برچسب: Forth

  • Hundreds of Huge Flowers Spring Forth in Carly Glovinski’s Monumental ‘Almanac’ — Colossal

    Hundreds of Huge Flowers Spring Forth in Carly Glovinski’s Monumental ‘Almanac’ — Colossal


    “Gardening gives one back a sense of proportion about everything—except itself,” author May Sarton (1912-1995) wrote in her book Plant Dreaming Deep (1968), a journal about discovering a love of tending to the land. For Carly Glovinski (previously), the sentiment incidentally frames something of a raison d’être for the artist’s remarkable large-scale floral installation at MASS MoCA.

    Glovinski was especially moved by Sarton’s book The House by the Sea (1977), which traces the author’s move from New Hampshire to the seacoast of Maine. The vibrancy of gardens spurred the artist’s fascination with flowers, culminating recently in an expansive work titled “Almanac.”

    a segment of a large, full-wall installation of numerous flower painting cutouts that resemble giant pressed flowers all along a white wall

    Celebrating the diversity and dynamism of blooms, the piece explores ideas around placemaking and the passage of time. “For Glovinski, the garden is a metaphor for collapsed time and perishable memories,” says an exhibition statement. Along with Sarton, the artist also draws on poet Emily Dickinson’s love for plants, channeling literary reflections on connecting with the simple pleasures—and sublime chaos—of nature.

    “Almanac” takes its name from the annual guide that forecasts weather and a provides calendars for astronomical events, tides, and planting. The piece took more than a year to complete and comprises hundreds of pressed flower paintings made with washy acrylic paint applied to both sides of semi-transparent mylar. The gestural brushstrokes on translucent material evoke a sense of lightness and delicacy, like real petals blown up to larger-than-life size. Above the installation, she’s labeled segments with the months the blooms appear.

    Glovinski references pressed blossoms that she has grown, harvested, or collected from friends, nodding to Emily Dickinson’s love of the practice. (The poet created a stunning herbarium containing 424 specimens collected around her home in Amherst, Massachusetts.) “By observing, tending, and preserving flowers, ‘Almanac’ becomes both a visual record of the seasons and a commentary on the labor of care,” the museum says.

    See more on Glovinski’s website and Instagram.

    a detail of a large, full-wall installation of numerous flower painting cutouts that resemble giant pressed flowers all along a white wall
    a detail of a large, full-wall installation of numerous flower painting cutouts that resemble giant pressed flowers all along a white wall
    a large, full-wall installation of numerous flower painting cutouts that resemble giant pressed flowers all along white walls
    a hand holds a large painted cutout of a flower, in front of numerous others already installed on a wall, to show a realistic rendering of a large-scale yellow bloom that looks pressed





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  • A Forth Attempt | Dennis Blatchley

    A Forth Attempt | Dennis Blatchley


    Dennis Blatchley | Episode 1074

    Dennis Blatchley is a ceramic artist living and making in Cornwall, United Kingdom. Dennis makes a wide range of slipcast terracotta tableware with a distinct matt finish. Dennis’ work comes in a choice of colours, that can be ‘mixed and matched’ to create a variety of exciting colour combinations.

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    What makes this attempt different from the past?

    It is certainly different because I have the support of my partner. I wouldn’t be able to do it if she didn’t have a steady job, if we couldn’t afford to possibly lose money. It’s all in the end about the capital that had to go into making the work.

    What does a making day look like for you? What does it mean for you to make your garden shed area work for you?

    I get up in the morning, I put on my wellies, I go into my shed and put on what is a terrible little heater, it doesn’t really give out any heat. I think it’s psychosomatic and makes it feel like there’s some heat. And I don’t have running water in there so I have to get various buckets of water, I put on some music, I clear the space, and I start making some pots.

    How often are you able to fire your kiln?

    Probably on average every couple of weeks.

    You are a growing business. How do you keep track of your customers?

    I don’t and I should. And that is something I need to set up. I need to have a mailing list and I don’t at the moment. People contact me mainly through Instagram.

    What is the next piece that you would like to develop?

    At the moment I am trying to work on what’s essentially just a large bowl with a lid. It’s quite big, like a large salad bowl with a lid but it’s proving very problematic. The biggest problem I have with my work is warping. I fire my earthenware clay to quite a high temperature and so any sort of discrepancy in thickness it really punishes me for. So that’s the goal next year hopefully, if I can pull that off I will be pleased.

    What is one thing you love about having a small workspace?

    Oh well, the turn over. The fact that I can fire my kiln every couple of weeks. I mean opening the kiln, putting stuff in the kiln, and firing pots is basically what I love. It’s the drama. Making pots is a mini drama. Every pot I make, it’s a little drama. I’m trying to make that pot even if I have made that shape many times before, I am trying to make the best version of that shape every single time and then I stick it in the kiln and every time I am hoping it is going to be the very best version of it. Having a small kiln, that’s the joy of it. I fire a lot. I am opening the kiln a lot. I’m getting stuff out a lot, assessing it, feeling good or bad about it depending on how things have gone and then moving on. So that is the pleasure of having a small space and a small kiln.

    Book

    Remembrance of Things Past by Marcel Proust

    Contact

    dennisblatchleyceramics.com

    Instagram: @dennisblatchley.ceramics





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