برچسب: Curator

  • Curator at Large: Spring 2025

    Curator at Large: Spring 2025


    Spring has arrived, and with it comes a fresh wave of exhibitions sweeping through London’s galleries. This season, shows delve into everything from nature’s hidden structures to the dynamic tension between opposing ideas that shape how we live, think, and feel. Whether you’re craving quiet reflection or bold confrontation, we’ve selected these exhibits for their promise to spark curiosity and conversation.

    By Sophie Heatley | 24 Apr 2025

    Jure Kastelic: Cathedral and Bazaar

    Curator At Large: Spring 2025
    © Jure Kastelic | Courtesy of Carl Kostyál, London | Stockholm | Hong Kong

    In October 2024 Jure Kastelic had his debut solo exhibition ‘Musical Chairs’ with Carl Kostyál in Milan. Now, back for his second instalment in London, Kastelic continues to explore the push and pull of opposing forces—ideas that shape how we live, what we desire, and how we assign value to things. At its core, his practice asks: what holds value in a world where everything feels increasingly diluted? Drawing from both analogue and digital influences—including online forums, classical painting, and economic theory—Kastelic crafts surreal, dreamlike scenes that reflect the tensions of life in late capitalist society.

    Carl Kostyál, London | 1 May – 8 Jun 2025 

     

    Giuseppe Penone: Thoughts in the Roots

    Curator At Large: Spring 2025
    Giuseppe Penone, Alberi libro (Book Trees), 2017 and Respirare l’ombra (To Breathe the Shadow), 2000 | Installation View, Serpentine South. © George Darrell. Courtesy of Giuseppe Penone and Serpentine.

    A key figure in the Arte Povera movement, Giuseppe Penone has spent over five decades exploring the profound connection between humans and nature. Thoughts in the Roots brings together works from 1969 to the present, highlighting his poetic use of natural materials such as wood, bronze and marble. Set both within the gallery and in the surrounding park, the exhibition reveals the hidden structures and rhythms of the natural world through Penone’s quietly powerful sculptures and installations.

    Serpentine South Gallery, London | 3 Apr – 7 Sep 2025

     

    Eileen Perrier: A Thousand Small Stories

    Curator At Large: Spring 2025
    From the series Afro Hair and Beauty Show, 1998-2003 | Courtesy of Eileen Perrier and Autograph 

    For over 30 years, Eileen Perrier has used portrait photography to connect people and celebrate the power of being seen. Drawing on her dual Ghanaian and Dominican heritage, she blends 19th-century European and contemporary African studio styles to explore identity, belonging and representation. Often working in makeshift studios and community spaces, Perrier’s portraits centre shared experiences—from family ties to beauty salons—highlighting individuality while bridging cultural and social divides. This first retrospective brings together key series from her career, featuring three generations of her own British Ghanaian family, and her recent work on the pressures faced by teenage girls.

    Autograph, London | 17 Apr – 13 Sep 2025

     

    Exhibitions Closing Soon

    Rose Wylie: When Found becomes Given

    Curator At Large: Spring 2025
    Installation View, Rose Wylie: When Found becomes Given, David Zwirner, London, 2025

    Featuring recent single- and multipanel works from Rose Wylie, When Found becomes Given, the show blends personal, historical and imagined narratives across time and space. Wylie’s bold, seemingly playful style belies a deep and witty exploration of how images are composed and perceived. Her layered approach often involves reworking motifs and mixing unexpected elements to create visual echoes that challenge traditional perspective and storytelling. 

    David Zwirmer: London | April 3 – 23 May 2025

     

    Amoako Boafo: I Do Not Come to You by Chance

    Curator At Large: Spring 2025
    Installation View | Courtesy of Amoako Boafo. © Prudence Cumings Associates Ltd. 

    Ghanaian artist Amoako Boafo’s first UK solo exhibition features new, finger-painted portraits that celebrate Black identity with authenticity and joy, while challenging stereotypes through powerful, intimate works. The exhibition also includes an immersive recreation of Boafo’s childhood courtyard in Ghana, designed with architect Glenn DeRoche, reflecting themes of community and memory. Key works like Self-Portrait with Cacti (2024) invite reflection on space, identity, and shared creativity.

    Gagosian Grosvenor Hill, London | 10 Apr – 24 May 2025

     

    The Shape of Colour

    Curator At Large: Spring 2025
    Paul Feeley, Untitled, 1962 | Courtesy of The Artist and Waddington Custot

    Building on Waddington Custot’s 2019 exhibition Colour Is, The Shape of Colour continues to explore the transformative power of colour in shaping how we perceive art and space. Spanning works from the 1950s to today, the exhibition examines how artists use colour and form to blur the lines between painting and sculpture. Featuring pieces by Josef Albers, Vanessa Jackson, David Annesley, Sheila Hicks, and others, the show reveals how colour can create spatial illusions, challenge perception, and turn flat surfaces into vibrant, multidimensional experiences.

    Waddington Custot, London | 22 April – 29 May 2025

     



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  • Guest Curator: Karen Vidangos & Latinx Art

    Guest Curator: Karen Vidangos & Latinx Art


    “The art world has historically overlooked the rich diversity and contributions of Latinx artists, and I wanted to address this gap by providing visibility, support, and a space where Latinx voices could be heard and celebrated.”

    By Sophie Heatley | 11 Sept 2024

    What inspired you to found the Latinx Art Collective, and what specific gaps in the art world were you hoping to address?

    I founded the Latinx Art Collective because I became acutely aware of the significant lack of representation and recognition for Latinx artists. My own experiences, coupled with the stories from others in my community, highlighted the need for a platform that could celebrate and elevate Latinx art and culture. The art world has historically overlooked the rich diversity and contributions of Latinx artists, and I wanted to address this gap by providing visibility, support, and a space where Latinx voices could be heard and celebrated.

    How has your personal identity and experiences influenced your decision to create this platform?

    My personal identity as a Latina and my experiences navigating the art world have profoundly influenced my decision to create the Latinx Art Collective. Growing up, I rarely saw artists who looked like me or shared my cultural background represented in mainstream galleries or museums. This lack of representation, combined with the challenges I faced in finding a sense of belonging in the art community, motivated me to create a platform where Latinx voices are centred, celebrated, and empowered to share their stories authentically.

    Guest Curator: Karen Vidangos & Latinx Art
    Tropical Garden by Victoria Stagni (oil on canvas, 2024, 76 x 100 x 4 cm)

    Your online presence as “Latina in Museums” has gained significant attention. How do you leverage social media and digital platforms to further the goals of the Latinx Art Collective? 

    My platform serves as a bridge, connecting underrepresented artists with followers who might not encounter their work otherwise, and I use it to advocate for greater representation and inclusivity in the art world. By tapping into the power of social media, I’m able to create visibility, drive conversations, and mobilise support for the Collective’s mission on a global scale. But the goal of my personal channels is also to show a lesser seen side of museum work, where I share my own journey, including the ups and downs, failures, and challenges I’ve faced. I also showcase the achievements and opportunities to demonstrate that these experiences are possible for our community. This transparency helps build a relatable and inspiring narrative, encouraging others to pursue similar paths and showing that success in these spaces is achievable.

    Guest Curator: Karen Vidangos & Latinx Art
    Pillow Talk by Javiera Estrada (archival pigment print, 2015, 68 x 68 cm)

    In your opinion, what are the unique challenges and opportunities that digital spaces offer for promoting underrepresented artists?

    The vast reach and accessibility of digital platforms provide a powerful opportunity to amplify voices that are often overlooked, allowing artists to connect directly with global audiences and build supportive communities. However, these spaces also come with challenges, such as navigating algorithms that may not favour diverse content and the need to stand out in an oversaturated online environment. Despite these challenges, digital platforms remain essential for breaking down barriers and creating visibility for underrepresented artists in ways that traditional spaces often cannot.

    Guest Curator: Karen Vidangos & Latinx Art
    Karen Vidangos taking part in a Q&A

    What are some common misconceptions about Latinx art and artists that you encounter, and how do you work to challenge these through your platform?

    A common misconception about Latinx art and artists is the assumption that the work is always centred around themes of race, immigration, or cultural identity. While these are important subjects, Latinx artists, like their peers, also explore a wide range of themes, including politics, technology, time, the environment, and more.

    Through my platform, I challenge these narrow perceptions by showcasing the diversity and complexity of Latinx art, highlighting how our community engages with a broad spectrum of ideas and creative expressions. By featuring artists whose work shows the entire breadth of our creativity, I aim to broaden the understanding of Latinx art and demonstrate that Latinx artists contribute to all areas of artistic discourse.

    What role do you see the Latinx Art Collective playing in the broader conversation about diversity and inclusion in the art world?

    The Latinx Art Collective actively challenges the underrepresentation of Latinx voices and creates a space where these artists can thrive. By amplifying the work of Latinx artists and fostering a supportive community, the Collective pushes for a more inclusive art world that recognises and values the contributions of all artists, regardless of their background. We aim to not only increase visibility for Latinx artists but also to reshape the narratives around diversity and inclusion, advocating for a more equitable and representative art landscape.

    Guest Curator: Karen Vidangos & Latinx Art
    Karen Vidangos at Venice Biennale 2024: US Pavilion represented by Jeffrey Gibson: “the space in which to place me”

    What are your long-term goals for the Latinx Art Collective? Are there any upcoming projects or initiatives you’re particularly excited about?

    My long-term goals for the Latinx Art Collective are to continue building, improving, and expanding our platform to better support and showcase Latinx artists. I aim to collaborate with a diverse range of organisations that are doing exceptional work in promoting Latinx art and culture, creating opportunities for mutual growth and impactful projects. I’m particularly excited about upcoming initiatives that involve partnering with institutions and curators to bring more visibility to Latinx artists and their work. By working together with these wonderful organisations, we hope to create a more inclusive and dynamic art world that reflects the richness of Latinx contributions.

    What do you hope the future of the art world looks like in terms of representation, and what steps do you think are crucial to getting there?

    I hope the future of the art world is characterised by truly diverse representation, where artists from all backgrounds are equally visible, valued, and celebrated. This includes not only increasing the presence of underrepresented artists in galleries and museums but also ensuring that their diverse voices and perspectives are recognised as integral to the broader art discourse. Crucial steps to achieving this vision include implementing equitable practices in curatorial and hiring processes, actively supporting emerging artists from underrepresented groups, and creating platforms that amplify diverse voices. 

    Guest Curator: Karen Vidangos & Latinx Art
    Together by Marta Grassi (acrylic on canvas, 2024, 100 x 81 cm)

    Looking back on your career and the evolution of the Latinx Art Collective, what has been the most surprising or unexpected part of your journey?

    Looking back on my career and the evolution of the Latinx Art Collective, the most surprising and unexpected part of the journey has been the incredible support and recognition I’ve received. Entering and thriving in the arts, a field known for its difficulty and exclusivity, was something I never imagined would happen.

    Reflecting on my parents’ sacrifices as immigrants in the 80s fills me with deep gratitude and emotion, reminding me of how far we’ve come and the gift this journey has been. The outpouring of support from people across the country and the world—those who are aspiring to be in the arts or already doing amazing things—has been overwhelmingly moving. It feels surreal and humbling to see how my little dream has resonated with so many, and I am continually awed by the community that has embraced and supported me.

    Guest Curator: Karen Vidangos & Latinx Art
    Karen Vidangos at Jenny Holzer: Light Line opening reception at Solomon R. Guggenheim Museum

    How do you stay motivated and inspired in your work, especially when facing challenges related to representation and inclusion?

    I stay motivated through the incredible support and love from my family, my friends who lift me up and encourage me to keep pushing forward, and my pug and little gallery girl, Marcel, who is my anchor to the real world when I’m feeling a little lost or down.

    The dedication and passion of brilliant individuals—curators, writers, artists, and community members—who work tirelessly to support and uplift the Latinx community inspire me daily. Seeing the great things we can achieve when we come together fuels my commitment to doing what I do. Their belief in our collective work drives me to keep going, continuously challenging and inspiring me to make a difference.



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  • Curator at Large: The London Lowdown

    Curator at Large: The London Lowdown


    Uncover six exhibitions we think you should see in London before spring, from Japanese Art History à la Takashi Murakami to tech-tinged dreamscapes.

    By Sophie Heatley | 16 Jan 2025

    With Christmas behind us and New Year resolutions underway (kind of), I can’t quite believe we’re already halfway through January 2025. Torn between being thrilled that the hardest month of the year is almost over and somewhat shook at how quickly it’s gone, I’m distracting myself with the fortification of my arts and culture diet. Now definitely feels like a good time to sit back, have a coffee, and plan a few exhibition visits. Here are six we think you should check out in the next few months.

    Curator at Large: The London Lowdown
    Installation view, Japanese Art History à la Takashi Murakami, Gagosian, Grosvenor Hill, London | Photo: Prudence Cuming Associates Ltd

    Gagosian London presents new works by Takashi Murakami, reinterpreting iconic Japanese art through his signature lens. Blending tradition and modernity, Murakami explores Japan’s cultural evolution post-Edo period, pairing mythical guardians of Kyoto with contemporary landscapes. Using AI, sketches, and past works, Murakami reimagines historical motifs with vibrant inventiveness. Highlights include his take on the Four Symbols and re-workings of Matabei’s Rakuchū-Rakugai-zu and the Rinpa school. Also for the diary: the artist will be in conversation with Hans Ulrich Obrist on December 11 at the Royal Academy. 

    Gagosian Grosvenor Hill, London, until 8 Mar 2025

    Curator at Large: The London Lowdown
    Neena, aan uthii—Acaye Kerunen Installation View | Courtesy of Pace Gallery

    Pace presents Neena, aan uthii—Acaye Kerunen’s vibrant UK solo debut. Translating to See me, I am here in Alur, this exhibition showcases sculptures, sound installations, and performance inspired by Ugandan communities and ecological knowledge. Based in Kampala, Kerunen combines visual art, performance, and activism in climate-conscious creations. Her vivid tapestries use natural dyes from roots, flowers, and grasses, blending rich hues like indigos, tangerines, and fuchsias that reflect Uganda’s diverse landscapes. I wouldn’t want to miss this immersive celebration of embodied knowledge and environmental artistry.

    Pace, London, until 22 Feb 2025

    Curator at Large: The London Lowdown
    Installation view of Lawrence Perry: They Shoot Horses, Don’t They? at IBF Contemporary, London | Photo: Tom Carter

    Lawrence Perry’s psychologically charged, witty paintings bring universal fables into sharp, contemporary focus. Blending sumptuous textures with uncanny worlds, his work explores themes of desire, violence, and image saturation. Ambitious and visceral, the show crowns Perry’s unique and arresting style, an aesthetic that fuses Renaissance opulence with 70s Californian excess. 

    IBF Contemporary, London, until 12 Feb 2025

    Curator at Large: The London Lowdown
    Installation view of Claudia Martínez Garay: Borrowed Air | Courtesy of GRIMM Gallery

    Following acclaimed shows at Nottingham Contemporary and Dundee Contemporary Arts, GRIMM Gallery presents Borrowed Air, Martínez Garay’s third UK solo exhibition. Exploring “moments of rupture” where European modernity collides with Andean cosmo-visions, her works in printmaking, etching, and painting give voice to historically underrepresented perspectives. Pieces like Intrusos en sus tierras (2024) challenge official histories, using school textbook aesthetics and a striking brown-white chromatic motif to confront colonial narratives with political and emotional depth.

    GRIMM, London, until 22 Feb 2025

    Curator at Large: The London Lowdown
    Installation view of Jana Schroder: M. I. G. H. T | Courtesy of Skarstedt Gallery

    Showcasing a selection of new paintings across three different series: SYNACLIPS, FRONTRACKS SYNACLIPS SPE and CORTEXOPHIS, Jana Schroder: M. I. G. H. T. explores the Metamorphosis in Generative Human Thinking (M.I.G.H.T.), an acronym devised by the artist to evoke ambiguity and doubt. Immersed in a tech-tinged dreamscape, Schröder explores the clash between digital floods of information and our analogue minds, reflecting how constant connectivity is reshaping our perception and attention– and not necessarily for the better. Biomorphic shapes undulate in vivid pinks, greens, yellows, and blues, like neural networks suspended in water—a mesmerising look at our evolving relationship with technology.

    Skarstedt, London, until 1 Feb 2025

    Curator at Large: The London Lowdown
    Installation view from Jonathan McCree’s Through The Wrong End Of A Telescope | Courtesy of Sim Smith Gallery 

    I couldn’t not include Jonathan McCree’s Through The Wrong End Of A Telescope. A playful, improvisational journey, McCree’s third solo show with the gallery features a constellation of cardboard, cast aluminium, folded metal sculptures, paintings, and drawings in a fluid exploration of lived experience and non-linearity. Each piece invites viewers into a dynamic game of perception, challenging them to carve their own unique path through its emergent relationships. 

    Sim Smith, London, until 8 Feb 2025



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