How has having a pottery mentor helped you technically?

    Over the past five or six years I haven’t really had a focus in my work. So the main thing that I am finding is that the mentorship is helping me with is editing- editing down my work and focusing me. I tend to be all over the place in my work and wanting to try lots of different things and the focus really is the key for me.

    How does that focus help you be more creative?

    It’s actually amazing because by limiting myself into certain boundaries, like I’m only going to be making this shape this week, or I am only going to use this pattern this week… It helps me to think about the creative nature of just those two things in combination of one another, and how I might add a little alteration of a little sculpting to a piece off the wheel or something of that nature. And it actually expands the creative realm dramatically for me.

    What impact does critique and feedback have on your work?

    I used to think that some of the language was just kind of  mumbo jumbo at times.  But I appreciate now that there is a language of IT and that there is a language of art. And it is sort of a standardized language, so the critique process for me and learning about the language of critique, has really helped me understand and identify things about my work and the intent that I am putting into my work. I can see it through other people’s eyes.

    Has this fostered a certain amount of motivation and created a deeper sense of support?

    Absolutely yes. I felt a point I’ve debated Do I stay on this new chapter path, or do I go back to the IT world? This mentorship this year has reignited a fire under me.

    You mentioned that you are doing your mentorship with a group of people, so how does that help you feel in terms of community? Does this make you feel like you are part of the larger community so it is not just the aloneness of making?

    Absolutely. You can spend a lot of solitary time alone when you have your own pottery studio. Being able to bounce ideas off individuals and the group chat… The sense of community that I’ve felt in community studios or in guilds or a coop that I was a part of… it is really instrumental to be around other creatives. I think as a creative you need to be around other creatives speaking into your life.

    How is this impacting your career? 

    It has really given me some direction. It is giving me focus. It is really giving me the hope that the path that I have chosen and the path that I am passionate about in clay is really going to be the next chapter of my life.

    Book

    Among Whales by Roger Payne

    Contact

    amyleepottery.com

    Instagram: @amyleepottery





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  • A Ceramic Painter | Amy Rae Hill

    A Ceramic Painter | Amy Rae Hill


    Amy Rae Hill | Episode 1064

    Amy Rae Hill is a ceramic painter who illustrates dramatic celestial scenes on pottery. After receiving her Bachelor of Fine Arts from Western Washington University, Amy worked at a pottery painting studio to develop her current craft. Amy paints with low-fire pottery glaze on earthenware to create her pieces.

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    Because you are painting on a 3D object do you have a hard time finding the correct positioning for your compositions?

    Yes, I feel like it has gotten easier to compose over time, but you do have to consider the shape of the piece. A tea pot is round and it and you will need to consider a distorted landscape if you are putting that on that surface. Or a cup might have a certain angle to it and that affects the way a spaceship might look on that sort of a surface. So it’s just getting to know your bisqueware shape.

    Do you ever have losses for your work?

    Very rarely. I usually commit to a piece and if something isn’t working I will wipe it off and then start fresh. It has been probably just a few occasions where I have gotten in deep and I realize that these colors aren’t working together or there are too many layers to go back and fix and really save the piece, so I have to scrap it and start over.

    So your losses are more about the design than the pot not making it?

    Right, so I probably have an easier time than all the other potters because if something is coming to me damaged then I can report that to my supplier and get a refund for those materials that I have lost and it will go towards my next order. So I have a way easier time with that.

    Have you done collaborations with other artists? With other potters?

    Yes, I did one with The Monster Inn and there was a couple of monster mugs that we worked on together and they shipped them to me from the UK and I painted a few astronauts climbing up a rocky surface on this monster design and another one had a galaxy on it. And that was really cool to be able to see all of the skill and building of piece and the design of the creature where I got to think about how to make an interesting surface on each of those different designs. A lot more interesting sometimes than a plain cup.

    Have you ever used any of the Amaco underglazes?

    I haven’t but I have been really tempted to use what all the cool potters use and they all look really good. (laughter) I would have to look into if it works on Earthenware or if I would have to work on more porcelain and stoneware. It seems like a lot of their stuff is higher fired in that case. I am not sure, I would have to research it a little bit more.

    Is this your full-time gig?

    Yes, it is my full-time gig. I do have a side teaching job a couple of days a weeks that does support my income as well but I am very lucky to have customers that want to buy enough of my work to  live on.

    Book

    All Systems Red by Martha Wells

    Contact

    amyraehill.com

    Instagram: @amyraehill





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