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  • Learn art promotion and colored pencil techniques with Megan Seiter – Veronica Winters Painting

    Learn art promotion and colored pencil techniques with Megan Seiter – Veronica Winters Painting


    Learn art promotion and colored pencil techniques with Megan Seiter


    Megan Seiter: art promotion and colored pencil techniques

    Megan Seiter is an accomplished, contemporary hyperrealist artist working in colored pencil. A winner of many prestigious awards, Megan creates beautiful floral paintings with a twist. Using the pan pastel and watercolor she draws realistic still life paintings with amazing precision and vibrancy. In the interview she shares her colored pencil techniques, art supplies and gives us valuable tips on art marketing, presentation, networking, gallery representation, and so on. You don’t want to miss this episode!

    Parrot Tulips-Megan Seiter-hooked on art podcast
    Parrot Tulips by Megan Seiter, colored pencil drawing

    Megan Seiter website: https://www.meganseiter.com/

    To watch on YouTube: https://youtu.be/53_ObOt26F8

    Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com

    https://www.youtube.com/watch?v=53_ObOt26F8



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  • World Building With Clay | Gabs Conway

    World Building With Clay | Gabs Conway


    Gabs Conway | Episode 947

    Gabs Conway is a sculptural ceramic artist based in Missoula Montana. Having grown up in Missoula, she was excited to return – as she relentlessly considers it home – after earning her BFA at the University of Wisconsin – Stout. Gabs’ work stems from the playful, mundane experiences of living. She explores relationships, such as that of siblings, friends, and lovers. Interested in creating forms for the reflection of human experience; asking the viewer to consider their appreciation of life, and to humble the adornment of our physicality. Gabs remains curious of the inherent biological responses of living, and what it means to exist together in an ever changing world.

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    Number 1 brand in America for a reason. Skutt.com

     

     

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    For all your ceramic needs go to Georgies.com

     

    What do you think of other people suggesting about what and how you should be making your work?

    Firstly I hate it (laughter) but it’s not your work, it’s mine.

    Instead of telling you how to do your work what is a supportive way for people to talk about your work?

    I think just saying, This is what I think this is what you are doing well. It would be interesting to see this.  But not so much saying,  Do this. 

    How important for you to have a supportive community around you for you as a maker to be confident that you are going in the right direction? 

    I don’t know if I lean on my community to tell me that I am going in the right direction. I think I am going based on how I am feeling about what I am making.

    What do your folks think of this journey you have been on?

    My dad was definitely a potter. I know that they are both supportive but I think they both have their moments of wondering exactly what it is I am doing.

    Do you believe that teaching workshops  is a critical component for your personal growth, to be giving away your knowledge to others?

    I think that I love teaching. I love teaching. I think that they are giving me a lot of information as well. Working with kids is absolutely  unreal. But I think just having the opportunity to talk to other people and how they can build things is awesome.

    What do you like to do in your free time?

    I like to garden. And I like to take my dog to the park and I like to go to gymnastics with my dad.

    Book

    Stiff by Mary Roach

    Contact

    gabsconway.com

    Instagram: @gabsconwaymakesdirt





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  • Unwind with the Ancient Japanese Art of Kumiko, a Wood Joinery Technique — Colossal

    Unwind with the Ancient Japanese Art of Kumiko, a Wood Joinery Technique — Colossal


    If you’re familiar with the Japanese art of wood joinery, you’ll likely find kumiko equally intriguing. The traditional craft emerged in the Asuka era between about 600 and 700 C.E. and similarly eschews nails in favor of perfectly cut pieces that notch into place. Intricate fields of florals and geometric shapes emerge, creating a decorative panel that typically covers windows or divides a room.

    A video from The Process, a YouTube channel exploring various manufacturing sectors and hand-crafted techniques, visits the workshop of Kinoshita Mokuge. Viewers are welcomed into the meticulous, labor-intensive process of producing elaborate, interlocked motifs. Japanese Arts also offered a glimpse into this art form a few years back during an equally calming visit to Kurozu Tetsuo’s studio.

    https://www.youtube.com/watch?v=pbPL7PqZetQ

    an in progress wooden motif

    https://www.youtube.com/watch?v=ESI2n2lvhoo



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  • A Blind Potter With Vision | Don Katz

    A Blind Potter With Vision | Don Katz


    Don Katz | Episode 1070

    Don Katz is a blind potter based in Los Angeles, California. Don became blind due to bacterial meningitis in 2001. After waking up from a month-long coma he had to relearn to walk and feed himself and adjust to his sightless reality. What began as an introductory pottery course at The Braille Institute of Los Angeles, has now become Katz’s obsession. Don’s ceramics teacher once told him as he struggled on the wheel that “you are stronger than dirt,” words he lives by today. Don appreciates feeling the clay take shape on the potter’s wheel and how the touch informs the form. He enjoys creating unique handmade functional and decorative ceramic objects.

    SPONSORS

    Image result for Patreon logo  You can help support the show!

    Skutt Logo

     

     

    Number 1 brand in America for a reason. Skutt.com

     

     

    Georgies Logo

     

    For all your ceramic needs go to Georgies.com

     

    The preferred printing supplier for potters everywhere! SmallDogPrints.com

    What does a day in the studio look like for you?

    A day in the studio depends on what I am working towards but like anybody else we have to get the clay ready. Typically I am working at getting better on the pottery wheel and working on building my craft, is my direction at the moment.

    Do you have a making schedule?

    I do not have a making schedule. I am more at the mercy of what I feel like  making. I don’t want to have a making schedule because then I am going to loose the joy of what I do pottery for which is to be creative and use whatever ideas I have in my mind. If I am told to do one thing or make something specific that kind of takes the joy our of it and it feels like a job and I am trying not to make it feel like a job. otherwise it will become less interesting and stressful and not enjoyable.

    The clay is so wet and fragile on the wheel, how do you know that the shape is the shape you want when you can’t see the shape that you are throwing?

    This is the biggest challenge of all of it. Is exactly like you say, you don’t know when to stop so either I check a lot, which I am really bad at stopping to check or I overspin it and it collapses. There’s that balance of finding when to stop. That’s my biggest challenge. Sometimes I will set a timer to stop. Because otherwise you can just go crazy and keep going for hours. And sometimes we like the form and we ‘ve made and sometimes we don’t so we just scrap it . But right now my big goal is working on tall cylinder because I hate asking to fill a glass of water so I am working on getting height on my cylinders.

    Do you trim your work?

    I should. (laughter) I mean I used to when I first started and I was going to membership studios and I was much better about trimming my work. Now I don’t because I have become lazy about trimming and I think it would probably look better if I trimmed and made more conscious effort depending on what I am trying to do.

    What is a challenge in the studio that you are loving chasing down?

    Oh, I love the challenge of throwing. I still think it is a challenge and I have not become proficient expertise at it and I don’t think I will for a number of years. So I love that challenge and that part of the pottery process.

    When you are not in the studio what do you do for fun?

    The studio is fun for me but my favorite thing in the world is to have a nice meal out in the world. I am a Foodie with a capital F. So yes, I do like good food. So I took my love of food and my past experience and my enjoyment of ceramics and we are going to try and combine the two and at some point my dream is to create all the plateware that I use and to have a dinner party and I’ve made all the recipes for it as well an have a dinner party with that is my ultimate goal at some point. And I am constantly working on my Blishware. Blind friendly dishware that helps keep the food on the plates. Stand by for a few years.

    Book

    The Amazing Adventures of Kavalier & Clay: A Novel

    The Adventures of Kavalier Clay by Michael Chabon 

    Contact

    theblindpotter.com

    Instagram: @blindpotter





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  • Art + Tech Lab: Substrate AR Demonstration and Viewing with Nancy Baker Cahill

    Art + Tech Lab: Substrate AR Demonstration and Viewing with Nancy Baker Cahill



    Art + Tech Lab: Substrate AR Demonstration and Viewing with Nancy Baker Cahill

    jascencio

    Wed, 04/23/2025 – 14:48

    Art + Technology Lab grant recipient Nancy Baker Cahill will discuss her work Substrate, a monumental AR experience that invites the viewer to consider connections between knowledge-making organizations. Join Baker Cahill for a demonstration and viewing of Substrate from the balcony of LACMA’s BCAM building, where you can contribute your own descriptions of culturally significant artifacts to the artwork.

    Short Title
    Substrate AR Demonstration

    Event type

    Location (Campus)
    LACMA

    Location (Building)
    Smidt Welcome Plaza

    Event status
    RSVP

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    External

    Primary image
    Image courtesy of the artist

    Date
    Sun, 05/18/2025 – 11:00
    -Sun, 05/18/2025 – 13:45
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    On-sale time
    Wed, 04/23/2025 – 14:48

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    RSVP

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    All education and outreach programs at LACMA are underwritten by the LACMA Education Fund and are supported in part by the Judy and Bernard Briskin Family Foundation, The Rosalinde and Arthur Gilbert Foundation, the William Randolph Hearst Endowment Fund for Arts Education, Alfred E. Mann Charities, The Ralph M. Parsons Foundation, Gloria Ricci Lothrop, the Flora L. Thornton Foundation, U.S. Bank, and The Yabuki Family Foundation.

    Credit line – Right column

    Image courtesy of the artist

    Ticket price

    Free, RSVP required

    Event Tier
    Tier 3

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  • Get ‘H.A.P.P.Y’ with Liz West’s Immersive Installation Made of More Than 700 Colorful Discs — Colossal

    Get ‘H.A.P.P.Y’ with Liz West’s Immersive Installation Made of More Than 700 Colorful Discs — Colossal


    Spanning nearly the entire floor of the main space of Mercer Art Gallery in Harrogate, Liz West’s expansive new installation invites viewers to revel in color and brightness. The artist has reimagined the historic early-19th-century spa promenade room as a vibrant, sensory immersion.

    West’s solo exhibition, H.A.P.P.Y, takes inspiration from a common malady known as seasonal affective disorder, or S.A.D., which is a form of depression that often manifests in the fall or winter when the days are shorter and the temperatures drop. It typically recedes in the summer and spring.

    two people stand inside of a white gallery space, alongside a floor installation of numerous shiny, colorful circles

    Continuing her interest in the effects of light, reflections, and chromatic relationships (previously), the artist created “Our Colour Reflection,” the centerpiece of H.A.P.P.Y, to highlight the emotional, psychological, and physical power of vibrancy and hue.

    Composed of 765 multi-colored discs layered in low relief across the floor, the piece transforms the environment into a luminous experience that interacts with natural and artificial light and evolves throughout the day.

    H.A.P.P.Y also includes a selection of paintings, drawings, and models for “Our Colour Reflection,” and the exhibition continues through October 5. See more on the artist’s website and Instagram.

    a floor installation of numerous shiny, colorful circles reflecting onto a wall
    a floor installation in a white-walled gallery space of numerous shiny, colorful circles
    a floor installation of numerous shiny, colorful circles





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  • 3 Ways to Cultivate Successful Relationships with Paraprofessionals in the Art Room

    3 Ways to Cultivate Successful Relationships with Paraprofessionals in the Art Room


    If you have students with special needs in your art room, they may come to class with a paraprofessional, teacher assistant, or a “one-on-one.” Sometimes, it can be a little vague on what their role is and how to work together. However, when you welcome instructional assistants into your art room and cultivate a great working relationship with them, there are many benefits. Students with special needs will blossom, you’ll spark a love for art in the paraprofessional, and you will be more efficient at your job.

    Foster positive relationships with paraprofessionals in the art room with these three ideas and then, dive into some frequently asked questions.

    1. Make paraprofessionals feel important—because they are important!

    Paraprofessionals are often the experts on our students in special education. They are with these students for most of the day and can answer questions about their skill level, interests, or even behavioral triggers. Ask for input for both the “in the moment” problem solving and the long-term “getting to know” the student. They can have the missing puzzle piece if you’ve tried everything and nothing’s working… or, you want to take a shortcut and go straight to what’s worked before!

    Another way to make them feel valued and respected is to collaborate on the “fun art stuff” too. Talk to them about the neat things they or their student are doing. Be cognizant that you balance bringing up problems and commands with positivity and encouragement. One way to do this is a simple “thank you” at the end of each period. Acknowledge their effort with specific tasks (no matter how small!) to let them know you appreciate them showing up and being an active participant. Another way to show you are grateful is to provide coffee, water, or treats.

    coffee cup

    2. Help yourself by helping them.

    A lot of people are uncomfortable with art because they feel like they’re “bad at art.” This is evident in the familiar response, “I can’t even draw a stick figure!” Also, many paraprofessionals don’t want to “mess up” a student’s project. Remember these sentiments when building relationships with your paraprofessionals. Although they are adults there to provide support to students, they can also be an extra art student. When you equip them to be more comfortable in the art room, they will be a positive catalyst for your students.

    One simple way to mitigate anxiety is to communicate clear expectations for the whole year and for each class period. Tell them what the students will be doing for the day and what the paraprofessional’s expectations are during this time. Just as you would for a student, provide specific instructions in more than one format, and don’t assume they already know what to do.

    A quick way to provide expectations is to print out a simplified, bulleted, step-by-step list of each action item for the lesson. You can also print the whole lesson and highlight what the students need to accomplish on that particular day. It’s very helpful to have photos showing each step because sometimes a finished art project can be visually overwhelming. If you don’t have the time to compile step-by-step instructions with photos, check out FLEX Curriculum. FLEX is a standards-aligned curriculum that includes detailed step-by-step project instructions with photos and student-facing videos and resources.

    step-by-step photos

    3. Give paraprofessionals their own art project.

    It can be wonderful when you have an eager and artistically-minded paraprofessional working with your students in the art room. However, sometimes they can be too eager to make art for the student. They are focused on having the project look “perfect” instead of indicative of the student’s true performance.

    One way to mitigate this is to preemptively leave out extra supplies and give the paraprofessionals permission to create their own piece of art next to their students. As long as the students are getting the attention and assistance they need, many paraprofessionals will appreciate the thought. They usually enjoy the opportunity to sneak in a little creative outlet during their day!

    If you’re short on supplies and worried about not having enough, many paraprofessionals can be invaluable support in helping you garner donations and recycled materials. Give them a list of what you’re looking for and chances are, they’ll work hard to collect boxes and bottles from other classrooms throughout the day. This creates many opportunities for them to feel like a contributing member of your classroom community!

    art supplies

    Let’s answer your most frequently asked questions about paraprofessionals!

    What if a paraprofessional doesn’t show up?

    It can be frustrating when a designated instructional aid doesn’t show up for your art class with their students. If you have a good relationship with them, ask them about it the next time you see them. They may have had an emergency or didn’t think it was a big deal. It’s a great time to remind them of their importance in the art room and how vital they are to maintaining a smoothly run classroom.

    However, what if this happened multiple times already? Email the lead special education teacher to gather thoughts and ask for guidance. The lead teacher often has a solid relationship with them since they work closely all day. The email will also create a paper trail documenting their absences.

    What if the paraprofessional does too much or too little of their student’s art project?

    If the paraprofessional is doing too much of a student’s project, provide enough supplies so they can make their own. If they’re not helping enough, pull them aside before class to reset expectations. Show them examples of what you need them to do and give them a quick list of written instructions. An example of a reminder expectation can sound like, “I really value your extra set of hands and eyes. Please sit at the same table with students, phone-free so you can be readily available to assist.

    What if the paraprofessional frequently leaves or disappears?

    As aforementioned, pull the paraprofessional aside to reset expectations. Remind them that they are an integral and important member of your class and it can be disruptive for students if they don’t have a steady source of support. Your chat can sound like, “I noticed you stepped out the other day. I’d really appreciate it if you remained here during class. I really rely on the support you bring because you know [insert student’s name] the best.” If the behavior persists, email the lead special education teacher for advice and follow their guidance.

    Bonus Tip

    If you’ve already had a friendly chat to reset expectations and tried emailing the lead special education teacher, you can also seek out the guidelines used in the paraprofessional’s training. This can reiterate that you, the art teacher, aren’t the one “coming up with” the rules and that they are a part of the job requirements.

    Building positive relationships with paraprofessionals in the art room is essential for fostering a collaborative and supportive learning environment. Not only does it model these skills for your students but it streamlines instructional tasks, strengthens classroom management, and bolsters individualized student support. Plus, when teachers and assistants work harmoniously together, they boost each other’s morale. Make your art room a welcoming and appreciative spot for paraprofessionals with the tips above so they’ll look forward to your class and spread a vigor for art to your students!

    What’s one thing you do to make paraprofessionals feel welcome and included in your classroom?

    How do you navigate challenging situations with paraprofessionals in the art room?

    To continue the conversation, join us in The Art of Ed Community!

    Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.



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  • How to Transform Your Art Room with Zones to Simplify Your Life

    How to Transform Your Art Room with Zones to Simplify Your Life


    Managing a busy art room can be overwhelming, especially when juggling multiple student needs, materials, and projects at the same time. One of the most effective ways to bring order to the creative chaos is to set up art zones. Whether you’re working with elementary students or high school artists, designing clear, purposeful zones in your art room will help with classroom management, student independence, and workflow efficiency.

    Let’s explore how art zones in the art room can revolutionize your teaching and create a more organized, engaging space for students to explore their creativity.

    paint bottles

    What are art zones?

    Art zones are specific areas within your art room that serve a dedicated purpose. Instead of a one-size-fits-all setup, divide your classroom into areas to guide students through different aspects of the creative process. Students will be able to navigate the studio more independently as artists. Plus, it will free you up to provide meaningful instruction instead of constantly directing traffic. 

    Let’s take a look at six art room zones:

    1. Material Zone
      Keep supplies accessible with a Supply Shack, open shelving with labeled bins, “grab and go” caddies for daily essentials, or a checkout system for specialty items.
    2. Creation Zone
      This is your students’ space for making art and is the heart of the art room! Consider flexible seating options, further zones by media, and easy access to reference materials and resources.
    3. Cleanup Zone
      Transform cleanup into the smoothest part of your class routine and boost student ownership. Maintain order with a sink or handwashing area and clearly marked bins for trash, recycling, and reusable scraps. Make tossing trash fun with a basketball hoop!
    4. Artwork Zone
      Have clear systems and locations to store completed and in-progress works. Not only does this keep tracking student work more efficient and organized, but it protects work from getting damaged or lost.
    5. Reflection Zone
      Encourage thoughtful artmaking with a spot to slow down. Include sketchbooks and artist statement prompts. For a twist on the “reflection” theme, include mirrors for self-portrait studies!
    6. Early Finishers Zone
      Include extension activities for both elementary and secondary, like drawing prompts or a rotating collection of art books and magazines.

    art teacher in classroom

    How do I set up effective art zones?

    Creating art zones doesn’t have to be a complete classroom overhaul. Start small and redesign one key area that needs improvement. As you start implementing your zone, adjust based on student needs. You can always add a new zone each year!

    Ask yourself these questions to determine what zone you should focus on first:

    • What questions do students ask me the most?
    • What routine is consistently not hitting home for most students?
    • Where and when in my classroom is there a bottleneck of traffic?

    Then, consider these questions to navigate design and setup:

    • What big furniture items can I move/swap and which do I need to work with?
    • How can I ensure each component is easy to identify and clearly labeled?
    • What is the best way to visually separate this zone from others?

    Use these questions to guide how you teach and reinforce zone expectations:

    • What’s the most engaging way to tour the zone with students?
    • How can I model how to move through and use the zone as I teach?
    • What is specific encouragement I can give to reinforce correct zone usage?
    • What signage or anchor charts can I add for helpful reminders?
    • What are classroom jobs I can assign to maintain the zone?

    paintbrushes and cups in the sink

    What are some common challenges I may face setting up and implementing art zones?

    Even the best systems take time to perfect! That said, there are a few tips to avoid common art zone pitfalls. For example, you’ll have students that ignore the zones and ask for help anyway. If this is a widespread class issue, pause and regroup. Reteach the zone’s purpose and how to use it with the entire class. Model it and have students practice it together, much like a fire drill! If this is specific to one student, have a brief discussion to determine where the disconnect may be. 

    Another potential struggle may be that your zone gets messy—particularly the Cleanup Zone. Get ahead of the clutter and delegate cleanup jobs to foster leadership. Leave enough time at the end of class to clean and double-check before the bell rings. Use a fun animated timer or cleanup song to keep the energy up!

    Lastly, you may notice that your Early Finishers Zone is a distraction. Students may rush through their work to go play or they’re not engaged with the options. Ensure you keep artwork expectations high with clear rubrics. Provide structured choices and rotate the activities so there’s always a fresh selection.

    Discover more ways to make the most of your classroom space with the Rethinking Art Room Space Pack in PRO Learning. Watch these quick videos to find out why classroom space is so important and how to create and alter your existing space on a budget.

    You probably already have designated areas in your art room. Level up your classroom management with intentional zones to increase engagement and efficiency. When you spend less time on cleanup, missing artwork, or locating supplies, students will have more energy to focus on creating, communicating, and camaraderie! With clear zones, they’ll also gain confidence, independence, and a greater sense of responsibility.

    What art zone will you implement in your studio first?

    To chat about art room zones with other art teachers, join us in The Art of Ed Community!

    Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.



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  • Vermeer’s Girl with a Pearl Earring – Lines and Colors

    Vermeer’s Girl with a Pearl Earring – Lines and Colors


    A Fresh Look: Vermeer's Girl with a Pearl Earring - reversed
    A Fresh Look: Vermeer's Girl with a Pearl Earring - reversed

    Hopefully — even if only for a moment — you got to see in the top two images Vermeer’s iconic painting with fresh eyes. The images are reversed left to right.

    It is not an uncommon practice for artists to pause in the process of working on a painting or other artwork and view the work in a mirror. This briefly provides a fresh view of the work, a contrast to the the kind of familiarity that makes it difficult to see something objectively.

    We can use the same effect to view images that are so culturally familiar they are difficult to see in the way we might have when first encountering them. The effect doesn’t last long; we soon become accustomed to the “new” view, but it’s nice to get a fresh view of something so familiar.

    I’ve included an image of the painting in its normal orientation at the bottom.

    Wikimedia Commons has a high resolution image of the painting, available from this page.

    I did the same thing back in 2006 with Da Vinci’s Mona Lisa, and in the process, I believe I gained some insight into her enigmatic smile/not smile.



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  • 10th Annual Art With Mr. E Summer Workshop


    Are you looking for some fun & useful professional development?!?  Come to the 10th Annual Art With Mr. E Summer Workshop!!  We have teachers there that teach Pr-K – 12th grade!!  
    Contact me for more information. 

     



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