Matt Wassenaar makes pottery all year long and sells it for 7 weekends at his booth in the Minnesota Renaissance Festival. After meeting Warren MacKenzie decades ago Matt took to heart his philosophy – make pottery for function and affordability. In 2001 Matt and his wife bought a booth at the Minnesota Renaissance Festival and started selling their work. Selling at the festival has turned into sales of 2,100 pots in 7 weekends.
What kind of people are coming to a Renaissance fair? Are they dressing up or is it just regular folk attending?
I think they are people who are looking for magic in their lives. They need magic in their lives. They need something special and we try to be different. We try to be kind and generous and hopefully they find something in our shop that they like.
I know your work is not era specific but is there a bit of mystical type of approach to your work?
That’s a good question. I try to surprise myself. It’s hard to do after forty years of pottery. I succeed occasionally. Then I get really excited.
What is the pace like at the booth? Are there lots of people coming through the fair?
Yes, there are. We are towards the back which means the gate opens and we have a half an hour before we get a really big rush. The five weekends Labor Day and after it’s frantic, I guess is the best way to describe it.
Do you ever do demonstrations? Is there someone sitting at a potter’s wheel making?
Not at our booth. There is elsewhere in the festival. The size of the booth that I got really doesn’t accommodate that. It’s one of those things when I retire from the post office that I would like to dabble in. It would come down to if we could buy a neighboring space.
How many pots do you have to have ready to go on opening weekend?
Well we sell about twenty-one hundred pieces of pottery during the seven weeks. I try to have at least two thirds of that made in advance. So about fourteen to fifteen hundred pieces of pottery of various stripes and various sizes.
Our family went on a trip of a lifetime to Tuscany, Italy last summer and finally, I am sitting down to write and share all about it. We had been planning this trip for what feels like a decade. Every year we would do all the work creating the itinerary, but then be too overwhelmed with the details, cost, logistics, dogs, work, summer camps. We had spreadsheets and links and secret Pinterest boards, but would instead become paralyzed and just end up driving to Maine or Martha’s Vineyard or Rhode Island (all amazing places) or up to Montreal in search of a little slice of Europe without the air travel. (If you follow me on Instagram, I have lots of story highlights with our family travels along the East Coast — there are some really beautiful spots.) We had everything planned for summer 2020, but then the world stopped (we did perfect the staycation during those pandemic summers). Somehow, some way, with help from friends who cheered and counseled and convinced, we finally hit “buy tickets” with an emotional wave of excitement and panic. We’re going to Italy!!
Here’s what STEP 1 of our Italy planning entailed: Watch all of Stanley Tucci’s Searching for Italy; watch White Lotus (season 2). STEP 2: Wardrobe and art supplies. Then alas, STEP 3 (the hard part): Itinerary. I say the hard part because, on the one hand, it’s fun to do the research (especially following all the Tuscany IG accounts), but on the other hand, planning and logistics are not something I’m naturally good at or like very much. I prefer being a follower on vacations; just tell me what’s happening and where to go, and I’m there. But this trip forced me to be a travel leader, which is way out of my comfort zone. I’m really a homebody at heart. I want to see and experience new places, but I want to teleport there. I hate flying, and I get motion sickness in any moving vehicle.
But now that this whole trip is done, I can say that I did all the hard things, and it went really well. And even though I still would prefer to be a follower on trips, I was actually okay at being a leader. Not perfect (like the first-day excursion to Arezzo during the 3 hours everything is closed), but pretty okay!
So, without further ado, I am sharing my favorite photos and inspiring spots, the t-shirts I made, my Tuscany color palettes (still to come and the reason this post has taken 6 months), and some links to the places and things we loved most.
Villa Barbazzano
The first 9 days of our trip were spent at this gorgeous villa (which is available to rent!). It’s located about 45 minutes south of Florence in a small town called Val di Chiani. It was the five of us, plus each of my kids brought a friend, for a total of eight people. The villa has nine bedrooms and sleeps 20 (perfect for family reunions)! If you click on the link, you can see how beautiful the villa is from all of the photos. But it so far exceeded even our wildest dreams. It is heaven on earth. The grounds are absolutely stunning, kept so beautiful by one man, Corrado, and his dog Terri; the pool and pool house are gorgeous and in perfect shape, plus so comfortable and tasteful; the bedrooms are cozy and comfortable and feel a bit like being in a castle with delightful tile and incredible architecture; and the sunsets are magnificent. We would go back in a heartbeat.
In fact, the villa is so beautiful and comfortable that we decided to have more rest days at home than originally planned. We had rented two cars to fit everyone, and it did get to be a bit much to do so much driving every day, so we were happy to just plan a day off. The closest big town is Arezzo, about 20 minutes away, and we went there three times for short excursions and meals. We actually loved Arezzo so much, scroll down for more on that.
Florence
On the day we planned our Florence tour, there were intermittent thunderstorms. I took the photo above right before the skies opened up. I love the moody sky and the Ponte di Vecchio in the distance. We bought ponchos and umbrellas on the fly, which gave me an opportunity to quickly snap photos of the contrast between the gray, neutral environment and the rainbow gear.
We hired a tour guide which I messed up by going to the wrong location. It was supposed to be a 4-hour tour but ended up being 3 hours which was honestly plenty, and maybe even a tad long, for teenagers. I loved it, but I think in the future, I would have booked a shorter tour, like 2 hours tops. However, Chiara from Florence Custom Tours was phenomenal! She was so friendly, patient, charismatic, warm, and knowledgable, and found us the most delicious pizza restaurant, Ciro & Sons, right near the train station so we could easily catch the train back home. We unfortunately missed getting inside the Duomo by minutes, which was a bummer. But coming upon that giant structure in the middle of the city is quite magical. We also saw the Statue of David by Michaelangelo, which was breathtaking. All in all, a good and exhausting day. We definitely needed a rest day after that!
Montepulciano
This was one of my favorite little towns to visit. It was such a beautiful day, and the drive was not too long (less than an hour) and also gorgeous with so many perfect Tuscany landscape moments. From the lush, windy hills to the expansive vineyards, there was beauty at every turn. The village is very hilly, as all villages in Tuscany are, with skinny, winding roads and paths that were just so beautiful with the weathered stone and pops of colored shutters and doors.
We first walked up the hills to the Piazza Grande and found a great little outdoor pizza and gelato restaurant. Then we walked up to the top of the Montepulciano Tower. This was probably a highlight of the whole trip! We climbed lots of towers during the 2 weeks we were in Italy, and the view from the top of this tower was the most stunning of all. So much so that I made a painting of the quilt-like landscape!
We took a selfie of all of us at the top (oh, and we added my sister-in-law, so we were now nine!), and the joy on our faces is so evident and real. Two in the group were afraid of heights, but it wasn’t too scary climbing up. I wouldn’t recommend it for anyone whose mobility is compromised as the steps get taller and the space narrower towards the top. Highly recommend this captivating little town for shopping, too. We found our favorite leather bag store, and hat store, too.
Il Borro
Borro is a town only about 20 minutes from the villa, and Il Borro is the luxury resort that was built there. It might actually be the whole town, I’m not sure. It was so quaint and gorgeous, and as we were talking about what a perfect spot it would be for a wedding, a bride appeared on cue! There was a curious but strange Pinocchio museum, the cutest dachshund puppy named Otto, and a delicious (but expensive) meal at the resort. A perfect end to our rest-day at home.
Riecine
This was our first vineyard tour! Riecine (pronounced ree-AY-cheh-nay) was about an hour away from our villa. The building where they produced the wine was a new-ish, modern structure that had the coolest murals painted by a local artist, Marco Zedone. We tasted all of their red wines, and their new rose wine that was one of the best we’ve ever had. Not too sweet. Did you know that rosé wine is made from red grapes that just don’t sit for very long, so they are a very light red? We love learning new things.
Piancornello
A few days later, we visited another red wine vineyard. Piancornello (pronounced Pee-awn-kor-NELL-o) is all organic (they don’t use any chemicals) and does not do tours, it’s just a family home and we were invited through a friend. On the downside, it was a 2-hour ride on a bus (blech, some of us got car sick because the roads are so windy), but on the upside, we got a home-cooked meal and a tour of 50-year-old grape vines! Oh, and a room full of kittens. Yup, it was a lot for the senses – something for everyone. Ava loved the kittens, Nate discovered his pici cacio e pepe obsession, and everyone adored the grandma and grandpa who cooked us one of the best meals we had the whole trip. Did you know that young grapes are all green at first, and then turn color around late August? Both of the two vineyards we visited said that they pick the grapes sometime in early October, and the decision happens quickly. The pickers have to wait on hand and be called basically at a moment’s notice. Seeing how much work goes into just one bottle of wine was very eye-opening. It’s an art, and a labor of love.
Arezzo
We loved this little town/city close to home! We never made it to Siena, but have been told that Arezzo is very similar (and some like it even better because there is more to do). We went to Arezzo three different times. We saw the beautiful frescoes by Giorgio Vasari, explored the famous shopping street, Corso Italia, and had several meals on the medieval Piazza Grande with all their coat of arms insignias hanging everywhere. Fun fact, did you know that parts of the movie Life is Beautiful were filmed here? Also, it was just about the only time we saw a salad on a menu. Note to readers: Italians don’t really do salads. We are big salad eaters and definitely missed our fresh greens.
San Gimignano
We finally said goodbye to the villa and to our houseguests on day nine and packed our car to travel west towards the Mediterranean. On our way, we stopped in San Gimignano, the town of towers. This walled city was so cool, but it was really crowded with busloads of tourists. We actually were able to find off-the-path roads, though, and we even found a restaurant with a free table that was jazz-themed. Our server was an artist whose paintings were hanging in between the black-and-white photographs. There is also this really cool miniature model of the city that was displayed in a hidden shop. We learned that the towers were not used for any purpose in battle, it was just a contest of riches – who could build the tallest tower! It was actually a perfect last place to visit before traveling to the coast. The contrast from old, monochromatic stone structures to colorful, limestone houses in Lucca!
Lucca
Ahh, Lucca. We loved this walled city so very much. Driving west towards the Mediterranean, we noticed the topography changing from hilly to more flat. It was about a 2 hour drive from San Gimignano, and we only had one car at this point which was packed with way too much luggage, so everyone was cranky. We passed some mountains that looked like big, white chunks were taken out of them. We learned later that Lucca is near Carrara, famous for their white marble, so we passed some of their quarries and caves! I wish we had known beforehand and had stopped to take a tour, but it was so cool nonetheless.
Arriving in Lucca is very magical. There is this giant wall around the city, so big that it is also a park where residents and vacationers can go for a run, ride their bikes, walk their dogs, and look down at the city’s streets and colorful buildings. You drive through a big gate to enter, and then as a tourist, you have to park your car in one of the parking garages around the exterior. We rolled our luggage to our AirBnb apartment, which was not far, and were pleasantly surprised that it had air conditioning! It was in a perfect location, and we immediately went out to walk around and explore.
The streets are all cobblestone with very few cars. You can walk around the whole city in less than an hour, and every turn you make onto a new street brings a new color or texture or cute shop. We climbed the Torre Guinigi which has trees at the top and another impressive view of the terra cotta roofs and the wall in the distance. We visited the most amazing oval Piazza dell’Anfiteatro many times as it was filled with restaurants and shops and at night it looks and feels like you’re on a movie set with the lights and colors and sounds. We found our favorite pizza of the whole trip (and maybe ever) at Dante e Gentucca. If you ever go, get a slice and sit on the church steps across from the shop. Did you know Puccini was born in Lucca? They have a Puccini concert every night in the church across from the pizzeria! We also found our favorite vintage shop called Mi Casa with a mirror I wanted so badly, but it was too expensive to ship. There is the Lucca Summer Music Festival which happened to feature Bob Dylan when we were there. I see a destination concert in our future.
Tellaro
On our third day in Lucca, we took a 40-minute drive to the coast to a town called Tellaro. Our original plan was to drive to Cinque Terre and walk the five towns. But it was 94 degrees Fahrenheit by now, and it was a Saturday, so the property manager of our apartment, Manuel who was incredibly helpful, said that he did not recommend in any way to go to Cinque Terre. He said you will hate it. If it was me, I would have gone anyway. I mean, when would I ever be this near to a place I have dreamed about visiting for a decade (and might have planned the trip around)? But it was five of us, and the other four considered it a warning and I didn’t have the energy to convince them otherwise. Manuel suggested instead that we drive to a non-touristy, locals-only beach town that he promised would be just like any of the towns in Cinque Terre but without the crowds. That is how we ended up in Tellaro.
It turned out to be one of our best and most memorable experiences. And Manuel was right, not a tourist in sight, other than us. Parking was a bit of an issue, but once we found a spot, we walked down the one street all the way to the bottom and found the ocean. There was a rock quarry with a shallow walk-in that was good for families with little kids, and then we walked a little further along the path and found big rocks where people laid out towels and carefully (the rocks were slippy) crept into the water. Turns out this spot was called Gro. There was a gorgeous metal sign, but I forgot to take a photo. Grace and Nate climbed up even bigger rocks and jumped off. The Mediterranean was absolutely gorgeous, from the color to the temperature to the vibe. Just heavenly. Do I wish we had seen Cinque Terre? Yes. But I don’t regret our choice, and now I will just have to go back!
T-shirt Printing
I hand-cut a rubber stamp and printed t-shirts for everyone on the trip (see my video here on Instagram). It was actually a fairly unsuccessful printing project. I should have used linoleum, but instead used rubber because I had it on my shelf, but it was too soft and didn’t hold the ink well. Someday I will try it again and write a whole post about it. But for now, here are some photos of the process and us wearing them!
That’s a wrap on our amazing Italy trip! I will be back to add in my color palette collages which I am still working on. Let me know if this post inspired you to travel to any of these places!
xo, Bar
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Did you like this post? Here are some more places we have traveled as a family:
Eco-Expressions: Drop-In Letters and Art-Making Workshops with Michele Lorusso
jascencio
Wed, 04/09/2025 – 11:15
Join artist-in-residence Michele Lorusso for drop-in activities including letters to the world in the future, environmental chats, and hands-on art-making workshops inspired by the exhibition Nature on Notice: Contemporary Art and Ecology.
All ages are welcome to participate. All programs provided with bilingual translation in Spanish.
All education and outreach programs at LACMA are underwritten by the LACMA Education Fund and are supported in part by the Judy and Bernard Briskin Family Foundation, The Rosalinde and Arthur Gilbert Foundation, the William Randolph Hearst Endowment Fund for Arts Education, Alfred E. Mann Charities, The Ralph M. Parsons Foundation, Gloria Ricci Lothrop, the Flora L. Thornton Foundation, U.S. Bank, and The Yabuki Family Foundation.
The contemporary art world is a dynamic space where innovation, creativity, and competition meet. With the rise of digital platforms, accessibility, competition, and global art fairs, today’s artists face an increasingly complex landscape. Navigating this world can be challenging if the artist is not social or outgoing or lacks important connections in the art world. Art agents have emerged as allies for these artists, providing services that let painters succeed faster in the highly competitive art market.
Javier Bellomo, Coria face, Art Miami 2017
What is an art agent’s role in contemporary art?
An art agent is a professional who represents artists in the art world, handling key aspects of their career, such as promotion, sales, negotiations, and career strategy. While art agents share some similarities with managers, they typically focus more on the artist’s presence and success in the contemporary art market. Unlike galleries, which may also represent artists but focus on sales and exhibitions within their spaces, art agents work across multiple platforms and manage various stakeholders, from collectors and curators to exhibition spaces and online marketplaces.
Art agent benefits for painters include bridging the gap between the artist and the external art world. They are adept at understanding the unique needs of individual artists and aligning these with opportunities in the broader art scene. Depending on the specific goals of the artist, the art agent can help artists with negotiation skills for better deals, networking opportunities for artists, exhibition opportunities for painters, career advice, and so on. With their guidance, artists can focus on their studio work while art agents build the business side of things, being deeply embedded in the art community.
Art agent services for contemporary artists
One of the most significant ways art agents empower contemporary painters is through marketing, networking, and promotion. In an era where visibility is crucial to success, a good art agent creates exposure for the artist in upscale venues and private circles. They often direct marketing strategies and campaigns for artists, ensuring that the right people see the artist’s work— top critics, curators, and collectors. Through art agents, painters can access media outlets, get featured in art publications, and even be invited to prestigious art fairs or gallery openings.
Art agents also create and manage the artist’s social media presence, crafting the story around the artist’s brand. By positioning the artist in the right circles and enhancing their public image, agents ensure that painters are seen and recognized as significant contributors to contemporary art. Art agent networking opportunities for artists are crucial for the connection to the right audience because that’s how new artist’s work is noticed and valued.
Peter Anton, Art Miami 2017
Art agent’s role in negotiation and representation
Art agents are experts at negotiation, particularly in dealings with galleries, collectors, and other stakeholders in the art world. Their ability to handle sales and commissions on behalf of artists allows painters to focus on their creativity. Art agent financial management for artists includes price negotiations and fair compensation for their work. They also help determine commission splits or arrange exhibition contracts.
Art agent collector connections for artists are skilled negotiations with large-scale gallery exhibitions or top art collectors. Art agents for painters manage these relationships, protecting the artist’s interests and ensuring that they’re not undervalued. In addition to securing sales, art agents provide financial management for artists that include brokering deals for long-term representation, licensing opportunities, or museum acquisitions, thus ensuring the artist’s career remains financially viable.
Art agent’s role in career management
Art agents make a substantial impact in effective career management and artist’s long-term success. Art agents work closely with contemporary painters to develop a strategic vision for their career, advising on the type of work to create, where to exhibit, and what artistic directions to pursue. Art agents maintain the artist’s reputation across multiple platforms, helping them avoid common pitfalls that can derail an art career.
Art agent career advice for painters includes long-term planning, helping artists build a lasting legacy. Whether through curating exhibitions that span several years or ensuring that the artist’s work remains relevant in shifting art trends, agents are often integral in guiding the artist toward sustainable growth. Their skills in navigating the art market help artists make decisions for critical and financial success.
Art agent benefits for painters in building and expanding networks
Networking is a key factor in an artist’s career, and well-connected art agents can excel at facilitating valuable connections. Through their established relationships with curators, art critics, collectors, and galleries, agents can open doors to opportunities that may otherwise be out of reach for contemporary painters. Art agents are the art world’s gatekeepers, connecting artists to influential figures who can help propel their careers.
Additionally, agents leverage their connections to ensure their clients are introduced to new opportunities for collaboration or exhibition. Whether it’s an invitation to a prestigious international art fair, a private showing at a gallery, or a chance to collaborate with other artists or brands, art agents provide their clients with a network of powerful contacts. By expanding these networks, art agents not only help artists gain recognition but also ensure the right eyes see their work.
Art agent financial and legal advice for artists
Artists often fall behind on pricing and negotiations. There’s not much interest or knowledge about financial management for artists. Art agents provide crucial support in pricing artwork appropriately, ensuring that the artist’s work is valued correctly based on market demand, the artist’s reputation, and the uniqueness of their creations.
In addition to pricing, art agent gives legal advice to artists, including contracts, intellectual property rights, and copyright issues. They ensure that the artist’s interests are protected, helping them navigate the complexities of licensing and sales agreements. Art agents often negotiate exhibition terms, give proper attribution of the artist’s work, and provide legal protection for artists.
Art agent’s fee for artists
More established and successful agents may charge higher fees than emerging art agents. As an artist, you must be aware of the provided networking and marketing opportunities, time frames and results that would determine your willingness to pay for this service or not. The scope of services the art agent offers can also influence the fee structure.
Common Fee Structures:
Hybrid model: This combines elements of both commission-based and retainer fee models. The agent may charge a retainer fee for ongoing services and a commission on any sales made.
Commission-based: This is the most common fee structure, where the agent receives a percentage of the sale price of the artwork. The percentage can range from 10% to 50%, with an average of around 25%.
Retainer fee: This is a fixed monthly or annual fee that the artist pays to the agent for their services, regardless of whether any sales are made.
Artists must be aware of many other additional costs that could include shipping, handling, and insurance costs that require negotiations with art agents before purchasing their services.
Art agent future trends in the art market
As the art world continues to evolve, so too does the role of the art agent. The rise of digital platforms and social media has significantly shifted the way art is marketed and sold, and art agents are adapting to this new environment by incorporating online platforms into their strategies. Social media, virtual exhibitions, and online galleries offer new opportunities for contemporary painters to showcase their work, and art agents are at the forefront of these developments.
Additionally, the global nature of the art market means that art agents are increasingly acting as global representatives, helping artists expand their reach beyond their local markets to international audiences. This evolution opens up exciting possibilities for the future, where art agents could have even more influence in shaping the global art scene.
Famous art agents and their artists in art history:
In the past, art agents combined their interests and served as art collectors, art gallerists, and even socialites in elite art circles. These are a few famous art agents in art history.
Chicago art institute, Georgia O’Keeffe, the white skull
Paul Durand-Ruel: Represented major Impressionist and Post-Impressionist artists, including Monet, Manet, Degas, Renoir, and Cézanne.
Ambroise Vollard: Represented Picasso, Matisse, Cézanne, and other major artists of the early 20th century.
Alfred Stieglitz: Promoted American modernism and represented artists like his wife-Georgia O’Keeffe, Marsden Hartley, and Arthur Dove.
Peggy Guggenheim: Supported and collected Surrealist and Abstract Expressionist art, representing artists like Jackson Pollock and Marcel Duchamp.
Leo Castelli: Represented major Pop Art and Minimalist artists, including Andy Warhol, Jasper Johns, and Robert Rauschenberg.
Mary Boone: Represented major contemporary artists like Cindy Sherman, Eric Fischl, and Ross Bleckner.
By handling marketing, negotiation, career management, networking, and financial support, art agents provide artists with the tools they need to succeed in a highly competitive and complex art world. As the art market evolves, so too does the importance of art agents for painters, who remain essential to navigating this evolving art landscape and achieving long-term success. Through their expertise and connections, art agents empower artists to focus on what they do best—creating impactful, inspiring works of art.
This made my heart so happy!! A few weeks ago I taught a lesson on the artist Romero Britto. A para-pro (someone who works with children that need extra assistance) loved the work I shared from Britto, and ordered a new phone case for herself. She had to share it with me!!
You may recognise textile artist Meghan Spielman from our collaboration with Soho Home, where her vibrant tapestries have adorned the walls of their studios, captivating collectors worldwide. Drawing inspiration from heirloom textile traditions, Spielman weaves subtle tributes to the legacy of female craftsmanship.
Her work echoes the rich history of American quilt and coverlet patterns, transforming them into a visual language that tells stories of time, place, and the hands that created them. With each piece, she rejuvenates this enduring art form, blending tradition with her own dynamic perspective.
Argentine artist Lobo Velar de Irigoyen describes his practice as “a playful and abstract attempt to explore the intimacy of everyday life [to] pose and question communication problems and conflicts of interpretation.” His work seamlessly oscillates between collage, photography, and painting, creating a harmonious yet enigmatic fusion that demands attention. Each piece invites exploration and challenges the viewer, sparking the imagination to craft its own narrative. The story behind his works may remain elusive, but this ambiguity only deepens their allure, ensuring a mesmerising experience with every encounter.
Simon Tatum, an interdisciplinary artist from the Cayman Islands now based in Nashville, Tennessee, creates thought-provoking works that explore identity and perception. Drawing inspiration from W.E.B. Du Bois’s concept of double consciousness, Tatum transforms printed imagery—such as advertisements and documentary photographs—and finds objects into a distinctive visual language.
His art reflects his deep engagement with colonial histories, the complexities of tourism, and his personal journey as a mixed-race Caribbean man navigating societal expectations. Through his deconstruction and reconstruction of these elements, Tatum invites viewers to reconsider the narratives that shape cultural identity.
Kenyan artist Nelson Ijakaa views art as more than a form of expression—it is a catalyst for societal transformation. Refusing to be confined by a single medium, his dynamic practice encompasses painting, photography, video montage, installation, and even augmented reality. Now working from a residency in Hamburg, Ijakaa remains steadfast in his mission to challenge power structures and amplify African voices through his thought-provoking creations.
Brazilian artist Aline Gaiad creates playful and personal domestic scenes, drawing inspiration from everyday life. Her home and studio meld into a seamless creative haven, reflecting her artistic ethos. Influenced by the warmth and sophistication of her childhood home—where she was immersed in a family of avid collectors and artists—her work evokes a sense of nostalgia and charm. Delicate curtains, eclectic wallpapers, and whimsical figures populate Gaiad’s quirky, dollhouse-like abodes, transforming ordinary spaces into richly imaginative, smile-inducing worlds.
Aline Gaiad in front of a selection of her interior paintings
London-based Georgie McEwan works with painting and spatial design. Drawing influence from her architectural background, McEwan’s work entangles the familiar in poetic explorations that warp and play with the boundaries between architecture and art. Joyful abstractions of space, colour and pattern present an alternative way of looking at the world, where distorted dimensions and floating fragments transport us into unexpected landscapes of the imagination.
Thanks to his unique background and diverse influences, Alexander Grawoig transforms the mundane into the extraordinary, reflecting a deep engagement with both material and metaphysical themes. Forgoing formal education to support his family’s graphic design business, he cultivated a deep appreciation for genres like jazz, blues, and electronic music, alongside influences from Dada, Fluxus, and Abstract Expressionism. Since 2008, Grawoig has performed globally under aliases like D/P/I and Deep Magic, collaborating with luminaries such as Laraaji and Orphy Robinson and appearing at venues like MoMA PS1 and Mutek.
Left: Alexander Grawoig framing artworks | Right: Ad Hocc (5) by Alexander Grawoig (Acrylic, oil pastels, graphite, linen, cotton, staples and cardboard on wood panel, 2024, 100 x 70 cm)
French sculptor Anne Mourat reimagines the classical figurative form through her bronze casts and clay models, introducing what she describes as “fantasies” in disproportion. By emphasising larger, unconventional body shapes rarely seen in traditional sculpture, Mourat celebrates humanity in all its power and fragility.
Her ongoing series, Women/Objects, invites models to pose with an object of their choosing, allowing them to “refocus on the essential, detached from any external gaze.” Through the grandeur of scale and commanding stances, Mourat reveals a striking vitality in each figure, tirelessly elevating their presence sculpture after sculpture.
Lolote (bronze casting based on an original modelled in clay, 2006, 22.5 x 25 x 21 cm) Edition of 6 | La Campée (bronze casting based on an original modelled in clay, 2006, 61 x 46 x 33 cm) Edition of 6
Contemporary photographer Casey Moore draws inspiration from landscapes as diverse as the wilds of New Zealand, the Austrian Alps, and the rolling hills of the UK. His meticulously composed photographs delve into nature’s epic scale with surreal precision, inviting viewers into a world where every detail pulses with life. Moore aspires to balance introspection and vibrancy, drawing viewers attention to the quieter moments often overlooked in day to day life.
Photographer Casey Moore holding up one of his hand-printed photographs
With a practice spanning over six decades, Pen Dalton navigates the shifting dynamics between painting and printing, image and text. Her work began deeply rooted in her childhood experiences with her father, who worked in the newspaper printing industry and introduced her to the expressive potential of text, print, and colour. These early influences shaped her exploration of oxymorons and binary perceptions: fathers and daughters, black and white, image and substrate, digital and analogue, mind and body.
Left: Bolus by Pen Dalton (acrylic paint and mediums on home mounted beech panel, 2019, 39 x 28 cm) | Right: Pen Dalton
Her work also interrogates formal oppositions—transparent and opaque, gloss and matte, impasto and smooth. “I am interested in the social analogies and metaphors that can be inferred from these relationships and in what lies in the vast territory between,” she explains. In recent years, Dalton’s practice has pivoted to become one of reconciliation, finding harmony within these binaries by merging contrasting marks on the canvas into a cohesive whole.
For more inspiration, take a look at our What Collectors Have Their Eye On collection, updated monthly with wish-listed and saved works by Rise Art collectors.
Captivated by the idea of “unexpressed feelings and things left unsaid,” artist Xenia Gray creates mixed media work, primarily using oil, acrylic, and charcoal. Born and raised in post-Soviet Siberia, her artistic sensibilities were shaped by the industrial landscapes of her hometown. She pursued formal training in Saint Petersburg, earning an MA in advertisement design from Saint Petersburg State University of Technology and Design. In 2010, she relocated to the United States. Have a look at a selection of her work below.
Danielle Lane & Lara Irwin’s Instagram profile says, Two besties throwing like girls. And that explains their relationship perfectly- Danielle and Lara are best friends who make pottery together in Victoria, BC Canada. It all started when Danielle and Lara decided to buy a potters wheel together. Now they are making ceramics together and they wouldn’t have it any other way.
Do either of you go to the studio to make by yourselves or is it always together?
Lara: It’s our favorite to be together, I think, for both of us, but sometimes it’s necessary when you are trying to fill an order to geo and get the pots done.
Do you make a certain amount of inventory to bring to each show?
Danielle: Absolutely. We definitely have to set aside time in our work schedules to do that. That usually looks like a couple of days a week. Making goals, we need ten bowls for this and ten for this.
Danielle what’s the favorite piece that Lara makes that you love?
Danielle: That is a hard question. I love everything Lara makes. I am really so impressed with Lara’s skill of throwing on the wheel. I would almost describe her style as soft, the pieces have this soft look to them and I can just never quite reach that so I would say every piece she throws. I am just always blown away.
Lara, what’s the favorite piece that Danielle makes that you love?
Lara: Yeah, that is such a hard question. I think she knows what I am going to say. She is really excellent at sgraffito work and her glazing. It is so stunning and beautiful and she has this incredible patience for it as well. She spends so long making these gorgeous landscapes of sgraffito work. They are usually the first thing I show other people. It is just so stunning.
What is the piece that you wish you could make but your skills are not quite there?
Lara: We haven’t tried the tea pot yet. So I think one day we are going to take that on. I would really love to make a lamp. I see that a lot on Instagram, people making lamps.
Danielle: Lately I’ve been really into large vases. I think we are really starting to hone in to throwing with bigger amounts of clay. I don’t know, maybe we will need a bigger kiln because our stuff is getting bigger and bigger.
Narrative art tells a story. I love challenging students to create interesting original narratives. They have to truly think through what their story is, and how to best share it with the viewer. A narrative is at its best when it considers the setting (environment), characters (people that it involves), and plot (what’s happening). I ask students to periodically stop and share their work with their neighbor. If their neighbor is unable to convey what is going on in the story, then the artist knows they must reconsider/rethink what they are doing so that they can have their work tell the story more effectively.
But in your hearts revere Christ as Lord. Always be prepared to give an answer to everyone who asks you to give the reason for the hope that you have. But do this with gentleness and respect, keeping a clear conscience, so that those who speak maliciously against your good behavior in Christ may be ashamed of their slander. 1 Peter 3: 15-16
Have you ever been asked to share your “testimony”(your faith story)? For some, the idea of doing such a thing is extremely scary. Others might think they could do it with ease, but quickly realize when doing so that they lack direction/focus, and are unable to effectively share their journey of faith. No matter where you find yourself on this spectrum, being able to share your story is an important “tool” that the Lord wants to use in your life & the life of others. Like the narrative art work I have my students create, you must think through your story and consider how best to share it with others. You don’t want it to sound scripted/canned…but we must be ready in & out of season to give account for our hope! Writing it down, sharing it with a friend, and thinking upon what you are sharing will allow you to refine it & effectively convey your story I also feel it will allow you to reflect on God’s love & faithfulness in your life. That is a WIN-WIN situation.
The Easter Story is on our hearts & minds right now…. but I want to know how the
Easter Story has impacted your story!
Dear Lord…you have blessed me with a story to share. Thank you for the testimony you have given me. I know it your story of grace, love, and hope. Something our world needs to hear. Allow me to effectively & fearlessly share the reason for my hope. Help me to glory you through the story of my life. And may I see that it is not finished, but still unfolding as I go & grow in you.
Accidents can be stressful, and understanding the next steps can be overwhelming if you have been involved in a truck accident in Texas. It is not legally required to report an accident to insurance unless there are injuries or significant damage. Knowing when to inform an insurer can make a crucial difference in how a claim is handled.
Reporting an accident can influence future premiums and coverage options. Individuals may wonder if failing to report could lead to complications down the line, especially if the other party decides to file a claim.
Understanding the nuances of insurance reporting in Texas can help individuals navigate this process effectively. Whether someone has had a minor fender bender or a more serious collision, being informed can lead to better outcomes.
Legal Requirements After an Accident in Texas
After an accident in Texas, specific legal requirements dictate actions drivers must take. Understanding state laws and immediate actions at the scene is crucial for compliance and protection of rights.
State Laws and Reporting Thresholds
Texas law requires drivers to report an accident to law enforcement if it results in injury, death, or property damage exceeding $1,000. This threshold is essential for determining the necessity of filing a report.
If an individual fails to report under these conditions, they may face legal consequences. Drivers should gather information, including names, addresses, and insurance details of all parties involved. Officers may issue a report that can be used for insurance claims.
Immediate Actions at the Scene of the Accident
When involved in an accident, the first priority is safety. Drivers should check for injuries and, if necessary, call emergency services for medical assistance. Moving vehicles to a safe location helps prevent further collisions.
Gather essential information such as the date, time, and location of the incident. Document the scene with photographs if possible. Exchange contact and insurance information with the other party. Lastly, keep a record of any witnesses present, as their statements may be important for future claims.
The Insurance Claim Process
When an accident occurs, it’s essential to understand the insurance claim process in Texas. This involves notifying the insurer promptly, exchanging necessary information, and recognizing the role of claims adjusters in resolving the claim.
Notifying Your Insurer
The first step in the claims process is to notify the insurance company. This should occur as soon as possible after the accident. Most insurers have a specific time frame within which claims must be reported, usually within a few days.
Provide essential details such as:
Date and time of the accident
Location of the accident
Description of the vehicles involved
Names and contact information of all parties
This delays in notifying the insurer can result in complications or potentially denial of the claim. Therefore, acting quickly is critical.
Information Exchange for Claims
Once the insurer is informed, the next step involves the exchange of information. Both parties will need to provide relevant data to support the claim. This often includes police reports, photographs of the accident scene, and witness statements.
Insurers may also require the following:
Medical records related to injuries
Estimates for vehicle repairs
Documentation of any lost wages or other damages
This thorough exchange ensures that both the insurer and the insured have a complete understanding of the situation, aiding in a more efficient claims process.
The Role of Claims Adjusters
Claims adjusters play a crucial role in the insurance claim process. They are responsible for investigating the claim, assessing damages, and determining the legitimacy of the claim.
Adjusters will:
Review all submitted evidence
Interview involved parties
Inspect damaged property
Their findings will influence the amount offered for the claim settlement. It’s important for claimants to cooperate with adjusters to facilitate a fair assessment and expedite the claim resolution.
Determining Fault and Liability
Establishing fault and liability is crucial after an accident in Texas. This process involves understanding state regulations and reviewing police reports to assess responsibility for damages and injuries.
Texas Fault Rules
Texas follows a modified comparative negligence rule. This means that fault can be shared among parties involved in the accident. If a party is found to be more than 50% at fault, they cannot recover damages.
For example, if Driver A is 40% at fault and Driver B is 60% at fault, Driver A can still recover damages. Their compensation, however, will be reduced by their percentage of fault. The specifics of each case, including evidence and witness statements, will often influence the determination of liability.
Police Reports and Liability Assessment
Police reports significantly contribute to liability assessments following an accident. Officers document the scene, gather statements, and provide an initial evaluation of fault.
In Texas, a police report can help clarify facts and present objective information. It may include diagrams, photos, and assessments of the involved parties’ actions. Insurance companies often use these reports to make coverage decisions. However, the final determination of fault may involve negotiations between the insurance adjusters, drawing on both the police report and other evidence presented by the parties involved.
Impact on Insurance Premiums
Insurance premiums can be significantly affected by accident reports. Texas drivers should understand the implications of reporting an accident to their insurance and how it can influence future costs. Two main factors play a crucial role: accident forgiveness policies and potential rate increases following a claim.
Accident Forgiveness Policies
Many insurance companies offer accident forgiveness policies. These policies allow drivers to make their first accident claim without incurring a premium increase.
Key features include:
First Accident: The first at-fault accident may not affect the premium.
Policy Renewal: Benefits often apply only at renewal time, not immediately.
Eligibility: Policies may have specific eligibility criteria, such as a minimum number of claim-free years.
Drivers should check if their insurer provides such a program. This could save them money in the long run.
Rate Increases Following a Claim
Insurance providers often raise premiums following an at-fault accident claim. The degree of the increase can depend on various factors, including:
Driver’s History: A history of accidents or claims may lead to higher increases.
Severity of Accident: More severe accidents might result in steeper rate hikes.
Type of Coverage: Different levels of coverage can impact how much premiums rise after a claim.
On average, premium increases can range from 20% to 60%. It’s crucial for drivers to review their policy terms to understand potential future costs.
Special Considerations for Truck Accidents
Truck accidents in Texas involve unique regulations and reporting requirements due to the larger size and potential impact of commercial vehicles. Understanding these factors is crucial for anyone involved in such incidents.
Commercial Trucking Regulations
Commercial trucks in Texas are subject to federal and state regulations that govern their operation. The Federal Motor Carrier Safety Administration (FMCSA) sets standards for drivers, vehicles, and transportation practices.
Drivers must maintain valid commercial driver’s licenses (CDLs) and adhere to hours-of-service regulations, which limit driving hours to prevent fatigue. Trucking companies must also hold appropriate insurance coverage to operate legally. Failure to comply with these regulations can lead to significant penalties and impact claims stemming from accidents.
Reporting Commercial Accidents
When a truck accident occurs in Texas, specific reporting protocols must be followed. If the accident results in injuries or property damage exceeding $1,000, it is mandatory to report it to local law enforcement. Additionally, commercial truck drivers must complete a report under FMCSA guidelines, which is separate from state requirements.
Insurance companies typically require copies of all accident reports for claims processing. Involving a commercial vehicle can complicate the claims process, so gathering thorough documentation, including witness statements and photographic evidence, is vital for a successful resolution.
Dealing with Insurance Providers
Navigating interactions with insurance providers after an accident is crucial for obtaining fair coverage. Understanding policy details and effective negotiation strategies can significantly impact the outcome of claims.
Understanding Your Coverage
Insurance policies can be complex. It’s essential for individuals to review their coverage specifics before an accident occurs. Key elements to know include:
Liability Coverage: This is mandatory in Texas. It covers damages to other parties if the insured is at fault.
Collision and Comprehensive Coverage: These are optional but helpful for damage to the insured’s vehicle. Collision covers accidents, while comprehensive handles non-collision incidents like theft or weather damage.
Uninsured/Underinsured Motorist Coverage: This is critical in protecting against drivers without adequate insurance.
They should also note the deductible amounts, as these affect the claim payout. Individuals must ask their insurance companies for clarification on any unclear terms to ensure they grasp their entitlements.
Negotiating with Insurers
Effective negotiation with insurance providers can lead to better settlement outcomes. Here are strategies to consider:
Gather Documentation: Collect all relevant information, including police reports, medical records, and repair estimates. This data strengthens the case.
Know the Value of the Claim: Research the average costs associated with similar accidents. This knowledge empowers the insured during discussions.
Stay Professional: Maintain a calm demeanor. Clear communication can facilitate understanding and foster cooperation.
Be Prepared to Counteroffer: Initial offers from insurers may be lower than expected. It is crucial for individuals to present a well-reasoned counteroffer supported by their documentation.
Using these strategies, individuals can navigate the claims process more effectively and work towards achieving appropriate compensation.
Legal Representation and Claims Disputes
Navigating claims disputes after an accident can be complex. Legal representation may be necessary to handle denials and ensure fair treatment.
Hiring an Accident Attorney
Engaging an accident attorney can significantly impact the outcome of a claim. These professionals are well-versed in Texas laws and can provide tailored guidance throughout the process.
An attorney can assess the details of the case, ensuring all necessary documentation is prepared accurately. They can also negotiate with insurance adjusters on the claimant’s behalf.
It is vital to choose an attorney with a strong track record in handling accident claims. Many attorneys offer free consultations, allowing potential clients to explore their options without a financial commitment.
Disputing Claim Denials
Claim denials often stem from insufficient evidence or incomplete documentation. Understanding the reasons behind a denial is crucial for disputing it effectively.
Victims should carefully review the denial letter, noting specific reasons for rejection. Gathering additional evidence, such as police reports, medical records, or witness statements, strengthens the case.
An accident attorney can assist in drafting a formal appeal. They can help ensure that all required information is included and submitted promptly, adhering to any deadlines set by the insurance company.
Documentation and Record-Keeping
Accurate documentation and meticulous record-keeping are crucial following an accident. They serve as the foundation for any claims process and can significantly impact the outcome.
Keeping Accurate Records
Maintaining precise records after an accident includes gathering all critical information. Individuals should document the date, time, and location of the incident. It’s essential to note the vehicles and people involved, alongside any witness details.
Key documents to keep:
Police reports
Medical records
Repair estimates
Correspondence with insurance companies
This information should be organized systematically. A clear timeline of events helps in establishing a factual account. Additionally, retaining receipts related to medical or repair costs is vital for any potential claim.
Importance of Evidence
Collecting and preserving evidence is fundamental in supporting a claim. Photographic documentation of damage, scene conditions, and any visible injuries provides tangible proof of the accident’s impact.
Types of evidence to gather:
Photos of vehicles and the accident scene
Dashcam footage, if available
Statements from witnesses
This evidence can be beneficial during negotiations with insurance providers or in court. Proper evidence collection reinforces claims and may expedite the insurance process, ensuring fair compensation for any losses sustained.
Understanding No-Fault Versus At-Fault
Texas operates under an at-fault insurance system, while various other states utilize no-fault insurance. This distinction affects how claims are handled after an accident. It’s crucial for drivers to grasp these differences for better decision-making and to understand potential liabilities after an accident.
No-Fault Insurance Explained
No-fault insurance allows drivers to receive compensation for their injuries regardless of who caused the accident. Each party involved in the accident files a claim with their own insurance provider. This system often leads to quicker claims processing and less litigation.
Key aspects of no-fault insurance include:
Personal Injury Protection (PIP): Covers medical expenses and lost wages.
Limited lawsuits: Generally restricts the ability to sue others unless serious injuries are involved.
This approach emphasizes efficiency and ensures that individuals have access to immediate medical care without lengthy legal battles.
Texas At-Fault System
In Texas, the at-fault system means that the driver responsible for the accident is liable for damages. This includes vehicle repairs, medical expenses, and more. Understanding liability is essential in navigating insurance claims.
Here are notable points regarding the at-fault system:
Liability Determination: Insurers investigate to establish fault.
Claim Filing: Victims must initiate claims against the at-fault driver’s insurance for recovery.
Potential for Lawsuits: If damages exceed insurance limits, victims may pursue lawsuits.
This framework creates a direct correlation between fault and financial responsibility, where the party responsible for the accident bears the brunt of the financial consequences.
When to Report an Accident to the DMV
In Texas, certain conditions require drivers to report an accident to the Department of Motor Vehicles (DMV). Understanding these requirements can help ensure compliance and avoid any penalties.
DMV Reporting Requirements
Texas law mandates that drivers report an accident to the DMV if there are any injuries, fatalities, or property damage exceeding $1,000. This applies to both public and private property. The report must be filed within 10 days of the accident.
Failing to report under these conditions can lead to license suspension. To file, drivers must complete the appropriate accident report form and submit it either in person or by mail to the DMV. Collecting evidence and details at the scene, such as photographs and witness information, aids in accurate reporting.
Conclusion
Reporting an accident to an insurance company in Texas is a crucial step for drivers involved in a crash. Understanding the responsibilities and appropriate actions can help mitigate potential complications.
Summary of Key Points
In Texas, car accidents often require reporting to the insurance company, particularly when injuries occur or significant damage happens. An accident report is essential for processing claims and ensuring coverage under the policy. Failing to report an accident can lead to complications, including coverage denial.
Drivers should be aware of their insurance policy requirements, as some companies stipulate reporting timelines. Being timely and accurate in reporting enhances the likelihood of a smooth claims process. Always document the accident details, including photographs and witness accounts, which can be beneficial when filing a claim.
Next Steps After Reporting
After reporting an accident, it is important to stay organized and informed. Review the insurance policy to understand what coverage applies. Maintain communication with the insurance adjuster throughout the claims process.
Gather all necessary documentation, including medical records and repair estimates. This information will aid in ensuring a fair evaluation of the claim. It is also advisable to follow up periodically to check on the progress of the claim. Keeping detailed records will support the case and promote clarity in communications with the insurance provider.
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