برچسب: Blue

  • The Blue Checkmark: Is It Worth It? | Heather Elyse Head

    The Blue Checkmark: Is It Worth It? | Heather Elyse Head


    Heather Elyse Head | Episode 1111

    Heather Elyse Head, a Northeast Georgia potter, blends traditional folk pottery with vibrant glazes and whimsical female faces. Mentored by esteemed regional potters, Heather’s playful creations bring a modern twist to the craft. Her favorite part? Seeing her work makes people smile.

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    From your perspective what is the blue checkmark?

    It’s a way to show people that I am who I say I am. I think it instills a bit of confidence in my followers.

    So it’s a verification of who you actually are. It verifies that you are not a fake account.

    Right.

    You said you had increased sales as a result. Do you think that is because you had more credibility?

    I think that’s possible. It is also possible that I just put in extra effort on Instagram because I had the new blue checkmark. So it’s hard to know for sure if it was from my extra effort or if it was from the checkmark.

    Do you feel like you have gained more followers since you started to do this?

    I do feel like I have gained more followers but I don’t think it has helped my engagement on the individual posts. I think my engagement hasn’t changed at all.

    Are you referring to other people making comments?

    Right, like the likes and comments those definitely haven’t gone up from the blue checkmark. I used to actually get more interaction on a post. So something changed within the algorithm across the board.

    It seems like it puts some limits on your account like you cannot change your user name as easily. Do you see that as a drawback?

    I really don’t. I think when you change things too much it makes people feel a little uncertain about your business. You want to have consistency. And it does make it harder to change the profile picture. They have to do the reverification process every time.

    When you are not in the studio what do you like to do for fun?

    I always say it’s a good thing that I really enjoy making pottery because that ends up being my business and my main hobby. So when I am not making pottery I am thinking about what I can do to make pottery. When I am ordering things and I get all these packages, it’s pottery supplies of course. (laughter) I listen to a lot of music and I read a lot of books but I am also usually thinking about pottery.

    Book

    From Mud to Jug by John A. Burrison 

    Contact

    mudandrust.com

    Instagram: @mud_and_rust





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  • Midnight Blue — Lynne Cameron Artworks

    Midnight Blue — Lynne Cameron Artworks



    This contingent emergence of form and colour fascinates me. I prepare the surface, allow the conditions, then the ink does its thing. I can adjust the process to a limited degree by tilting, adding or subtracting water.

    As I get to understand what a new material can do, a dialogue starts with earlier work as I think back to past paintings and processes for possible new ways to work. I wondered what would happen on a disrupted surface, and over handwriting. AT the top of this post is the outcome. I wrote out the opening words from and Iris Murdoch’s text (The Sovereignty of Good Over Other Concepts, 1967) on to thick watercolour paper, ripped them and glued them randomly to construct an almost 3d surface. Then I experimented with Midnight Blue ink spreading on this disrupted surface. This step draws on the word-collaging technique I developed 6 years ago in Berlin Notes in the Dark. That technique was used on a larger scale in the series Other People. In those paintings, pairs or groups of people engaged in unheard dialogue, their individual stance and the space between them conveying something of their relationship. You can see both series on this page by scrolling down.

    The final step was reducing the insistence of the words with a layer of white paint on some sections..



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