Today we are talking with Melissa Weiss. She has been on The Potters Cast twice before- Melissa’s second appearance was in episode 624 in which we talked about her book she had just released, and her first was in episode 183 where we got to hear her story of setting up a community studio. In today’s episode we now hear her story of going through the hurricane, Helene through which she lost her studio. In the picture below you will see a photo from her Instagram feed where you can see the roof of her studio circled in red and the waters completely engulfing the building.
Sabrina Shah’s previous exhibitions have drawn our attention to food and relationships, particularly the dinner table as a site charged with emotion and the potential for something, anything, to happen.This setting becomes a space where everything is “on the table”—an enticing yet petrifying prospect for many artists on the verge of laying themselves bare.
It’s perhaps for this reason that I’m not that surprised to see so many chickens in Shah’s workshop. Not real chickens, of course—that would be chaos. But chicken sculptures, chicken drawings, and even a broken chicken that Shah has been attempting to piece back together after it smashed in transit. Its cartoonish eyes eerily gaze up at me, its little chicken head caved into its pot body, awaiting its fate.
Detail from Chicken by Sabrina Shah (acrylic on canvas, 2023, 40 x 30 x 5 cm)
“I like chicken,” she tells me. “I like the word chicken, I like the way it sounds.” I reflect on this as I leave, swirling the word in my mouth; the snap of the tongue against the roof of the mouth, the closing of the jaw on the “ch,” and the pull back of the lips on the “ken,” almost like taking a bite. Even for a veggie, I admit the word is quite delicious to sound out.
But it’s more than just the sound that attracts Shah. Chicken, as a word and a concept, brims with topical and propositional possibilities. “I think I’m poking fun at the fear factor,” she muses. “You’re a chicken/you’re not a chicken!” This internal dialogue, I gather, is one Shah is all too familiar with when daring herself to take the next step with a piece. Will you be the chicken served up on the table of doom? Or will you be brave?
Takeaway by Sabrina Shah (acrylic and mixed media on canvas, 2023, 170 x 130 x 5 cm)
This playful yet poignant engagement transforms “Chicken” into a vehicle for deeper reflection, inviting viewers to consider the self-destructive mind games we play with ourselves and each other. Through this lens, “Chicken” becomes a symbol of the wider human experience, highlighting our fears about not being good enough, the complexities surrounding personal and social identity, and our innate ability to manipulate.
Life Cycle by Sabrina Shah (acrylic and photography on canvas, 2022, 115 x 85 cm)
Unlike any chicken I’ve ever met, Shah is a solitary creature. Announced if not by her quiet demeanour but the fact she’s chosen a storage unit as her studio. She prefers spaces away from the main road and the bustling environment of shared studios, where her work can be “safe” and uninterrupted by other humans. I suddenly feel very privileged to be in Shah’s personal space.
I’m openly intrigued by the contrast between the artist—polite, kind, and attentive to details, kindly offering me water, Coca-Cola, and fruit, on several occasions, to make sure I feel at ease—and her art, which is fierce, unapologetic, and sensorially demanding. Initially, it’s challenging to connect the two. Where Shah is softly spoken and mindful of her words, her work is loud and provocative.
Sabrina Shah in her workshop next to the broken chicken pot
Something that does strike me as a similarity is Shah’s non-linear thought-processing, a verbal accompaniment to the layered nature of her work. I can almost hear the cogs turning as she contemplates her response, connecting seemingly unrelated concepts before they dip back beneath her waves of consciousness, perhaps to resurface later. Her work, in tow, does not unfold in a clear sequential manner or unravel in straight lines. It weaves a complex narrative.
Juggling by Sabrina Shah (acrylic on board, 2024, 40 x 30 x 5 cm)
Shah’s work is inherently inconclusive; I think it’s fair to say that Shah does not draw conclusions. While her pieces are rich with hidden meaning and intricate in structure, they resist systematic composition. Through cutting, sticking, smudging, layering, and repeatedly deconstructing her work, Shah pulls in elements from various time periods, historical references, and phraseology. The result is art that communicates energetically—visually, emotionally, and intellectually—yet deliberately withholds answers, leaving the truth elusive and unsettling.
CHECK MATE (acrylic and fabric on canvas, 2024, 60 x 60 x 2 cm)
Indeed, Shah’s work is filled with contradictions, creating ambivalent and enigmatic storylines. In Bullseye, the word is imposed over a cheerful bull figure, subtly questioning power dynamics and (dis)honesty: Who holds the power? Who is the victim?
In Half Full, a frenzied feast takes place—Shah flipped the canvas over several times during its creation, a process consuming more than a few years—producing a topsy-turvy landscape where up and down, left and right resist meaning. Beneath its playful surface lies an unnerving darkness: gushing blood-red tones, violent shards of light, and glimpses of infamous cartoon characters like Tom and Jerry buried beneath layers of paint. Their half-obscured fight points a haunting finger at hidden conflict and unresolved hurt. Shah’s work powerfully embodies how joy can quickly twist into terror, how consumption can spiral into excess, and how the line between light and shadow is often blurred.
Bullseye by Sabrina Shah (acrylic and fabric on canvas, 2024, 70 x 50 x 4 cm)
I’m intrigued by Shah’s way of describing her creative process in terms of problem-solving; aesthetic elements or the placement of new figures “offering a way out” or “a way in,” depending on your perspective.
Further to this conundrum is her blend of stylistic and thematic tensions. Her artworks balance surface tension—with ripples of paint, impasto smudges, and collaged pieces like paper, fabric, and photographs—against thematic tensions that leave you questioning whether something is good or bad, happy or sad, excited or stressed, as inferred in Bullseye, above, and in Half Full, pictured below. Viewers can follow the evolution of each piece, challenged to abandon the need for control or resolution. Instead of approaching her art as a puzzle to be solved, I feel dared to surrender and embrace the uncertainty of it all.
Half Full by Sabrina Shah (acrylic on canvas, 2024, 170 x 120 x 5 cm) surrounded by smaller works by the artist
I’m conscious that for many artists, it’s uncomfortable to explain why they’ve done something in their work. I’m careful when asking what, exactly, needs to be solved, or where, exactly, there should be relief. “I don’t really know why I do things sometimes,” Shah quietly announces. We discuss how trying to theoretically deconstruct paintings can explain them away. Maybe this is why Shah sometimes prefers to be among her paintings rather than in society. Justifying your art is tiring, at times unproductive, and easily turns into a therapy session nobody asked for. We both agree—let the art speak for itself. If we rely too heavily on spoken language to understand art, we limit our ability to connect with it on a deeper level and, arguably, to connect with ourselves and others.
Mixed media paintings by Sabrina Shah, available individually and as a series. Contact us for more details.
“Do you know the Philip Guston quote?” She asks me.
When you’re in the studio painting, there are a lot of people in there with you – your teachers, friends, painters from history, critics… and one by one, if you’re really painting, they walk out.
Painting is one way to really get quiet. To let the deluge of inner thought and confusion out. To set all the voices and opinions you’ve consumed from those around you free.
And,if you’re really painting, you walk out too.
Shah’s paintings draw in all the noise and the chaos; they are not conductive, they absorb, insulate, and digest the external into their own hidden world beyond the exterior of the canvas. With their loudness and luminosity, they boldly stomach all that we’re trying to rid our minds of, allowing us to seek a little peace.
Interestingly, I don’t think it’s the chaos that scares us most. It’s the quiet. So maybe the closing question is: are you brave enough to seek peace? Or are you a chicken?
Storytelling is an art form. Crafting essays, speeches, YouTube video scripts or gripping novels demands through understanding of story concepts, human psychology, and practice. Here are five addictive storytelling techniques that can elevate your storytelling prowess.
#1. Start with a Hook
The “hook” or the opening lines of a story are crucial in capturing the person’s attention and drawing him into the narrative. A strong hook can be achieved through several techniques, such as presenting a conflict or dilemma, introducing a unique character, or plunging the reader into the heart of the action. The hook can be visual or written depending on the medium.
In literature:
Consider the opening of J.K. Rowling’s “Harry Potter and the Sorcerer’s Stone,” where we are immediately introduced to the orphaned Harry Potter living a miserable life with the Dursleys. This opening makes us curious to learn more about the boy from the start.
In “The Girl on the Train” by Paula Hawkins, “Rachel catches the same commuter train every morning. Every day, she rattles down the track, watching the same houses, the same people. Every day, she fantasizes about their lives. Every day, she feels herself slipping away.”
In “Gone Girl” by Gillian Flynn, you read: “You don’t know what you’ve got ’til it’s gone. I had it all. Now I have nothing.”
In “The Silent Patient” by Alex Michaelides: “Alicia Berenson hasn’t spoken a word in five years. Her husband was found dead in their bedroom, and she’s the prime suspect. Psychiatrist Theo Faber is determined to get her to talk.”
Visual Hooks:
The hook can be visual before the story unfolds. If we study action films, they start with a riveting action scene to pull us in. “The Mission Impossible” and “James Bond” movies always have an opening scene with lots of exhilarating action and only later on do we find out about the characters, story, and details.
In “Inception,” the movie opens with a breathtaking heist sequence that immediately immerses the audience in a world of confused reality.
The movie “Get Out” begins with a seemingly ordinary couple driving down a dark country road, setting the stage for a chilling and suspenseful horror film.
In “Parasite”, the film starts with the Kim family living in a cramped basement apartment, struggling to make ends meet. This stark contrast with the wealthy Park family sets the stage for a dark and satirical tale of class and inequality.
These hooks grab our attention and set the tone for the story to delve deeper into the world of the narrative.
#2. Build unusual but relatable characters
There is no story without well-developed characters that can resonate with readers on a deep emotional level. You can create interesting characters by exploring their motivations, fears, and desires. Give them unique quirks, flaws, and strengths that make them relatable and believable to us. The audience should see parts of themselves or people they know in story characters. Also, characters must go through a transformation process throughout the story. A protagonist who struggles and overcomes difficulties naturally appeals to the audience.
To emphasize emotional connection, include scenes or moments that evoke feelings of joy, fear, sadness, hope, frustration, etc. For example, a writer explaining climate change might share a personal story of a struggling family impacted by rising sea levels. This approach humanizes the issue and makes it relatable. Today, a lot of writing and headlines are fear-based in the media. Fear is a powerful psychological tool to keep viewers engaged throughout your video, story, or article.
Unforgettable characters have unique personalities that are not black-and-white. Consider the complex character of Severus Snape in the Harry Potter series. His conflicted loyalties, tragic backstory, and love for Lily Potter make him a mysterious figure who comes to light only at the end of the book. In the psychological thriller, the Joker, 2019, the main character is known as a ‘bad’ guy. However, as the story unfolds, we see the enormous weight and complexity of his character through some tragic events in his life. Let’s look at this character in greater detail.
Character Development in “Joker” (2019)
This film builds character through Arthur Fleck/Joker’s transformation in a profound psychological deconstruction of social marginalization, mental illness, and personal breakdown.
Key Character Development Techniques:
Psychological Descent
Gradual erosion of social boundaries
Mental illness portrayed as a product of systemic neglect
Character development driven by cumulative traumatic experiences
Slow transformation from vulnerable individual to violent persona
Societal Rejection as Catalyst
Character’s development emerges from consistent social exclusion
The mental health system’s failure becomes a transformative mechanism
Character development explores powerlessness transforming into violent empowerment
Social humiliation becomes the catalyst for radical identity reconstruction
Powerlessness converts into aggressive self-determination
Systemic violence reflected in individual psychological breakdown
Narrative Ambiguity
Blurs lines between reality and delusion
Unreliable narrative perspective
Character’s perception becomes the primary storytelling mechanism
Creates psychological complexity through narrative uncertainty
Philosophy of the character and movie:
Society creates its monsters
Marginalization generates destructive responses
Mental illness intersects with systemic violence
Distinctive Character Development Aspects:
Rejects traditional hero/villain dichotomy
Generates sympathy through psychological complexity
Explores societal mechanisms of psychological destruction
Transforms personal trauma into social commentary
Psychology & Performance:
Phoenix’s performance becomes a linguistic tool
Physical movements communicate psychological states
Reveals inner landscape through bodily expression
Transforms character development into visceral experience
#3. Use the Power of Conflict
Suspense is the art of creating anticipation and uncertainty, keeping the reader on the edge of their seat. Conflict can be suggested through a conversation tone and rhythm. To achieve uncertainty, use these techniques:
withhold information
introduce a time limit
create a sense of impending doom
In your storytelling, focus on presenting challenges that characters must resolve by the end of the story. These conflicts can be internal struggles, external challenges, or even societal issues. A master storyteller introduces the conflict early and resolves it in a way that aligns with the message or goal of the story. For example, in persuasive essays or presentations, conflict can represent opposing viewpoints. In movies, it’s often a dislike for each other at the beginning of a film and a resolve in the end. In novels, characters might have different motivations to achieve one goal.
Key Storytelling Techniques for Conflict Creation:
Introduce multiple layers of conflict (internal and external) and establish clear stakes
Create obstacles that challenge the protagonist’s goals. Create tension
Use conflict to drive multi-dimensional character development
Ensure that conflict resolution feels earned and meaningful
Show how characters grow and change through confronting conflicts and experiencing transformation throughout the story.
Examples of Conflict Creation in a story:
In “Pride and Prejudice”, Jane Austen creates social and romantic conflict in her book. Austen creates external conflict through social expectations and personal misunderstandings. She writes about social pressures around marriage, class, and reputation that create tension. Elizabeth and Darcy’s initial interactions are fraught with misunderstandings and social constraints. Her economic and social survival depends on making the right marriage choices. Jane Austen also explores the internal conflict in her characters. Elizabeth struggles with her preconceived notions about Darcy and Darcy battles his own pride and social conditioning that they overcome in the end. The author finds a resolution to their conflict through mutual understanding and personal growth, breaking down social barriers in their marriage. Both characters must overcome their initial prejudices and self-imposed limitations
Alfred Hitchcock, the master of suspense, was a master at building tension through his use of camera angles, music, and pacing. His films, such as “Psycho” and “Rear Window,” are renowned for their ability to keep audiences guessing.
Writing conflict-driven narratives can be challenging, especially when under tight deadlines. In this case, CustomWriting offers quick assistance. With an AI essay writer, college students can get online help to structure their thoughts, refine ideas, and learn how to apply storytelling techniques in academic work. Such a resource improves grades and builds skills in writing stories and more.
George R.R. Martin’s conflict creation:
Emilia Clarke as Khaleesi from the Game of Thrones, Veronica Winters
George R.R. Martin creates a rich conflict landscape in “A Song of Ice and Fire” series, popularly known through the “Game of Thrones” adaptation. He introduces multiple layers of external and internal conflicts. He uses unique conflict-creation strategies:
Personal choices have massive, often unexpected consequences
Power vs responsibility
Subverting traditional narrative expectations
No character is completely safe or guaranteed survival
Conflicts emerge from complex motivations, not simple good vs. evil dynamics
Martin’s approach to conflict-creation is different from other fantasy novels because his conflicts are multilayered and interconnected with complex characters that have shifting allegiances. He doesn’t use straightforward resolutions but rather intertwines personal and political motivations.
Political Conflict:
Multiple noble houses (Stark, Lannister, Baratheon, Targaryen) compete for control of the Iron Throne
The War of the Five Kings represents a complex, multi-sided political conflict
Each house has different motivations: revenge, power, legitimacy, survival
Triggered by complex family dynamics and political machinations
Ned Stark’s execution becomes a catalyst for widespread warfare
Demonstrates how personal betrayals can escalate into systemic conflict
Existential Conflict: Humans vs. White Walkers External Conflict:
An apocalyptic threat that transcends individual house rivalries
The White Walkers represent an existential challenge to human survival
Creates tension between immediate political struggles and a larger, more critical threat
3. Character Conflict:
Jon Snow emerges as a key character trying to unite warring factions against this ultimate threat
His struggle involves convincing people to look beyond immediate conflicts to face a greater danger
Daenerys Targaryen has an internal conflict between her desire for justice and her potential for destructive violence. Her character arc represents a complex exploration of power, idealism, and potential corruption
Tyrion Lannister’s conflict involves an internal struggle against family expectations and personal identity. He fights against being defined by his physical differences and his family’s perception. He uses wit and intelligence as weapons against social and familial prejudices
Resolution Techniques:
George R.R. Martin creates unique resolutions to conflicts, such as:
Moral ambiguity means that “winning” often comes with significant personal or collective cost
Conflicts often remain unresolved or have unexpected outcomes as system-level problems aren’t solved by individual heroism
Victory is rarely clean or complete
Characters are fundamentally changed by their experiences
Moreover, George R.R. Martin’s approach to conflict resolution follows a different strategy as he rejects classic heroic narratives where good always triumphs like in the “Lord of the Rings”. He kills major protagonists unexpectedly (like Ned Stark’s execution) and eliminates traditional hero types quickly. He also records the punishment of noble intentions rather than rewarding them. In non-linear storytelling, his characters have moral complexity and psychological dimensions like Jaime Lannister transforming from an apparent villain to a nuanced, sympathetic character. His heroes often experience brutal consequences for good actions and suffer genuine, long-term repercussions for their choices. In his story, the author demonstrates the fundamental corruption of power and treats medieval-style settings with historical realism to focus on human psychology over magical elements and settings. The author reveals the deep psychological motivations of characters who have flaws and multiple internal conflicts just as important as the external ones.
Vladimir Nabokov’s conflict creation:
Vladimir Nabokov‘s approach to conflict is uniquely psychological, morally complex, and linguistically sophisticated. In “Lolita”, he uses internal psychological tension as the primary driver of the protagonist. It exists in his mind. Nabokov uses unreliable narration to create moral ambiguity. He also challenges the reader’s moral boundaries through sophisticated narrative techniques making us “feel” for the pedophile. Throughout this book, Nabokov uses elegant prose to create dissonance between horrific actions and beautiful language as one of his conflict techniques.
In “Pale Fire”, Nabokov constructs unique conflict through the narrative structure, different perspectives, linguistic complexity, and blurred lines between reality and delusion.
His unique approach to conflict creation:
Conflict emerges through linguistic complexity
Uses unreliable narration as a primary conflict generator to create moral ambiguity
Creates tension through intellectual games or manipulation
Challenges reader’s moral and perceptual boundaries
#4. Become a master of the language & sensory details
Vivid descriptions and sensory details can transport the reader to another world, allowing them to experience the story firsthand. By appealing to the senses of sight, sound, smell, taste, and touch, you can create a more immersive reading experience. Consider the evocative descriptions of nature in J.R.R. Tolkien’s “The Lord of the Rings,” where the forests of Mirkwood and the plains of Rohan come alive with vivid detail. Or study the complex emotional landscapes of Nabokov’s characters.
Examples & analysis of Nabokov’s language use:
Russian novelist, Vladimir Nabokov was a master of language, and his prose is often characterized by its precision, lyricism, and playful wordplay. He wrote novels and short stories in 5 different languages and used innovative and complex storytelling methods. His beautiful descriptions often relied on unusual comparisons, wordplay, and symbolism to evoke feelings. His unique mastery of language becomes a microscope into the characters’ inner worlds in every story you read.
Language is his primary tool to create complex emotional landscapes of his characters. He often uses metaphors to reveal meaning or psychological states of mind. Punctuation and sentence structure often communicate psychological tension in his stories. He uses beautiful language that contrasts with disturbing content and creates feelings through word choice.
Here is a detailed analysis of Nabokov’s linguistic techniques using an excerpt from “Lolita” that demonstrates his psychological portraiture through language:
Original Passage: “Dolores, my daughter. Lo, my love. Lolita. The tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Li. Ta.”
Linguistic Breakdown:
Layered Naming
Multiple names reveal psychological fragmentation
“Dolores” (pain) vs. “Lo” (intimate) vs. “Lolita” (sexualized)
Each name represents a different psychological projection
Demonstrates Humbert’s fractured perception of the girl
Phonetic Deconstruction
Breaks name into physical sound production
Describes linguistic mechanics of saying her name
Transforms name into a sensory, almost erotic experience
Sound becomes a metaphor for psychological obsession
Psychological Mapping
Language reveals the narrator’s disturbing fixation
Precise linguistic description masks deeper pathology
Creates intimacy through linguistic precision
Sound becomes a proxy for emotional/sexual possession
Syntactical Revelation
Short, rhythmic phrases
Suggests fragmented, obsessive thinking
Syntax mirrors the psychological state
Linguistic rhythm communicates internal tension
Deeper Psychological Insights:
Language as a form of control
Naming as a method of psychological possession
Sound becomes a metaphorical penetration
Linguistic precision masks moral complexity
Let’s analyze an excerpt from Nabokov’s “Pale Fire” to demonstrate his linguistic psychological portraiture:
Excerpt from “Pale Fire”: “I was the shadow of the waxwing slain / By the false azure in the windowpane”
Linguistic and Psychological Analysis:
Metaphorical Construction
Transforms personal experience into abstract imagery
“Shadow of the waxwing” becomes a multilayered psychological metaphor
Suggests themes of perception, illusion, and fatal misunderstanding
Bird’s death represents psychological disorientation
Linguistic Precision
Each word is carefully selected for maximum emotional resonance
“False azure” implies deception at a sensory level
Windowpane becomes a symbol of perceptual barriers
Language creates a complex emotional landscape in two lines
Psychological Mapping
Death metaphor represents psychological fragmentation
Suggests inner conflict between perception and reality
Bird’s death symbolizes the vulnerability of consciousness
Linguistic construction reveals the internal emotional state
Syntactical Nuance
Compact, precise language
Each word carries multiple semantic layers
Rhythm suggests internal psychological tension
Minimal words create maximum emotional complexity
Deeper Insights:
Perception as a potentially fatal experience
Consciousness as a fragile, easily deceived construct
Language as a mechanism of psychological exploration
Metaphor as a tool for revealing inner landscapes
Nabokov transforms a simple image into a profound psychological exploration, using language as a surgical instrument to dissect consciousness.
Let’s look at Nabokov’s linguistic techniques in “The Luzhin Defense” by focusing on how he creates a psychological portrait of the protagonist through language:
Key Linguistic Strategies:
Depicts Luzhin as a character trapped between mathematical precision and psychological fragility
Uses language to illustrate his disconnection from social reality
Portrays his inner world through fragmented, geometric linguistic patterns
Demonstrates how mental obsession (with chess) shapes perception
Psychological Conflict Techniques:
Language reflects Luzhin’s fracturing consciousness
Chess becomes a metaphorical language of psychological survival
Linguistic patterns mirror mathematical and chess-like thinking
Reveals the inner world through precise, almost clinical description
Narrative Approach:
Treats Luzhin’s psychological state as a complex system
Language becomes a method of mapping his internal landscape
Demonstrates how rigid thinking creates emotional isolation
Uses linguistic precision to expose psychological vulnerability
Thematic Linguistic Elements:
Fragmentation of consciousness
Obsessive pattern recognition
Emotional disconnection
Intellectual isolation
Unique Characteristics:
Language as a structural representation of mental state
Syntax that reflects mathematical thinking
Emotional depth revealed through intellectual precision
Psychological portrait created through linguistic construction
Core Linguistic Techniques:
Describes Luzhin’s perception as a series of geometric patterns
Language becomes a chess board of psychological movement
Transforms emotional experiences into abstract, structured representations
Uses precision to reveal psychological fragmentation
Specific Narrative Strategies:
Perception as a Mathematical Construct
Describes the world as a series of calculated moves
Emotions translated into strategic configurations
Personal interactions are viewed as complex problem-solving
Language mirrors his detached, analytical consciousness
Words arranged like chess pieces on an intellectual landscape
Metaphorical Mapping
Chess becomes a linguistic metaphor for psychological survival
Each interaction is described with strategic precision
Personal relationships converted into strategic encounters
Language reveals inner defensive mechanisms
Example Linguistic Technique: “He saw the world as a complex chess problem, each human interaction a potential gambit, each relationship a strategic configuration waiting to be solved.”
Psychological Revelations Through Language:
Intellectual defense as emotional protection
Mathematical thinking as a shield against psychological vulnerability
Language reveals profound social disconnection
Precise description masks deep emotional trauma
Philosophical Underpinnings:
Consciousness as a structured, calculable system
Emotional experiences can be mathematically interpreted
Human interaction as a series of strategic maneuvers
Intellectual precision as a survival mechanism
Nabokov transforms language into a diagnostic tool, using linguistic precision to map Luzhin’s fractured psychological landscape.
#5. Use symbolism to tell the story’s meaning in the end
Sacrifice, 18×24 in, oil on canvas, Veronica Winters
By paying attention to the subtle details and recurring motifs used as symbols throughout a story, viewers can uncover the hidden layers of a story and gain a more profound understanding of its themes. By using objects, characters, or events to represent abstract ideas, you can create a relatable and unique narrative. Consider the symbolism of the scarlet letter in Nathaniel Hawthorne’s “The Scarlet Letter,” which represents Hester Prynne’s sin, shame, and eventual redemption.
Examples of used symbolism to reveal the story’s meaning in famous movies:
The Matrix:
This iconic choice of the red or blue pill symbolizes the decision between reality and illusion, between waking up to the truth or remaining in a comfortable lie.
Inception:
Each character has a personal totem, a physical object that can be manipulated in a dream state to distinguish reality from dream. It symbolizes their identity and their struggle to maintain it.
The spinning top becomes a symbol of doubt and uncertainty, as its continuous spin leaves the viewer questioning the nature of reality.
Arrival:
The alien creatures represent the concept of time and language. Their circular writing system symbolizes the interconnectedness of all moments and the idea that the future can influence the past.
The glass of water becomes a symbol of the fragility of life.
Her:
The AI companion, Samantha, represents the evolving nature of human connection and the potential for love in the digital age.
The sprawling metropolis of LA symbolizes the loneliness and isolation of modern life, contrasting with the intimacy of the protagonist’s relationship with Samantha.
Moonlight:
The water is an element that symbolizes the fluidity of identity, the passage of time, and the cleansing power of emotions.
The moon represents the hidden depths of the characters’ desires and fears.
A weak ending can undo the impact of an excellent story. It must end with a message or purpose of the whole story. In stories and novels, the conclusion should resolve conflicts, tie up loose ends, and leave a lasting impression. In academic writing, conclusions often summarize key points and highlight implications. A well-crafted conclusion ensures the story feels complete, emotional, sincere, and thoughtful for the audience.
Freedom, 22x30inches, colored pencil drawing by Veronica Winters
Applying Storytelling Techniques to your YouTube Videos to create the best content
YouTube videos, like written stories, can benefit immensely from effective storytelling techniques. Personally, I write scripts to produce any new video I upload to YouTube.
Here’s how you can apply the five storytelling techniques to your YouTube videos:
Hooking the Viewer with a Compelling Beginning:
Engaging Intro: Start with a captivating question, a surprising fact, or a visually striking scene.
Strong Thesis Statement: Clearly state the main point of your video within the first 30 seconds.
Intriguing Teaser: Promise a solution to a problem or a unique perspective.
Creating Memorable Characters:
Relatable Characters: Use yourself as the main character, sharing personal experiences and emotions.
Distinct Personalities: Develop unique characters within your videos, whether they are guests, actors, or animated avatars.
Character Arcs: Show character growth or transformation throughout the video.
Building Suspense and Tension:
Cliffhangers: End segments with a cliffhanger to encourage viewers to watch the next part.
Mystery and Intrigue: Tease information or reveal it gradually, building anticipation.
Visual and Audio Cues: Use dramatic music, sound effects, and camera angles to heighten tension.
Using Vivid Descriptions and Sensory Details:
Visual Storytelling: Use high-quality visuals, including close-ups, wide shots, and dynamic camera movements.
Audio Immersion: Employ immersive sound design, including background music, sound effects, and voiceovers.
Sensory Language: Describe sights, sounds, smells, tastes, and textures in a way that evokes emotions.
Unveiling the Story’s Meaning Through Symbolism:
Symbolic Imagery: Use objects, colors, or locations to represent deeper meanings.
Metaphorical Language: Employ metaphors and similes to convey complex ideas in a relatable way.
Subtle Themes: Embed underlying themes throughout the video, such as love, loss, or redemption.
Additional Tips:
Tailor your storytelling style and content to your target audience’s interests and preferences.
Maintain a clear and concise structure, avoiding unnecessary tangents.
Engage with your audience through comments and feedback, using their insights to improve your storytelling. reply to your comments with questions!
Try new storytelling techniques and learn from your mistakes.
Here are some top YouTubers who are masterful storytellers:
Kurzgesagt – In a Nutshell: This channel uses animated, fast-paced visuals and narration to explain complex scientific and philosophical concepts.
Sam Dawson uses an unusual editing style to communicate his stories.
Vice: This channel produces a wide range of documentaries, from investigative journalism to cultural explorations, often featuring immersive storytelling and strong character development.
Casey Neistat is known for his cinematic style and honest storytelling, Neistat shares his emotions through personal experiences, travels, and creative projects.
Life of Riza:This is a very talented, young YouTuber who vlogs about her daily life experiences through beautiful, cinematic footage and simple stories.
Gawx Art: This young artist is a YouTube sensation who built his channel on his artistic approach to storytelling through movie-like videos.
National Geographic has well-produced videos about ancient history and more.
Check out one of my videos where I tell a story about the symbolism of white in art history and life:
From vibrant oils to intricate threadwork, discover how Sophie Anne Wyth connects intuition, movement, and the fragility of the present moment through her deeply personal process.
By Rise Art | 06 Jan 2025
Your practice began through art therapy, which introduced spontaneity to your work. How does this spontaneity influence your process when approaching a new painting?
The impact of it is fundamental as it allows me to create without worrying about the result. As my practice evolved, it became a lot more directed but I keep from this initial approach the energy to start, avoiding any writer’s block or its equivalent. I give myself the freedom to make mistakes, be joyful about paint and I focus my attention on the act of creating itself.
Your art spans both abstract and figurative styles. How do you decide which approach to take when exploring themes like human psychology, sex, and love?
I’ve actually moved away from figurative art in recent years. I am currently obsessed with how colours vibrate next to each other, how some pop and others recede and what it says. Balancing shapes and creating balance is what currently dominates my practice. I want to represent the fragility of an instant, show how things are in constant movement and bound to change. I want to capture the beauty, the angst, and the general essence of the present.
Right: Sophie Anne Wyth in front of Inner Voice (pictured below) | Left: Counterpoint (oil on paper, 2022, 60 x 42 cm)
You’ve mentioned that your fashion background influences your art, particularly in terms of elegance and rigour. Could you describe how your experience in fashion shapes your mark-making and composition in painting?
The overlap between fashion and art is not a conscious one. For a long time, I thought of them as very separate things. I have recently started to play with colours with threads and embroideries instead of paint, creating abstracts this way. Making these soft paintings has been freeing as I made them using my sewing skills but deliberately not following any stitching rules, once again bringing freedom and play to the work.
Above all, it is very important to me that my art bears a form of elegance. The marks are considered and somehow contained, making sure the viewer is held and grounded in a certain aesthetic. I don’t know if it is important to me because I come from the fashion world, or if I ended up in fashion because this concept is important to me. But I truly believe that beauty impacts our lives massively, and that the environment we evolve in can support or hinder us.
Echoing by Sophie Anne Wyth (cotton thread on jute canvas, 2023, 23.5 x 33 x 3.5 cm)
Your work has been described as incorporating both elegance and grit. How do you balance these opposing qualities in your paintings, and how do they reflect your personal or emotional landscape?
I suppose this is how the continuous quest of oneself presents in my work. Each painting is an internal fight, a push to get closer to what I truly want to say. It is troubling that the meaning of each work is being revealed as it is created. I am constantly surprised by my own work, and I think it is why I keep making it. I get to understand a bit more about myself and the world with each painting. The key is to not think but feel, and be guided from within for each mark. The discomfort can be subtle and brought by colours that are just a bit off, not all together displeasing but also not fully comfortable.
Inner Voice by Sophie Anne Wyth (oil on canvas, 2024, 150 x 150 cm)
Human psychology seems central to your work. How do you channel personal emotional experiences or broader psychological themes into your art without being too literal?
The theme traverses me and I discover at the end of the work what I was trying to say all along. I am never too literal when I let intuition drive my hand. One colour calls for another and a shape for another. None of these things mean anything, they are moments and thoughts transformed into images. My work is like a meditation, lived in the moment and delivering meaning from within. I am always amazed how each work can be explained, the theme I quietly worked with in the background detailed with words once finished, when I didn’t even know I was putting these particular things in. They become clear once the work is finished. This is also why the titles are always given once the work is finished, once I understand it. Each painting is a research, some bring answers, most bring more questions!
Do you feel that your art offers you a sense of emotional catharsis or personal revelation, similar to the benefits one might experience in art therapy?
My art initiated in therapy but has evolved since. There is an internal quest, but I now think a lot more about my audience and direct it in a way that can be received and benefits the viewer. It is not a therapy for me but it is a way of remaining connected to myself and my emotions. I would compare it to meditation, which I don’t think can replace actual therapy work but is definitely an important support for a full life.
Fraichex by Sophie Anne Wyth (oil on canvas, 2023, 140 x 130 x 2 cm)
You’ve exhibited in both solo and group shows, including the Every Woman Biennial. Do you feel that these different contexts—solo versus collective exhibitions—impact the way your work is perceived?
During a solo show the whole space is yours to explore and create a conversation between pieces. For a group show, like Every Woman Biennial, you are a guest amongst others, and your piece resonates with works you didn’t know before the show. I like the discovery element in group shows, seeing how your piece has been placed in relation to others. It is also a very good way of being discovered and to meet excellent artists. Both set ups are important.
You’ve been a finalist for prestigious awards like the Celeste Prize. How has this recognition impacted your artistic journey and growth as an artist?
Recognition is necessary, it helps you to believe in yourself. Each external validation and peer recognition is a push in the right direction. That said, the key is to enjoy the achievements as well as to remain focused on the next goal, to never get complacent or self-satisfied. I just try to make sure I enjoy every step.
Sophie Anne Wyth during her Paris Residency in 2023
What kind of feedback or reactions do you receive from viewers and collectors who connect with the deeply personal and therapeutic aspects of your art?
This always makes me very happy when people comment on my work and tell me how it helps them question and see things differently. People mostly comment on the energy the work gives them or the soothing aspect of it. It seems that the fluidity and solidity of it comes through, and the sense of being held. There is no single response I expect from it, but whenever it makes people feel and respond I feel content.
Your work reflects your personal experiences and emotions. As you evolve, how do you see your themes or style changing in the next phase of your artistic practice? And what challenges do you face when sharing personal experiences with the public?
One recurring aspect of my work is that it surprises myself. It is what keeps me interested in it, the constant discovery of it and parts of myself within it. So my style changes “in spite” of me. I am not really choosing to introduce a new style or different methods. It comes from within and I don’t just allow but follow the impulses. I have in the past not allowed some marks or a certain fluidity to come through. I was amazed to see it presenting itself again a few years later, when I was ready. In terms of sharing personal experiences, abstraction is such that it is not literal and therefore doesn’t make me feel too exposed.
Towards Better Days by Sophie Anne Wyth (oil on canvas, 2020, 92 x 122 x 2 cm) SOLD
Do you have any upcoming exhibitions or projects where you’ll be exploring new themes or techniques?
I would love to develop a larger version of my thread and needle works. It would be interesting to use different widths of yarn, mimicking the size of the brushes, bringing in more texture. My existing embroideries are of a smaller size and have just been exhibited in a group show at Southwark Park Galleries. I will continue to explore the movement and fragility of all things in my abstract oil paintings on all scales.