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  • Printmaking Hacks to Transform Cleanup Into Part of the Creative Process

    Printmaking Hacks to Transform Cleanup Into Part of the Creative Process


    Printmaking is one of the most engaging art processes for students, but it can quickly turn your classroom into a disaster zone. Inky rollers, murky water, and sticky plates can make cleanup overwhelming. Plus, it can require alternative materials that may be new to your classroom. With smart and efficient strategies, you can keep your printmaking tools in top shape while teaching students responsibility.

    Gain time-saving hacks, space-saving solutions, and teacher-tested tricks to make printmaking in the classroom easier than ever!

    students printmaking

    Smart Flow Stations

    Instead of having materials scattered across the room, try stations. This helps students move through the printmaking process with more independence. Give a clearly defined purpose and provide anchor charts to remind students about the purpose, steps, and materials for each station. Try breaking your stations down into the following: Inking, Printing, Drying, and Cleaning.

    Here are common materials to include at each station:

    • Inking: Inks, brayers, palettes, wipes, and paper towels.
    • Printing: Printing press, barens, or large spoons, newsprint, printing paper, and scrap paper.
    • Drying: Tables, drying racks, or clothesline and pins.
    • Cleaning: Sponges, buckets, soap, wipes, paper towels, and drying cloths.

    Space-Saving Storage Hacks

    No matter how large or small your teaching space is, printmaking storage requires extra care. Supplies like brayers, printing plates, and rags can pile up fast. To avoid clutter, think in terms of visibility, accessibility, and vertical space.

    Explore these three creative storage ideas:

    1. Brayers
      Brayers are often bulky to store in containers. Glue magnets to the handle and attach them to magnetic strips, or if there are holes in the handle, use small nails or adhesive hooks to utilize wall space.
    2. Printing Plates
      Store a class’s printing plates in a large accordion folder or collect each table’s printing plates in labeled pizza boxes. Ask your local pizzeria for box donations! Plus, they are easy to stack and will keep the plates clean and organized.
    3. Rags
      Dry wet rags and cloths on a retractable clothesline. Once dry, store in an over-the-door shoe or pocket organizer.

    Budget Drying Racks

    Drying prints is one of the biggest space challenges in a classroom because students are often rapidly printing multiples. If you don’t have access to a traditional drying rack, you’ll need to get creative. Immediately hang wet prints up using a clothesline and clothespins. Ask local grocery stores or bakeries for donations of rolling baking racks to store prints on. Tape newspapers under tables or desks and gently place prints under the table. If you have absolutely no space, send prints home the same day. Protect damp ink with “print sandwiches” using newspaper and cardboard.

    drying rack with art

    Team Effort Cleanup

    Are you the last one in the room scrubbing brayers and wiping tables? Cleaning up after a printmaking lesson takes time, but it doesn’t have to all fall on you. Creating a job system gives students ownership and accountability over materials and teaches them to respect the tools they use. Make students feel “official” with fun laminated name tags that have their cleanup role on them!

    Try these fun cleanup roles:

    • Brayer Boss: Cleans and returns brayers.
    • Plate Patrol: Wipes down and stacks plates, palettes, and trays.
    • Ink Inspector: Checks for inky fingers before anyone leaves and distributes wipes accordingly.
    • Table Technician: Ensures all tables are clean and dry.
    • Paper Picker: Picks up and recycles all paper scraps.
    • Print Pro: Organizes drying racks or hanging prints.

    No Sink Printmaking

    It’s easy to stick with drawing if you don’t have sink access. However, with some water-saving tricks and a bit of planning, you can still bring the magic of printmaking to your students! The goal is to remove most of the ink before rinsing and to conserve water. Grab a bunch of cheap spray bottles and pre-fill them with clean and soapy water, and you’re ready to go!

    mini spray bottle

    Follow these easy steps to make cleanup without a sink a breeze:

    1. Cover tables with newsprint or disposable tablecloths and toss them at the end of the period.
    2. Roll off excess ink from the brayers onto scrap paper.
    3. Spray soapy water on the brayers and roll onto a damp sponge or rag.
    4. Wipe the brayers down with a dry cloth and store.
    5. Use paper plates for palettes and throw them away at the end of the period.
    6. Provide wet wipes or DIY ones to clean hands.
    7. Keep shop towels on hand for emergency cleanup!

    Leftover Ink Ideas

    Leftover ink doesn’t have to go straight into the trash. In fact, it can lead to some of the most creative moments in your printmaking unit. About 5-10 minutes before it’s time to clean up, walk around and see if you notice leftover ink. Turn this opportunity into a mini challenge to foster sustainability! Prompt students to create a print using only what’s left on the brayer and plate.

    Here are four ways to use leftover ink:

    1. Pull ghost prints from the same plate.
    2. Save roll-off sheets for future collage or layering.
    3. Play with color mixing and gradations.
    4. Experiment with textured scraps of paper.

    printing plate, ink jar, and brayer

    Printmaking is truly all about the creative process, so why not invite students to extend the experience into cleanup? When you provide students with structure and empower them with responsibility, cleanup will transform from a chore into part of the learning. The key to success is preparing your hacks ahead of time and ensuring all systems are in place with clear expectations before students crack the printing ink open. These small routines build lasting habits and teach students that caring for their creative space is just as important as creating within it.

    What printmaking hack would you add to the list above?

    How do you incorporate cleaning into part of your students’ artistic process?

    To chat about printmaking with other art teachers, join us in The Art of Ed Community!

    Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.



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  • Fitting Pottery Into A Busy Life | Auguste Yung

    Fitting Pottery Into A Busy Life | Auguste Yung


    Auguste Yung | Episode 1088

    Auguste Yung is a half-Chinese, half-Swedish ceramicist working out of Los Angeles California. Auguste melds wheel throwing and hand building to create unique textures and forms inspired by nature. Despite a winding path that included studying international relations and then working in TV development, Auguste found his true passion when he stumbled upon ceramics during the pandemic.

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    Mudtools Products - Stone Leaf Pottery Tools you find indispensable. Mudtools.com

    How important is it to set aside time where that is when I do ceramics?

    Oh, I mean so important. We all know it takes a long time from start to finish to make any pieces but I think for me it’s easy to do that. Pottery never feels like work, it’s just something that I love doing in my free time. If I am not doing anything else that’s what I want to be doing. I want to be at the studio.

    How important is it to have the clay and resources readily available for you to be able to do it at the drop of the hat?

    Yeah, like you said, with a really busy schedule everything else has to be set up so I can just quickly sit down and start working. Because sometimes I will only have 45 minutes or an hour to throw a couple of pieces and I feel like I am under the clock. So I almost have two sets of tools. I have my home set and my studio set and they stay right there at the wheel ready to go. Same with the clay. I try to do as much prep as I can so I can be ready to go at the drop of a hat.

    Does that mean you are keeping your supplies readily accessible also? Do you keep an inventory available at all times?

    Well, it’s not so much an inventory. At home I just have a couple of bags and I am also recycling clay. I usually have a schedule and if I am starting to run out of clay I will put this out on the board and that will dry in time. And at the community center where I go they just have a big clay room where I can buy clay.

    How important is it to have things in process?

    My process is a little chaotic honestly. Where at any given point I have things that need to be bisqued, I have things that need to be glazed, I have things that need to be trimmed, and there are the things that I want to throw. So I feel like at any given time I have pieces that are at every stage that need to be tended to. So no matter what it always feels like if I cant think of something that I want to do in terms of throwing I know I have things I need to glaze or things I have to trim. There’s something to do no matter what.

    Has community been at all important to the development of your ceramics?

    The community has been so huge and so important. I mean some of my best friends now are people that I met at the studio and we see each other outside of the studio all the time and we hang out. Just being at the studio as well, you gain so much from having other people around you.

    How important is the response of your audience as a motivator for you to keep at it?

    I mean, it’s been such a nice thing to have truly, the positive response to when I started posting on social media and stuff. And you know, every once in a while I will get a random DM saying, Hey I just wanted to say I really love your work and I love watching your videos. It really means so much to get a message like that. In day to day life I am not getting that so much at work. You know, you might get a good job or whatever, but you are not getting a message that says, That thing you are doing, I really like it and it’s really inspiring. I would be doing pottery if no one ever watched it but it’s really affirming and heartwarming when people say, I really like what you are doing that’s really cool.

    Book

    Middlesex by Jeffery Eugenides

    North Woods Daniel Mason

    Contact

    augusteyung.com

    Instagram: @augusteyung





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  • She Got Into Pottery Through Buttons | Rebecca Graves Prowse

    She Got Into Pottery Through Buttons | Rebecca Graves Prowse


    Rebecca Graves Prowse | Episode 1091

    Rebecca Graves Prowse, founder of Gravesco Pottery, traded her 20-year corporate retail career for a pottery wheel in 2010. From her Indianapolis studio, she crafts modern, functional ceramics that blend classic design with handmade character. Her background in retail design influences her aesthetic, creating pieces that enhance daily rituals and become cherished heirlooms for collectors nationwide.

    SPONSORS

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    Number 1 brand in America for a reason. Skutt.com

     

     

    Georgies Logo

     

    For all your ceramic needs go to Georgies.com

     

    Mudtools Products - Stone Leaf Pottery Tools you find indispensable. Mudtools.com

    How does your day start for you in the studio?

    My day starts with checking in with everybody on the team first and making a list of what I am going to do for the day. And that has to be on paper.

    How do you finish a day in the studio?

    First thing I do is everything that I had on paper all day into Notion, which is an app for organizing and project management. And then I hit the reset button so the studio is fresh and clean for the next day.

    What do you mean hit the reset button?

    At the end of the day every tool gets put away, everything gets wiped down and cleaned up so the next morning when I come in it’s like the reverse of making your bed in the morning. I hit the reset button by making it all fresh.

    What do you do to keep the air quality clean in your studio?

    A few different things. Everything gets damp cleaned. I have an air filter system. I have large dust collectors as well that we turn on at the end of the day. I have a floor scrubber that we use regularly that’s a wet scrubber.

    Do you have people help make your work?

    Yes. In different phases I have had other production potters work for me. I don’t right now but Mackenzie helps with trimming and glazing and loading kilns and MacKenzie and Cassie will help with some of the handling.

    What does it take to get something from an idea into actual production?

    It’s usually rolling around in my noodle and I will sit down and do 15 or 20 iterations of it in clay with subtle changes and different amounts of clay and slightly different heights. Once it’s fired it comes down to how does it feel and function and I will pick one or two out of the batch and work to refine those.

    Book: Dr WIll Cole

    41:30

    Are you using any commercial clay or glazes?

    Yes, I am currently using Standard clay. I have also used Kentucky Mudworks. I love both of them. I mixed for awhile myself and I do not have the desire to do that hard of work. And I mix almost all of my own glazes. This year for the first time I used a couple of spectrum glazes for accent work and some Stroke and Coat for some detail work.

    Book

    The Inflammation Spectrum by Dr Will Cole

    Contact

    gravesco.com

    Instagram: @gravesco





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  • A Window into the History of Mystery Religions and Ancient Spirituality – Veronica Winters Painting


    The Eleusinian Mysteries: A Window into the History of Mystery Religions and Ancient Spirituality


    Delve into the enigmatic world of the Eleusinian Mysteries! This video explores the ancient Greek rituals, their connection to the cult of Demeter and Persephone, and the potential role of psychedelic substances like the “kykeon” in inducing altered states of consciousness. We’ll examine the archaeological evidence, historical accounts, and philosophical interpretations of these sacred rites, uncovering the mysteries surrounding death, rebirth, and the pursuit of esoteric knowledge in ancient Greece Although the use of psychedelics is a forbidden topic in our society, ancient cultures have used them for centuries. Join me as I dive deep into the secrets of Demeter’s ancient cult, sacred space and architecture in Eleusis!

    https://www.youtube.com/watch?v=RFUU8yxs5yU

    Video on Youtube: https://youtu.be/RFUU8yxs5yU

    To see pictures of the place and read more: https://veronicasart.com/what-lies-beneath-demeters-ancient-cult-of-eleusinian-mysteries-psychedelics-death-god/

    Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com



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  • Transforming Trauma into Healing Through Artistic Expression – Veronica Winters Painting

    Transforming Trauma into Healing Through Artistic Expression – Veronica Winters Painting


    William Sergeant Kendall, art interlude, 1907, oil on canvas, American Art Museum at the Smithsonian
    William Sergeant Kendall, art interlude, 1907, oil on canvas, American Art Museum at the Smithsonian

    Art therapy emerges as a powerful healing technique that goes beyond traditional medical treatments. More than a simple creative outlet, it represents a profound journey of emotional and physical restoration. Individuals facing challenging life transitions discover unexpected solace through brushstrokes, sculptural forms, and creative expression. The human capacity to transform pain into beauty finds its most eloquent manifestation in artistic healing practices that have existed for centuries.

    Art becomes a process of internal reconstruction, allowing individuals to externalize complex emotions, rebuild physical capabilities, and reclaim personal narratives. In this article, let us understand the power of healing through art as a therapy.

    The Healing Power of Creative Expression 

    When words fail to capture trauma’s impact, art creates space for emotional processing. Art therapy helps individuals on the path of recovery externalize the feelings that might otherwise remain buried. 

    Studies from the American Congress of Rehabilitation Medicine show that creating art reduces cortisol levels. Additionally, viewing a beautiful painting can increase blood flow to the part of the brain associated with pleasure by up to 10%. This stress reduction contributes significantly to overall healing and pain management.

    The physical act of creating art engages different neural pathways than those typically used in standard rehabilitation exercises. Painting, drawing, and sculpting involve fine motor control that helps rebuild dexterity after injuries. A 2025 study was published by Taylor and Francis on stroke patients who participated in museum-based art therapy. The intervention resulted in a decrease in depression scores going from 6.6 to 4.2.  

    Art creation offers a sense of control when physical limitations feel overwhelming. Somatopia states that engaging with color, texture, and form through scribbling provides sensory stimulation that can break through post-traumatic numbness.

    Transformed Through Tragedy: Artists Who Found Their Voice After Injury 

    Frida’s book displayed in her museum in Mexico City.

    Frida Kahlo’s artistic career blossomed following a devastating bus accident that left her with lifelong pain. Her intimate self-portraits exploring suffering and resilience continue to inspire countless injury survivors. 

    Kahlo once wrote, “I paint myself because I am often alone and I am the subject I know best.” 

    Contemporary artist Chuck Close reinvented his approach after becoming partially paralyzed from a spinal artery collapse. Unable to create his photorealistic portraits using previous methods, Close developed a grid technique that accommodated his physical limitations. His adaptation demonstrates how creative problem-solving can overcome seemingly insurmountable obstacles. Many lesser-known artists have similar stories of finding their creative voice while healing. 

    The Science Behind Art’s Healing Effects 

    Scottish national gallery sphinx-veronica winters art blog
    Scottish National Gallery, painting close-up showing the Sphinx. Traditional paintings display beautiful color harmonies that you can be inspired by to use in your art projects.

    Neurological research confirms what many survivors intuitively discover through artistic practice. Brain imaging studies show increased activity in regions associated with pleasure, focus, and emotional regulation during creative activities.

    As per a study by Wiley, 70% of people on the planet are estimated to face at least one traumatic event throughout their lifetime. Furthermore, post-traumatic stress disorder will affect about 1 in 11 persons globally. Interventions based on the visual arts can improve positive non-PTSD symptoms including post-trauma and quality of life. 

    In contrast to talk-only therapies, art therapy may foster curiosity, playfulness, and creativity. This helps individuals share traumatic experiences and results in a reduction in PTSD-specific symptoms such as avoidance.

    As per Kids First, color psychology plays a role in emotional healing during art therapy sessions. There are different techniques of utilizing color in art therapy, they include:

    • Color Journaling: Individuals gain insights into emotional states and identify patterns in their moods and feelings over time.
    • Color Mapping: Allows individuals to visualize their emotional landscape, promoting greater self-awareness and understanding.
    • Color Meditation: Helps individuals focus their minds, reduce stress, and enhance emotional resilience, making it a powerful tool within art therapy.
    White crane, a closeup of a Japanese temple decoration.

    Legal Considerations During Creative Recovery 

    The journey of healing through artistic expression often coincides with navigating complex legal matters. In instances such as personal injury, victims may often find themselves dealing with insurance claims and compensation issues. 

    In such situations, a personal injury attorney can manage these legal complexities while survivors dedicate their energy to therapeutic pursuits like art. Many who benefit from creative rehabilitation need to document their full recovery journey. This documentation helps establish the comprehensive impact of injuries beyond immediate medical expenses. Art therapy sessions, supplies, and related expenses may factor into recovery costs worth considering in legal contexts. 

    According to TorHoerman Law, the financial compensation sought by the injured is referred to as “damages.” They are mainly of two kinds: economic and non-economic. They involve lost wages, permanent disability, emotional distress, loss of property, medical bills, pain and suffering, etc. 

    The holistic approach to healing often requires professional guidance on multiple fronts. Just as art therapists provide specialized support for emotional and physical recovery, legal professionals handle paperwork and negotiations. This division of labor allows those healing to maintain focus on the creative processes that contribute to their well-being. For those incorporating art into their recovery journey, keeping detailed records of how creative practice affects their healing can prove valuable. 

    These records may demonstrate improvements in motor skills, emotional well-being, and overall quality of life, all factors that comprehensive case evaluations should consider.

    Incorporating Art Into Your Recovery Journey 

    The process matters more than the product when using art therapeutically. Many participants worry about artistic quality, missing the fundamental benefit of expression itself. Recovery-focused art prioritizes emotional release and physical engagement over aesthetic outcomes. There are even methods that do not require any kind of artistic intervention if you are concerned about the outcomes of your artistic quality.

    Known as the color visualization meditation, it is one of the simplest yet effective mindful methods. As per New Perspectives, all you have to do is pick two colors; one being the healing and the other being the releasing. Now, close your eyes and imagine the air you breathe in as the healing color, and the air leaving as the release color.   

    This technique combines mindfulness with creative visualization, requiring no artistic skill yet offering immediate comfort. Through creative expression, individuals discover new pathways to wholeness that complement traditional medical approaches. 

    Frequently Asked Questions (FAQs)

    1. Why is community involvement important in art therapy? 

    Participating in group art therapy sessions fosters connection and reduces isolation during recovery. Whether through collaborative murals or poetry workshops, creative communities offer support, motivation, and shared experiences that help individuals heal emotionally and socially.

    2. How can injury-related stress impact creative recovery? 

    Coping with physical pain and legal complexities can be overwhelming, making creative outlets essential. Many find that while recovering, seeking guidance from a personal injury attorney helps ease financial and legal stress. This allows them to focus on artistic healing without added burdens. 

    3. What forms of art therapy are most effective for personal recovery? 

    https://veronicasart.com/product-category/step-by-step-drawing-tutorials/

    Different creative outlets work for different individuals. Music therapy calms anxiety, painting provides emotional release, and movement-based art like dance enhances physical rehabilitation. Experimenting with various forms helps people discover the best therapeutic approach for their healing journey. Beginning a creative practice during recovery doesn’t require artistic talent or experience. Many rehabilitation centers now offer art therapy programs led by certified professionals. These structured sessions provide guidance tailored to specific injuries and rehabilitation goals. 

    For those recovering at home, simple supplies like colored pencils and sketchbooks offer accessible starting points. Online communities provide support for beginners exploring art during recovery. Many websites connect injury survivors with resources and virtual workshops designed for various physical abilities.

    how to color like an artist_coloring book_veronica winters
    https://amzn.to/4bbYT81



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