برچسب: Pottery

  • The Potters Cast | Pottery | Ceramics | Art | Craft : A Return to the Original Clay Podcaster | Brian R Jones


    Brian R. Jones grew up in Syracuse, NY and is now an artist living and working in Portland, OR. He has been a resident artist at Watershed Center for Ceramic Arts in Newcastle, ME and The Clay Studio in Philadelphia, PA. He has earned degrees from The New York State College of Ceramics (BFA) and Southern Methodist University (MFA). He was a presenter at the Utilitarian Clay VI: Celebrate the Object at Arrowmont School of Arts and Crafts in September 2012. In 2013, Jones was selected as an Emerging Artist by the National Council on the Education in the Ceramic Arts.



    Source link

  • Using Cafe’s To Teach Pottery Classes | Purvi Fumakiya

    Using Cafe’s To Teach Pottery Classes | Purvi Fumakiya


    Purvi Fumakiya | Episode 1040

    Purvi Fumakaya is a fashion designer turned potter, shaping composite forms inspired by her journey of balance amidst life’s challenges. With an eye for order and flair borrowed from fashion, Purvi crafts pieces that harmonize structure and creativity. Each creation tells a story of resilience and beauty born from adversity

    SPONSORS

    Image result for Patreon logo  You can help support the show!

    Skutt Logo

     

     

    Number 1 brand in America for a reason. Skutt.com

     

     

    Georgies Logo

     

    For all your ceramic needs go to Georgies.com

     

    How do you go about asking a cafe if you can have pottery class in their cafe?

    Those place had already hosted art workshops and a couple of them had already hosted a clay workshop so it was pretty much they already had that concept in mind with what was going to happen. So it was easy to ask them for time that was available.

    How much does a cafe require, is it a percentage or a flat rate?

    Yes, it is percentage. Most of the spaces there would be a cover charge where they could purchase something worth that much.

    How many students do you need per class to make it worth your while?

    I wouldn’t take anything more than eight students the reason being is it is a little difficult to give that much justice to each and every person because clay being a new medium for most of them. It is difficult for them to use at first so they always need help. It is always a guided demonstration so eight people is the max I would take.

    Do you have all your teaching tools packed up in a bin so that it is easy to take?

    Oh yes. I do keep them separately for the workshop so once I come back I will just clean them up in a box where all the workshop tools go.  The canvases and everything I will just clean them up and put them together. So it’s easy to carry for next time.

    How far in advance do you start advertising for your workshops?

    I would say a week before. I would start on Monday if it is on a Saturday or Sunday.

    Wow. That’s short notice.

    Well generally people don’t decide what they are going to do on the weekend until it’s Wednesday. So Wednesday is when people start to register early. Some people call Saturday morning saying they want to join. I mean definitely it is a pre-registered workshop so if there is a spot available they would ask for it in the morning.

    Have you had a chance to connect with potters in Connecticut?

    Yes, I have. I made an appointment to meet some potters. It is a great community out here.

    Book

    The Boy, the Mole, the Fox, and the Horse by Charlie Mackesy

    Contact

    Instagram: @tattva_kala





    Source link

  • The Great Canadian Pottery Throwdown | Andrew McCullough

    The Great Canadian Pottery Throwdown | Andrew McCullough


    Andrew McCullough | Episode 1042

    Andrew McCullough is a studio potter based in Fredericton, New Brunswick, Canada. After taking some time away from pottery to further his education–and work in New Brunswick politics–he appeared as a competitor on The Great Canadian Pottery Throw Down’s first season. He is now opening a community pottery studio in downtown Fredericton to make pottery more accessible in his area.

    SPONSORS

    Image result for Patreon logo  You can help support the show!

    Skutt Logo

     

     

    Number 1 brand in America for a reason. Skutt.com

     

    Georgies Logo

     

    For all your ceramic needs go to Georgies.com

     

    The preferred printing supplier for potters everywhere! SmallDogPrints.com

    The people on the show The Great Canadian Pottery Throwdown seemed very kind and without nastiness. What the show really kind?

    The show was just as kind as what you would imagine from watching it. All the relationships that we had were super genuine and we truly wanted every person to do as best as they could.

    Did you feel prepared?

    I definitely felt rusty going into the show. I was one of the only people in the cast who wasn’t doing it close to full-time before hand. However I was confident of my ability on the wheel so I said if I can shine there I’ll be happy.

    Were you given an opportunity to practice the things that are being presented for you to do that day?

    Yeah, we had some of the challenges given to us in advance, so we could plan and prepare at home. While we were in Vancouver we also had one time a week where we could go to  a place called Mud Lab studio in Vancouver to practice whatever we wanted in preparation for the show.

    When the show aired how did that impact your life?

    The biggest impact the show had for me was giving me a chance to step back into the pottery world on my own terms. Like I said, I had been out of the world and now with myself being reintroduced to Canada nationally I can take the opportunity to do what ever I want which is to open a community pottery studio.

    Do you feel like your business is going to be stronger as a result of being on the show?

    I absolutely feel that being on the show will help my business and the studio that we are creating here. Getting that sort of national attention can only be helpful. Now what matters is what we do with that little bit of extra platform.

    What is one thing that you would do differently if you were on the show again?

    That’s a really good question. My answer is not going to be what happened on the show but I would have wanted to spend even more time with my fellow contestants outside of filming. We spent all of our free time together I wish the times I stayed home in the hotel room I would have actually stayed out with them because they are all amazing people.

    Book

    A Potter’s Book by Bernard Leach 

    Contact   

    nuceramics.ca

    Instagram: @nuceramics

    Help Get The Great Canadian Pottery Throwdown renewed:  change.org/savepottery





    Source link

  • Skip the Bisque: 4 Creative Project Ideas for Single-Fire Pottery Success!

    Skip the Bisque: 4 Creative Project Ideas for Single-Fire Pottery Success!


    Clay projects are magical! However, managing clay is one of the more labor-intensive tasks in the art room. You have to prepare the clay and slip, shift projects around as they dry, load the kiln, bump the temperature, cool it down, unload the kiln—and repeat. The process is beautiful but it demands time and effort. If you only have one day and a classroom full of energetic students, try single-fire pottery! This time-saving technique skips the bisque stage and lets you build and glaze in one class period. Bring the joy of clay to your students without sacrificing creativity or quality.

    Let’s explore how single-fire pottery can turn your art room into a hub of stress-free creativity!

    student building a coil pot

    What is single-fire pottery and how does it work?

    Single-fire pottery lets students build and glaze clay pieces on the same day. This saves time and uses the glaze’s adhesive properties to your advantage. Normally, you probably warn students not to glaze the bottoms of their pieces to prevent sticking to the kiln. While you still want to do this, with single-fire pottery, use that stickiness to your strategic advantage and streamline the process! Glazing wet clay ensures pieces stay securely attached during firing.

    Important Tip:

    It’s crucial to match the cone of the clay with the cone of the glaze to ensure a successful single-fire process. If you’re using a low-fire (05) clay, pair it with a low-fire (05) glaze. Mismatched clay and glaze cones can lead to underfiring, glaze defects, or incomplete bonding. Always double-check your clay and glaze compatibility to prevent issues and achieve optimal results!

    Why try single-fire pottery?

    Single-fire pottery isn’t just about saving time. It can transform how you and your students experience clay and how you steward your budget and resources.

    Here are four reasons to embrace this innovative approach:

    1. Conserve Energy
      Firing once per project uses less energy, making this method more sustainable and environmentally friendly.
    2. Reduce Material Loss
      Because you handle pieces less often, single-firing minimizes the risk of breakage.
    3. Encourage Experimentation
      The wet glazing process introduces students to new techniques they can’t achieve with bisque-fired pieces.
    4. Simplify Planning
      With fewer steps, you can focus more on the creative process and less on logistics.

    How do I tell when it’s ready to fire?

    Drying single-fire pottery can be tricky without the color changes in the clay to guide you. For a reliable method, try the temperature test. Simply feel the clay with the back of your hand. If it feels cooler than your skin, it still contains moisture and isn’t ready for the kiln. When the clay matches your skin temperature, it’s ready to fire! When in doubt, it’s always better to give it more time. Waiting four weeks, even in humid conditions, is usually enough to ensure your clay is thoroughly dry and ready for the kiln!

    Are you ready to jump on the bandwagon?  Here are four one-day projects to get you started!

    1. Textured Landscape Tiles 

    clay landscape tiles

    Create clay landscape tiles that combine texture, layering, and glaze in one project. Start with a clay slab, trace a frame, sketch a landscape, and add texture. Glaze before adding elements like clouds, trees, and other small features. The glaze acts as the adhesive, eliminating the need for scoring and slipping. Glaze all the details and you’re done! Allow the tile to dry completely before firing for a vibrant, single-fired ceramic masterpiece.

    clay tile project in progress

    For a breakdown of this lesson, including a planning guide and process photos, check out the Ceramic Landscape Lesson in FLEX Curriculum

    2. Coil Pots

    glazed coil pots

    How many times have you pulled coil pots from the kiln only to find separated coils? Avoid this heartbreak by having students build their coil vessels and apply glaze immediately. Follow your basic coil lesson. Scoring and slipping between coils is optional but recommended for added security. Once students construct their pots, glaze immediately. The glaze acts as an adhesive, helping the coils stick together and stay intact through the firing process. No more half-ruined pots lingering in your kiln!

    coil pot in progress

    If you don’t have a go-to coil pot lesson, no problem! FLEX Curriulum’s Coil Pottery Lesson is jam-packed with student-facing resources to ensure coil success. 

    3. Trinket Dishes

    coil trinket dishes

    Put a creative spin on your coil lesson by building out instead of up! Students start by outlining a dish shape on paper and then build outward from the center with coils, shaping and curling as they go. Roll one long coil and wrap it around the perimeter to keep everything contained. Smooth the bottom side of the dish, flip it over, and immediately apply glaze to the top. Glazing immediately prevents smaller coils from shifting during firing.

    Check out the Trinket Treasure Dish Lesson in FLEX Curriculum for step-by-step instructions and coil technique anchor charts! 

    4. Pet Pinch Pots

    pet pinch pot in progress

    Start with a basic pinch pot. Let students’ creativity transform it into a unique animal! Add features like legs, heads, tails, fins, or eyes to bring their animals to life. Glaze immediately. Scoring and slipping between pieces is optional since the glaze acts as the adhesive.

    how to make a pinch pot resource

    Head to FLEX Curriculum to explore student-facing resources, including a visual guide for how to create a pinch pot and assessments to help students reflect on their work and improve their techniques.

    Single-fire pottery is more than just a time-saver—it’s a creative shift that can redefine how you and your students experience clay. It simplifies the clay process, freeing up time, energy, supplies, and kiln usage. Single-fire pottery also creates stronger, more durable projects since the glaze acts as an additional adhesive. With fewer steps and more opportunities for innovation, take just one day to explore the magic of single-fire pottery.

    What are your student-favorite single-fire projects?

    To chat about ceramics with other art teachers, join us in The Art of Ed Community!

    Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.



    Source link

  • Pottery In Retirement | Brenda Lee Barron

    Pottery In Retirement | Brenda Lee Barron


    Brenda Lee Barron | Episode 1066

    Brenda Lee Barron is passionate about sharing her love of clay. Brenda loves to make functional items (wheel and handbuilding) to be used at your table whether it’s a meal for 1 or a gathering of 21. She is drawn to minimalist design because Brenda wants what you’re serving to be showcased on the white speckled plates, platters and bowls. You’ll sometimes find a touch of gold or a funky rim on her work.

    SPONSORS

    Image result for Patreon logo  You can help support the show!

    Skutt Logo

     

     

    Number 1 brand in America for a reason. Skutt.com

     

     

    Georgies Logo

     

    For all your ceramic needs go to Georgies.com

     

    The preferred printing supplier for potters everywhere! SmallDogPrints.com

    Retirement doesn’t mean recluse it just means different opportunities. Would you agree with that?

    Yes, one hundred percent I would agree with that. Retirement for me is doing things at my own pace, when I want to whether that is doing pottery every day or every other day.

    What does a day as a potter in retirement look like?

    So a perfect day look like getting up in the morning, making my espresso, journalling for a little bit. Then I have to play Wordle and then I go for at least a half an hour walk. I can walk along the river here which is absolutely beautiful and then I come back and go downstairs and do some making. I take lunch whenever I need to and head back down. Maybe sit outside for a bit depending on the weather and time of year and then wrapping up the day with relaxing and spending a lot of time scrolling on Instagram getting some inspiration as well.

    If that is a perfect day, how often does that take place in a week or a month?

    I would say in a week three or four days. Because I also have throw in the days when I leave the house to go to the pottery guild to do my teaching as well. So that is part of a perfect day as well. That is one or two days a week that I am doing that.

    So you are not not working, you are just working exactly the way you want to work.

    Correct. And there will be days where I will do nothing. Maybe clean my kitchen instead of pottery. That’s no fun.

    How do you know what to say yes to and what to say no to in order to keep life the way you want it?

    So right now the volume of what’s coming at me is manageable and the two opportunities that have recently presented themselves are two area, two paths that I would like to follow. So I said yes. I also, when I say yes, I have to feel it in my body. That may sound woo woo but the yes, I have to feel the yes inside of me. Sometimes I will think on it for a little bit and sometimes the yes will come right away. So I I do a little soul searching to make sure it aligns with myself.

    You mentioned teaching classes, as you are at this stage of life do you find it more pressing to be a mentor?

     Yes, I do. It feels good to give back and the guild where I work wheel throwing is the most popular thing. Everyone want to throw on the wheel. And my mission is to make hand building just as popular as the wheel throwing. So it feels good. And I like to see the creativity that people have that they don’t think they have.

     

     Books

    The Power of Now Eckert Tolle

    Big Magic Elizabeth Gilbert

    Contact

    pottery-by-brendalee.myshopify.com

    Instagram: @pottery_by_brendalee





    Source link

  • Pottery For Your Lifestyle | Jenny Cartee

    Pottery For Your Lifestyle | Jenny Cartee


    Jenny Cartee | Episode 1126

    Jenny Cartee is a potter living in the mountains of western North Carolina. Jenny makes mugs and other functional pots that she sells at our local farmers market and coffee shops. Jenny’s husband, Heath is a fly fishing guide and owns a guide service, Pisgah Outdoors. Jenny and Heath have two daughters, Annie and Molly. As a family they love the freedom that having their own businesses gives them to spend time with each other and their girls. Aside from pottery Jenny’s life passions are cooking, baking bread, hiking ,and identifying wildflowers.

    Screenshot

    SPONSORS

    Image result for Patreon logo  You can help support the show!

    Skutt Logo

     

     

    Number 1 brand in America for a reason. Skutt.com

     

     

    Georgies Logo

     

    For all your ceramic needs go to Georgies.com

     

    In order for pottery to be your lifestyle you need to know your life.

    Yes, you have to know what’s important to you and what’s your priority. I love making but I also really love being free enough to drop what I am doing and go do something with the kids or go do something with my husband. He has his own business as well, like I said he is a fly fishing guy and so he runs a guide service so he works a lot of weekends and then randomly have a Friday off. So it’s nice that I have the freedom to be able to drop everything and spend time with him. 

    Know your limits.

    Yes, I have definitely tested those throughout the years. The Christmas show is definitely very taxing every year. My girls were born during those years and I would take them to the show and carry them as infants at the show. It got us through those years but it’s nice now to know what I can produce comfortably and not be too taxing on my body.

    Know your profit margins

    Yeah, that’s an important piece to it, to know how much you are spending and all your expenses. A lot of that for me is by feel. When you are pricing stuff for the market and you start to put the price sticker on and it doesn’t feel quite right anymore then maybe I need to inch it up to where I feel good about it.

    Know your sales outlets

    Yeah, I think a lot of that is knowing the people that are coming to you. Coming to either the farmers market or to the coffee shop and the kinds of things they are into. Since we are in the mountains I do a mountain bike mug. I do a hiker mug. I do things that are sort of touristy but more a reflection of the area. 

    Know your failures and how to come back. What did you fail in and how did you come back?

    That’s a tough one because failures are all the time. You have markets that don’t work out. Or you have a whole batch of mugs that messed up for one reason or another. Or something new you are trying that doesn’t work out. It’s a constant if you are trying something new it’s not going to be perfect. It’s not going to be consistently working. If you are experimenting and taking a risk then you are going to have mess ups and failures along the way. But you just get up and try again.

    Book

    Rosie Revere Engineer by Andrea Betty 

    Contact

    jennycarteepottery.com

    Instagram: @jennycarteepottery





    Source link

  • Pottery Classes In A Distillery | Shaylise Sylvester | Episode 1084


    Shaylise Sylvester is an artist who lives in Fairbanks, Alaska, where she was born and raised. Shaylise discovered her passion for ceramics during her undergraduate studies and has been honing her skills for three years now. Shaylise is currently exploring and studying the history of ceramics, looking at historical artifacts, and finding her voice through her work. Shaylise tends to focus on wheel throwing but also enjoys the freedom of form that hand-building allows. Shaylise work is primarily functional at the moment, and she is interested in the development and history of functional pots. She also enjoys the idea of creating a functional pot that is unique and beautiful in shape. Shaylise had taught ceramics in California and now teaches at a local community studio in Fairbanks. Shaylise is currently a ceramics student at the University of Alaska Fairbanks and is preparing a portfolio for graduate school.

    https://ThePottesCast.com/1084



    Source link

  • Fitting Pottery Into A Busy Life | Auguste Yung

    Fitting Pottery Into A Busy Life | Auguste Yung


    Auguste Yung | Episode 1088

    Auguste Yung is a half-Chinese, half-Swedish ceramicist working out of Los Angeles California. Auguste melds wheel throwing and hand building to create unique textures and forms inspired by nature. Despite a winding path that included studying international relations and then working in TV development, Auguste found his true passion when he stumbled upon ceramics during the pandemic.

    SPONSORS

    Image result for Patreon logo  You can help support the show!

    Skutt Logo

     

     

    Number 1 brand in America for a reason. Skutt.com

     

     

    Georgies Logo

     

    For all your ceramic needs go to Georgies.com

     

    Mudtools Products - Stone Leaf Pottery Tools you find indispensable. Mudtools.com

    How important is it to set aside time where that is when I do ceramics?

    Oh, I mean so important. We all know it takes a long time from start to finish to make any pieces but I think for me it’s easy to do that. Pottery never feels like work, it’s just something that I love doing in my free time. If I am not doing anything else that’s what I want to be doing. I want to be at the studio.

    How important is it to have the clay and resources readily available for you to be able to do it at the drop of the hat?

    Yeah, like you said, with a really busy schedule everything else has to be set up so I can just quickly sit down and start working. Because sometimes I will only have 45 minutes or an hour to throw a couple of pieces and I feel like I am under the clock. So I almost have two sets of tools. I have my home set and my studio set and they stay right there at the wheel ready to go. Same with the clay. I try to do as much prep as I can so I can be ready to go at the drop of a hat.

    Does that mean you are keeping your supplies readily accessible also? Do you keep an inventory available at all times?

    Well, it’s not so much an inventory. At home I just have a couple of bags and I am also recycling clay. I usually have a schedule and if I am starting to run out of clay I will put this out on the board and that will dry in time. And at the community center where I go they just have a big clay room where I can buy clay.

    How important is it to have things in process?

    My process is a little chaotic honestly. Where at any given point I have things that need to be bisqued, I have things that need to be glazed, I have things that need to be trimmed, and there are the things that I want to throw. So I feel like at any given time I have pieces that are at every stage that need to be tended to. So no matter what it always feels like if I cant think of something that I want to do in terms of throwing I know I have things I need to glaze or things I have to trim. There’s something to do no matter what.

    Has community been at all important to the development of your ceramics?

    The community has been so huge and so important. I mean some of my best friends now are people that I met at the studio and we see each other outside of the studio all the time and we hang out. Just being at the studio as well, you gain so much from having other people around you.

    How important is the response of your audience as a motivator for you to keep at it?

    I mean, it’s been such a nice thing to have truly, the positive response to when I started posting on social media and stuff. And you know, every once in a while I will get a random DM saying, Hey I just wanted to say I really love your work and I love watching your videos. It really means so much to get a message like that. In day to day life I am not getting that so much at work. You know, you might get a good job or whatever, but you are not getting a message that says, That thing you are doing, I really like it and it’s really inspiring. I would be doing pottery if no one ever watched it but it’s really affirming and heartwarming when people say, I really like what you are doing that’s really cool.

    Book

    Middlesex by Jeffery Eugenides

    North Woods Daniel Mason

    Contact

    augusteyung.com

    Instagram: @augusteyung





    Source link

  • She Got Into Pottery Through Buttons | Rebecca Graves Prowse

    She Got Into Pottery Through Buttons | Rebecca Graves Prowse


    Rebecca Graves Prowse | Episode 1091

    Rebecca Graves Prowse, founder of Gravesco Pottery, traded her 20-year corporate retail career for a pottery wheel in 2010. From her Indianapolis studio, she crafts modern, functional ceramics that blend classic design with handmade character. Her background in retail design influences her aesthetic, creating pieces that enhance daily rituals and become cherished heirlooms for collectors nationwide.

    SPONSORS

    Image result for Patreon logo  You can help support the show!

    Skutt Logo

     

     

    Number 1 brand in America for a reason. Skutt.com

     

     

    Georgies Logo

     

    For all your ceramic needs go to Georgies.com

     

    Mudtools Products - Stone Leaf Pottery Tools you find indispensable. Mudtools.com

    How does your day start for you in the studio?

    My day starts with checking in with everybody on the team first and making a list of what I am going to do for the day. And that has to be on paper.

    How do you finish a day in the studio?

    First thing I do is everything that I had on paper all day into Notion, which is an app for organizing and project management. And then I hit the reset button so the studio is fresh and clean for the next day.

    What do you mean hit the reset button?

    At the end of the day every tool gets put away, everything gets wiped down and cleaned up so the next morning when I come in it’s like the reverse of making your bed in the morning. I hit the reset button by making it all fresh.

    What do you do to keep the air quality clean in your studio?

    A few different things. Everything gets damp cleaned. I have an air filter system. I have large dust collectors as well that we turn on at the end of the day. I have a floor scrubber that we use regularly that’s a wet scrubber.

    Do you have people help make your work?

    Yes. In different phases I have had other production potters work for me. I don’t right now but Mackenzie helps with trimming and glazing and loading kilns and MacKenzie and Cassie will help with some of the handling.

    What does it take to get something from an idea into actual production?

    It’s usually rolling around in my noodle and I will sit down and do 15 or 20 iterations of it in clay with subtle changes and different amounts of clay and slightly different heights. Once it’s fired it comes down to how does it feel and function and I will pick one or two out of the batch and work to refine those.

    Book: Dr WIll Cole

    41:30

    Are you using any commercial clay or glazes?

    Yes, I am currently using Standard clay. I have also used Kentucky Mudworks. I love both of them. I mixed for awhile myself and I do not have the desire to do that hard of work. And I mix almost all of my own glazes. This year for the first time I used a couple of spectrum glazes for accent work and some Stroke and Coat for some detail work.

    Book

    The Inflammation Spectrum by Dr Will Cole

    Contact

    gravesco.com

    Instagram: @gravesco





    Source link

  • Lake Superior Pottery | Jonathan Walberg

    Lake Superior Pottery | Jonathan Walberg


    Jonathan Walberg | Episode 1093

    Jonathan Walberg’s techniques and methods are influenced by his apprenticeship at St. John’s Pottery in Minnesota (2004-06) under Richard Bresnahan, studies in Karatsu, Japan (2006-10) and in Ulsan, Korea (2010).  These experiences nurtured a love of clay, the use of local materials, clay history, and wood-kilns. Jonathan creates on a Japanese-style wooden kick wheel and processes local clays and ashes for pottery use just south of Bayfield in Washburn, WI. Jonathan uses beach-sand from the South Shores of Lake Superior mixed into porcelain. This creates random black spots from the iron-rich sand. The local clay is also iron-rich and is mixed into the clay or glaze creating rich dark greens, reds, browns and blacks. Jonathan makes traditional ash-glazes from local Maple and Oak trees.

    SPONSORS

    Image result for Patreon logo  You can help support the show!

    Skutt Logo

     

     

    Number 1 brand in America for a reason. Skutt.com

     

     

    Georgies Logo

     

    For all your ceramic needs go to Georgies.com

     

    Mudtools Products - Stone Leaf Pottery Tools you find indispensable. Mudtools.com

    How do you balance being true to yourself and faithful to your customers?

    Well I think me wanting to be a maker, I love making, and finding things that customers enjoy using things that I make is rewarding in its own way. I think creating the variety of work, things that I enjoy making and the things I know that will sell. That’s kind of the bread and butter. My favorite thing to make would be mugs not only because they are my best seller but also I love the interaction the customer has with the mug.

    Making pottery can be isolating. Do you see the introvert and extrovert parts of you both need to be fed?

    Exactly. I am a good balance of both aspects of introvert and extrovert. I love my alone time but I love that customer interaction time. I know that it’s not for everybody. When I go to shows I am hyper interactive with customers. I love it.

    How do you budget for your year as a full time potter?

    Being self employed every waking moment that I have to be either making pots or with my family. If I am not with my family I should be making pots. And I struggle with the work-life balance. Mainly because I love what I do.

    As a business owner do you keep track of all your expenses for tax purposes?

    Certainly. I think for tax purposes it’s a little difficult because a lot of my work is sweat equity and tears and a lot of elbow grease. When you are not buying a lot of materials you don’t have a  whole lot of expenses as far as materials are concerned. But you’ve spent months preparing your ash glaze or days screening your clay. And that doesn’t have a dollar amount attached to it.

    Is it realistic for young artists to become full-time artists or a full-time potter?

    Yeah. People say that this generation will not be as well off as the previous but I think the standard of living has increased so much that it’s hard to see the forest through the trees. My parents grew up with one vehicle and one phone that was attached to the wall. Nowadays our modern conveniences cause us to live with such high standards. Higher standards than my parents ever had. I think it’s all really relative.

    What advice would you give to a young potter who wants to become a full-time potter?

    Grab every opportunity you have to experience life within that world. Be it to visit a firing, to travel and visit potters, try to grab onto real life situations and experiences that either help you network or just create life experiences that will benefit you in the future.

    Book

     

    The Unknown Craftsman by Soetsu Yanagi

    Contact

    lakesuperiorpottery.square.site

    Instagram: @jonathanwalburg





    Source link