برچسب: Worth

  • is it worth it? – Veronica Winters Painting


    Over the years I’ve donated close to two dozen pieces, including my donations to CSN (the Community School of Naples), State College high, the Seeds of Learning, the humane society of Naples and many others. They were nice works, the artwork that had the potential to sell, yet I chose to let them go. In this post I’d like to share both sides of the coin for other artists to consider before donating your art.

    In my opinion, it all boils down to your motivation, standing behind the very act of donation. Many artists feel sour and often become negative talking about the art donations they made in the past. Why?

    #1 Artists feel used donating art.

    Artists feel used. First, all fundraisers ask artists to donate their art for free. There is absolutely no profit going to the artist, only the promise of “getting your name out there,” or getting “exposure.” In my experience, name recognition or a promise of exposure is not worth it. I had zero contacts coming in from my donations.

    #2 No real tax-deduction for artists.

    Second, although it’s said that your donations are tax-deductible, they are, but not for the artist. Say you bought a piece for $100. If you donate it to a charity, you can write $100 off as your tax deduction. If the artist donates his artwork, he or she can deduct only the cost of art supplies used to manufacture the piece. The deduction sum doesn’t include the artist’s labor, level of expertise, tuition loans, years spent learning, etc. Therefore, when the artist donates, he or she gives it away for real, which looks unfair to the artist at times, because the institution seems to “make money” using the artist. Moreover, in my experience only half of organizations that sold my art for their purposes sent a “thank you” note to me. And none of them shared the information on price it went for or the client’s name without me asking about it.

    #3 Devaluing of art.

    Third, many think that your art donation devalues your art because it can sell for any price and you have no control over its pricing. It’s also a sign that you are a “weak” artist since you donate art instead of selling it. Therefore, if you aim to make money via donations, don’t do it not to get disappointed with meager results.

    Most artists paint no matter what, walking against the grit of economic problems. The financial pursuit via donations is not the right path to take. Let's become financially successful in other ways, dear artists :)

    Now I’m going back to my original idea: your inner motivation  is the whole point of donation. I donate because I feel good helping others. It sounds cheesy, but I feel fortunate I live in a place where I can create, and I’m able to share my gift with purpose at heart. I feel that my art can change the world for the better, even if it looks like a drop in the ocean today. Like most artists, I’m proud of the fact that I’m not motivated by greed or a lucrative business to paint. However, making money is absolutely necessary for the artist to continue doing his or her work!

    If you decide to donate a piece, work out the mutually-beneficial agreement with the organization. My tip is to set the base auction price and require half of that base price as payment to you if the art sells.
    
    * This article was written back in 2015 but nothing has really changed in favor of artists.

    Check out visionary art for sale!



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  • Are Art Fairs Worth It? [Costs/ Sales] 4 Artists & Galleries

    Are Art Fairs Worth It? [Costs/ Sales] 4 Artists & Galleries


    Fairs connect your art to the global stage

    Participating in renowned art fairs such as ARCO and Art Basel offers unparalleled exposure to a vast audience of collectors, critics, journalists, and fellow artists. These events serve as pivotal platforms for networking and elevating an artist’s profile within the international art community.​

    ARCO has consistently attracted significant attendance, underscoring its prominence in the art world. In its 44th edition in 2025, the fair welcomed over 95,000 visitors, including approximately 40,000 art professionals from around the globe. The event featured 214 galleries from 36 countries, solidifying its status as a key meeting point for connections and exchanges between Europe and Latin America.

    Similarly, Art Basel’s 2024 edition in Basel, Switzerland, drew a record 91,000 visitors, up from 82,000 the previous year. The fair showcased 285 exhibitors from 40 countries and regions, reflecting its international appeal and significance. ​

    Beyond the numbers, these fairs are magnets for art critics and journalists who generate extensive media coverage, amplifying the reach and impact of the exhibited works. The presence of influential media personnel increases the likelihood of garnering attention in prominent art publications and news outlets.

    The Art Fair FOMO Trap

    Not attending the bigger art fairs can feel like missing the party—and in many ways, you are. Fairs offer exposure, sales, and networking, so the fear of being left out is real. But this mindset can quickly spiral into a cycle: in order to stay visible, you sign up for one fair after another, including smaller ones, just to keep your résumé active enough to be considered for the next big one.
    Over time, it becomes hard to step back. Once you’re used to the fair circuit, there’s a fear that not showing up means falling behind, losing relevance, or being forgotten by collectors and institutions.

    It becomes easy to confuse visibility with success.

    But doing every fair isn’t always the smartest move. Instead of chasing every opportunity, it’s more sustainable—and often more effective—to select the right fairs that match your goals, market, and positioning. Some fairs might align better with your artists’ practice or your gallery’s collector base. Others might drain your resources without meaningful returns.

    Consistency also matters.

    Showing up strategically and regularly at well-chosen fairs builds recognition and trust, whereas hopping between unrelated events can dilute your brand. And don’t forget to plan ahead: successful participation isn’t just about securing a booth. It’s about having the overhead to cover marketing, staff, shipping, insurance, and those inevitable last-minute costs.
    Fear Of Missing Out is powerful—but long-term success comes from intentional choices, not reactive ones.



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  • are they worth the splurge? – Veronica Winters Painting


    4 Best Brands of Colored Pencils: are they worth the splurge?


    Are you an artist looking for the best quality colored pencils? In this episode (that’s also available in a video format on YouTube), I reveal the top 4 brands that are worth the splurge. Plus, I’ll tell you about the most expensive colored pencils on the market!
    Whether you’re an artist, a student, or simply love to color, this video will help you choose the best colored pencils for your needs. If you’re tired of low-quality colored pencils and want to invest in the best, then this podcast episode is for you. I’ll compare each brand’s price, softness, and overall quality to help you make the most informed decision for your art supplies. Don’t miss out on seeing the best colored pencils for your next masterpiece! Warning. The episode is highly informative review of the top colored pencil brands!

    On YouTube: https://youtu.be/vu0kycGEWzc

    These art instruction books are on sale on Amazon!

    Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com



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  • [Guide] What Is an Art Fair? Is It Really Worth Attending?

    [Guide] What Is an Art Fair? Is It Really Worth Attending?


    What is an art fair?

    An Art fair is a booth-style marketplace offering a selection of artworks for sale, giving attendees the possibility to be key actors within the art world’s ecosystem. This club-like network encompasses individuals engaged in production, commission, presentation, preservation, promotion, documentation, critique, and the commercial aspects of art. It is bound by a shared conviction in the value and importance of Art.

    Through buying and selling, Art fairs sustain the economic viability of artists and galleries while fostering an environment where art enthusiasts, collectors, and professionals can engage directly. This dynamic ecosystem plays a crucial role in shaping contemporary art trends, influencing both the market and artistic discourse. Art fairs are combining the role of a transactional space and a cultural institution that propels the art world forward.

    The main actors involved in art fairs:

    • Organizers
    • Curators
    • Artists
    • Art dealers
    • Art critics
    • Art dealers
    • Collectors
    • Participants
    • Ordinary visitors

    Are art fairs worth it?

    Why do galleries pay a high fee and attend art fairs? Are art fairs good for artists? For example, to attend FIAC, the largest fair in France, costs around 15,000 EUR plus 20% tax for a 25-square-meter booth (the size of my kitchen). Not to mention the other associated costs.

    1. Art fairs validate you as an artist

    It’s hard to get into major international art fairs. Some art professionals would even call Art Basel Miami the Olympics of the art world. Usually, the organization sets a list of requirements such as being operational as a physical gallery for at least two years, having attended X number of similar art fairs, having several artists under the label, and the works must carry certain characteristics. To have exhibited at famous international art fairs like Art Basel Miami, FIAC, and in Spain, ARCO will bring you a reputation and respect in the industry.

    2. They bring sales opportunity

    Dealers are business owners; they make decisions based on financial outcomes. Dealers can make almost half of what they would make during the whole year by going to just five art fairs. Of course, these are just estimates and data from interviews with gallery owners. Regardless of the accuracy, it offers a snapshot of the economy behind art fairs. There is definitely a business drive behind paying tens of thousands of dollars to rent a booth and hire extra staff, not to mention the logistics!

    3. They connect your art to the art world

    ARCO alone can bring 100,000 art collectors to your booth, making it a great opportunity for exposure for networking. Art critics and journalists will be visiting the fair, generating some news pieces more likely to catch people’s attention. Also, internally, many artists will be more attracted to a gallery that brings their works to different fairs than the ones that don’t.

    4. Be careful with the Fear of Missing Out (FOMO)

    If you are not attending the larger fairs, you might be missing a lot of potential opportunities. In order to keep returning to large fairs, you need to attend smaller ones to be admitted. It goes into this “fair after fair” circle, and once you are used to it, you fear to change.

     



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  • The Blue Checkmark: Is It Worth It? | Heather Elyse Head

    The Blue Checkmark: Is It Worth It? | Heather Elyse Head


    Heather Elyse Head | Episode 1111

    Heather Elyse Head, a Northeast Georgia potter, blends traditional folk pottery with vibrant glazes and whimsical female faces. Mentored by esteemed regional potters, Heather’s playful creations bring a modern twist to the craft. Her favorite part? Seeing her work makes people smile.

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    From your perspective what is the blue checkmark?

    It’s a way to show people that I am who I say I am. I think it instills a bit of confidence in my followers.

    So it’s a verification of who you actually are. It verifies that you are not a fake account.

    Right.

    You said you had increased sales as a result. Do you think that is because you had more credibility?

    I think that’s possible. It is also possible that I just put in extra effort on Instagram because I had the new blue checkmark. So it’s hard to know for sure if it was from my extra effort or if it was from the checkmark.

    Do you feel like you have gained more followers since you started to do this?

    I do feel like I have gained more followers but I don’t think it has helped my engagement on the individual posts. I think my engagement hasn’t changed at all.

    Are you referring to other people making comments?

    Right, like the likes and comments those definitely haven’t gone up from the blue checkmark. I used to actually get more interaction on a post. So something changed within the algorithm across the board.

    It seems like it puts some limits on your account like you cannot change your user name as easily. Do you see that as a drawback?

    I really don’t. I think when you change things too much it makes people feel a little uncertain about your business. You want to have consistency. And it does make it harder to change the profile picture. They have to do the reverification process every time.

    When you are not in the studio what do you like to do for fun?

    I always say it’s a good thing that I really enjoy making pottery because that ends up being my business and my main hobby. So when I am not making pottery I am thinking about what I can do to make pottery. When I am ordering things and I get all these packages, it’s pottery supplies of course. (laughter) I listen to a lot of music and I read a lot of books but I am also usually thinking about pottery.

    Book

    From Mud to Jug by John A. Burrison 

    Contact

    mudandrust.com

    Instagram: @mud_and_rust





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