برچسب: Happy

  • A Happy Maker | Lyndsey Roberts

    A Happy Maker | Lyndsey Roberts


    Lyndsey Roberts | Episode 1062

    When Lyndsey Roberts was seven, her mother gifted her a toy potter’s wheel. That one gift sparked a bone deep, lifelong love for ceramics. Lyndsey went on to get her BFA in ceramics from UNCA, and has been doing her best to make her little seven year old self as proud as possible.

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    What is your favorite tool in the studio?

    Well, the Air Pen is definitely at the top of that list and I am not saying that because they pay me to say it. I also think the wet boxes are one of my favorite tools just because it gives me the flexibility to make work and take the break that my body needs in between the process of throwing and trimming. I no longer lose work in the meantime, every potter knows how devastating it is to spend hours making something and to miss your window because of the temperature outside.

    What is a tool you don’t use very often but you would not get rid of?

    Probably my metal ribs. I don’t like metal ribs very often because I tend to cut myself on them, but they are really great for specific things. If I am making a pot that I want a little extra detail I can take my Dremel and create a shape on a metal rib that will give me a template that I can press clay into and I can get a pattern from it. So, for that reason I keep my metal ribs around but I don’t use them for any other reason.

    Who is one maker who inspires you to be better?

    Danny Meisinger. I hope I am saying his last name correctly. I follow him on Instagram and I am lucky enough to have some of his mugs from NCECA. He throws big and throws these really big round jars, not jars, they are vases or bottles with tiny openings. I watch him to kind of learn and be inspiration for what I can do and hopefully one day I will be able to make large, round forms.

    You devote so much of your time to making, how does art improve the world?

    I think it makes it a happier place. It sparks our imagination. Which I think adults need more of, we take ourselves way too seriously. And art kind of demands your attention. It’s a wonderful opportunity to take yourself out of your own life and to immerse yourself in something somebody else has made that isn’t something that you would see normally and just allow your imagination to play with it.

    When people describe you what kind of words pop up?

    Lately I have been described as intense. (laughter) Creatively intense. I have very specific ideas of what I want to make. Usually people say that I am very funny. I definitely make people laugh a lot. Probably they would say that I’m a little weird or eccentric.

    Book

    The Alchemist by Paulo Coelho

    Catching the Big Fish by David Lynch

    Contact

    lilacmoonceramics.com

    Instagram: @lilacmoonceramics





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  • Happy Monsters | Karen Dance

    Happy Monsters | Karen Dance


    Karen Dance | Episode 1075

    Peacefully working from her home studio on Vancouver Island, Karen Dance pursues her desire to create out-of-the-ordinary pottery pieces. Karen is inspired by the human form, natural movement, expressive features, and all the wonders found in nature. With over 35 years as an artist in many mediums, it was the melding of Karen’s education at CMU Creature design and prosthetics along with Ceramics training at Sheridan college that led her on this path of exploration.

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    For all your ceramic needs go to Georgies.com

     

    The preferred printing supplier for potters everywhere! SmallDogPrints.com

    Do you start with an emotion when you make your characters?

    I would say no. Emotions will come forward but I don’t necessarily start with an emotion before I put my hands to the clay.

    Do you see a monster in the clay when you start? Do you see that character before you start working on piece? 

    If I have been asked to make it, no. If I am doing it just because I want to, yes. I can see it there.

    Why does that change how you approach the piece?

    The pressure.  The pressure of trying to make something amazing for somebody and they give you free reign and having absolutely no pressure, just oding whatever my hands want.

    Do you ever repeat a piece? Repeat a monster?

    Occasionally, if I have a customer who saw something in my shop that they would really like me to make. I will make several of those but they are not always the same. How can they be?

    Do you find that the majority of the personality comes out in the eyes or is it the mouth. Where is the seat of the personality in your work?

    There’s a real nuance when you are putting to character to life. When you are introducing yourself to it. It can be really subtle. It can be the eyebrow. It could be the smirk. So I would say mostly from the eyes but it can also be from something really subtle.

    What would make a monster a second?

    It would have to be a glaze flaw or a crack, that’s sort of thing. I tend to not sell them if they are duds.

    How much time in a week is spent in the studio? An average week?

    An average week I would say six to eight hours a day. Upwards to ten off and on. More than I should. Less than I could.

    Book

    Arthur Spiderwicks Field Guide by Holly Black and Tony DiTerlrizzi 

    Contact

    tiltedkilnworks.com

    Instagram: @tiltedkilnworks





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  • Happy Leyendecker Baby New Year 2025! – Lines and Colors

    Happy Leyendecker Baby New Year 2025! – Lines and Colors


    Happy Leyendecker Baby New Year 2025!
    Happy Leyendecker Baby New Year 2025!

    As I’ve done every New Year’s Eve since 2005, I’ll wish Lines and Colors readers a Happy New Year with one of J. C. Leyendecer’s New Year’s covers for the Saturday Evening Post, in this case marking the arrival of 1925.
    For more Leyendecker to while away your New Year’s day, check the list of Lines and Colors J C. Leyendecker posts at the end of this article.
    I wish you all a new year rich with artistic exploration and inspiration!



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