برچسب: wall

  • The Artist’s Way: Creating a Gallery Wall with Anna Sudbina

    The Artist’s Way: Creating a Gallery Wall with Anna Sudbina


    Step inside the mind of acclaimed artist Anna Sudbina, as she shares a creator’s unique perspective on curating gallery walls that transcend aesthetics. With an insider’s understanding of her own work, Sudbina knows exactly how to make each piece stand out and evoke its deepest meaning.

    By Sophie Heatley | 27 Nov 2024

    From bold abstractions to intimate portraits, Sudbina‘s insights reveal how to create walls that are not only visually captivating but rich with depth and emotion. Discover how to curate a gallery wall the artist’s way and transform your space with purpose and personality.

     

    The Artist’s Way: Creating a Gallery Wall with Anna Sudbina
    Oud and Stone (oil and ink on canvas, 2019, 100 x 76 cm)  and Doubt Nothing (acrylic, gesso, and ink on canvas, 2022, 50 x 40 cm) by Anna Sudbina

     

    In her own work, Sudbina blends the atmospheric gestures of her large abstract pieces from her Interior of the Mind series with smaller, nuanced portraits from her Notes to Self and Abstract Portraits collections. This unique pairing, she says, creates a dialogue between bold, open-ended expressions and intimate, detailed portrayals, offering viewers a layered experience within any space.

    Craft a Dialogue Between Artworks

    When arranging these contrasting works, Sudbina emphasises the interplay between bold abstractions and subtle human elements. “The larger pieces pull you in with their rich colours and textures, while the smaller portraits invite you to come closer,” she explains. This juxtaposition creates a space that feels both grand and personal—a blend that invites viewers to step back to take in the whole wall, then approach individual pieces to uncover their intricacies. The result is an immersive environment where abstract exploration and emotional resonance coexist, adding a sense of movement and depth to the room.

     

    The Artist’s Way: Creating a Gallery Wall with Anna Sudbina
    Lost In Terracotta (oil and ink on canvas, 2024, 122 x 91 cm), In The Breeze Of Silence (acrylic on canvas, 2023, 50 x 40 cm), and Soft As She (acrylic on canvas, 2023, 50 x 40 cm) by Anna Sudbina

     

    Layer Textures and Play with Frames

    Known for her use of impasto and unconventional tools, Sudbina’s artworks are deeply tactile. When combining several of her pieces, she suggests playing with frames but to avoid glass to maintain this tangible quality, “you want to allow the textures to come forwards, inviting viewers to engage more closely with the art.” 

    “Framing should not only complement the artwork but also reflect the character of the space,” she says, noting that a carefully chosen frame can help an artwork feel more at home in any interior and stand out amongst a larger selection on a wall.

     

    The Artist’s Way: Creating a Gallery Wall with Anna Sudbina
    Style and Substance by Anna Sudbina (acrylic, ink, and gesso on canvas, 2022, 50 x 40 cm) in vintage frame

     

    “A simple, high-quality frame always looks elegant, but don’t shy away from experimenting with scale or making bold choices if it suits the room. I’m a big fan of incorporating vintage elements into interiors—bold vintage frames can add incredible character and charm.” If you already own or discover a standout frame, consider commissioning Sudbina (or another artist whose work you love) to create a custom artwork perfectly sized for it. “It could become a stunning centrepiece, serving as the anchor for your gallery wall.”

     

    The Artist’s Way: Creating a Gallery Wall with Anna Sudbina
    Abstract portrait series by Anna Sudbina

     

    Create with Emotion

    For those embarking on building their first gallery wall, Sudbina’s advice is refreshingly simple: “Start with what you love.” Art, she believes, should evoke a personal connection, creating an experience that resonates deeply with the viewer. “Each artwork tells a story,” she says, “and ideally, it echoes memories, emotions, and parts of the collector’s own life.” If you start with a piece that means something to you rather than just one that suits the space, the rest will follow more organically.

    Personal and Universally Inviting Gallery Walls

    In creating a gallery wall, Sudbina encourages designers and collectors alike to consider how the art interacts with the textures, colours, and materials within a room. A well-curated collection, she says, shapes an atmosphere that’s both personal and universally inviting. By layering different pieces, colours, and textures, Sudbina’s approach to gallery walls transforms interiors into dynamic, engaging spaces where every viewer can find a piece of themselves reflected within the art.

     

    Looking for more inspiration? Explore Rise Art’s gallery wall curation for Soho Home

    Recreate the distinct feel of Soho Home studios in your own space with curated collections by Rise Art, each work a testament to the refined Soho House way of living. 

     

    The Artist’s Way: Creating a Gallery Wall with Anna Sudbina
    Soho Home Westbourne Grove Studio, featured artists: Philip Maltman | Lasse Thorst | Clare Thatcher | Meghan Spielman | Andrew Crane | Emily Kirby | Photographer Credits: Marc Haydon

     

    Our recent curation for Soho Home’s Westbourne Grove Studio, at the lively heart of Notting Hill, saw the installation of a selection of unique works by artists such as Emily Kirby, Charlotte Roseberry, Andrew Crane, Meghan Spielman, and more. For further details, visit in store or email us at advisors@riseart.com. 

     

    The Artist’s Way: Creating a Gallery Wall with Anna Sudbina
    Soho Home Westbourne Grove Studio, featured artists: Philip Maltman | Lasse Thorst | Clare Thatcher | Meghan Spielman | Andrew Crane | Emily Kirby | Johanna Melvin | Charlotte Roseberry | Sabrina Brouwers | Photographer Credits: Marc Haydon



    Source link

  • The wall of experimentation and the wall for contemplation

    The wall of experimentation and the wall for contemplation


    I’m finding this interview in the artist’s studio inspiring in several ways. I love their description of what is on the wall and why.

    One wall of Bastos’ studio is lined with a huge piece of mass-produced wallpaper, featuring large-scale roses in an almost dreamy but restrained colour palette of soft pinks and greys, and overlaid with a smaller painting that pops with lurid green and blue scrawl. This is the process wall, where works are made and composited and amalgamated. It’s the wall of experimentation, Bastos tells us. The wall opposite is the space for pseudo-finished work, where many works go into a space for contemplation, and from there sometimes they go back to the other wall. It’s currently dotted with belts that hang and curl sculpturally. On this wall, Bastos comes to perceptively understand and link the evolving visual gestures in their work. They liken the process of placing the materials on the wall to tarot card reading, a process of divination that works by confirming what intuition and the right side of the brain already know. “I’m obsessed with salon hangs. I love it, because with a practice like mine, form really navigates. You find the commonality in the gesture, in the materials, but it’s not necessarily like everything is gonna look very similar. And when you do a salon hang… it’s easier to pinpoint the thread.”

    — Berlin Art Link, Dec 12 2023, Studio Visit with Cibelle Cavalli Bastos

    You can read the full interview here

    Meanwhile, on my wall ….

    Crime Fiction, acrylic on canvas, 30 x 40cm, Lynne Cameron 2024.



    Source link