دسته: معماری مدرن

  • Gallery Tour—Line, Form, Qi: Calligraphic Art from the Fondation INK Collection


    Chris Burden’s Metropolis II is an intense kinetic sculpture, modeled…

    Perhaps the most dominant art form of the last 100 years, film has an important…

    Tuesday Matinees

    Enjoy concerts featuring leading international and local ensembles in programs o…

    Art & Music,Jazz at LACMA,Latin Sounds

    LACMA offers in-person art classes for kids, teens, and adults, offering the cha…

    Random International’s Rain Room (2012) is an immersive environment of…

    Rain Room

    Artist Robert Irwin’s work in the last five decades has investigated perception…

    Barbara Kruger’s Untitled (Shafted) features her distinctive use of advertising…

    Band (2006) may qualify as Richard Serra’s magnum opus, representing the fullest…

    LACMA’s Modern Art collection features primarily European and American art from…

    LACMA’s Acquisitions Group and Art Council members share a deep affinity for the…

    Art Councils,Acquisition Groups,Art of the Middle East: CONTEMPORARY,Asian Art Council,Costume Council,Decorative Arts and Design Council,LENS: Photography Council,Modern and Contemporary Art Council,Prints and Drawings Council

    Welcome to the employment page of the Los Angeles County Museum of Art. To see a…

    Jobs,Careers,Internships,Volunteer

    Join museum educators, artists, curators, and experts for artist talks, virtual…

    Create+Collaborate

    In Golden Hour, over 70 artists and three photography collectives offer an aesth…

    Established in 1967, the Conservation Center at LACMA supports the museum’s comm…

    painting conservation,paper conservation,object conservation,textile conservation,conservation science,conservation imaging

    Barbara Kruger: Thinking of You. I Mean Me. I Mean You. is a major exhibition de…

    Featuring Ai Weiwei, Huang Yong Ping, Wang Guangyi, Xu Bing, Yue Minjun and more…

    Beyond the concrete materials of ink and paper, there is an intangible spirit un…

    To complement the presentation of The Obama Portraits by Kehinde Wiley and Amy S…

    From the moment of their unveiling at the Smithsonian’s National Portrait Galler…

    (Los Angeles, CA—January 13, 2022) – The Los Angeles County Museum of Art (LACMA…

    (Los Angeles, CA—December 14, 2021) The Los Angeles County Museum of Art (LACMA)…

    Mixpantli: Contemporary Echoes showcases the lasting impact of Indigenous creati…

    LACMA marks the 500th anniversary of the fall of the Aztec capital Tenochtitlan…

    Since the mid-20th century, California has been a beacon of both inventive desig…

    Revealing insights about family life and the quotidian in the 21st century, Fami…

    One of the most significant contributors to fashion between 1990 and 2010, Lee A…

    Comprising approximately 400 works, including an unprecedented number of loans f…

    Archive of the World: Art and Imagination in Spanish America, 1500–1800 is the f…

    Scandinavian Design and the United States, 1890–1980 is the first exhibition to…

    In the work of American artist Sam Francis (1923–1994), Western and Eastern aest…



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  • David Geffen Galleries Sunset Reception and Preview for Friend, Supporter, and Partner-level Members


    Chris Burden’s Metropolis II is an intense kinetic sculpture, modeled…

    Perhaps the most dominant art form of the last 100 years, film has an important…

    Tuesday Matinees

    Enjoy concerts featuring leading international and local ensembles in programs o…

    Art & Music,Jazz at LACMA,Latin Sounds

    LACMA offers in-person art classes for kids, teens, and adults, offering the cha…

    Random International’s Rain Room (2012) is an immersive environment of…

    Rain Room

    Artist Robert Irwin’s work in the last five decades has investigated perception…

    Barbara Kruger’s Untitled (Shafted) features her distinctive use of advertising…

    Band (2006) may qualify as Richard Serra’s magnum opus, representing the fullest…

    LACMA’s Modern Art collection features primarily European and American art from…

    LACMA’s Acquisitions Group and Art Council members share a deep affinity for the…

    Art Councils,Acquisition Groups,Art of the Middle East: CONTEMPORARY,Asian Art Council,Costume Council,Decorative Arts and Design Council,LENS: Photography Council,Modern and Contemporary Art Council,Prints and Drawings Council

    Welcome to the employment page of the Los Angeles County Museum of Art. To see a…

    Jobs,Careers,Internships,Volunteer

    Join museum educators, artists, curators, and experts for artist talks, virtual…

    Create+Collaborate

    In Golden Hour, over 70 artists and three photography collectives offer an aesth…

    Established in 1967, the Conservation Center at LACMA supports the museum’s comm…

    painting conservation,paper conservation,object conservation,textile conservation,conservation science,conservation imaging

    Barbara Kruger: Thinking of You. I Mean Me. I Mean You. is a major exhibition de…

    Featuring Ai Weiwei, Huang Yong Ping, Wang Guangyi, Xu Bing, Yue Minjun and more…

    Beyond the concrete materials of ink and paper, there is an intangible spirit un…

    To complement the presentation of The Obama Portraits by Kehinde Wiley and Amy S…

    From the moment of their unveiling at the Smithsonian’s National Portrait Galler…

    (Los Angeles, CA—January 13, 2022) – The Los Angeles County Museum of Art (LACMA…

    (Los Angeles, CA—December 14, 2021) The Los Angeles County Museum of Art (LACMA)…

    Mixpantli: Contemporary Echoes showcases the lasting impact of Indigenous creati…

    LACMA marks the 500th anniversary of the fall of the Aztec capital Tenochtitlan…

    Since the mid-20th century, California has been a beacon of both inventive desig…

    Revealing insights about family life and the quotidian in the 21st century, Fami…

    One of the most significant contributors to fashion between 1990 and 2010, Lee A…

    Comprising approximately 400 works, including an unprecedented number of loans f…

    Archive of the World: Art and Imagination in Spanish America, 1500–1800 is the f…

    Scandinavian Design and the United States, 1890–1980 is the first exhibition to…

    In the work of American artist Sam Francis (1923–1994), Western and Eastern aest…



    Source link

  • David Geffen Galleries Sunset Reception and Preview for Individual and Dual-level Members


    Chris Burden’s Metropolis II is an intense kinetic sculpture, modeled…

    Perhaps the most dominant art form of the last 100 years, film has an important…

    Tuesday Matinees

    Enjoy concerts featuring leading international and local ensembles in programs o…

    Art & Music,Jazz at LACMA,Latin Sounds

    LACMA offers in-person art classes for kids, teens, and adults, offering the cha…

    Random International’s Rain Room (2012) is an immersive environment of…

    Rain Room

    Artist Robert Irwin’s work in the last five decades has investigated perception…

    Barbara Kruger’s Untitled (Shafted) features her distinctive use of advertising…

    Band (2006) may qualify as Richard Serra’s magnum opus, representing the fullest…

    LACMA’s Modern Art collection features primarily European and American art from…

    LACMA’s Acquisitions Group and Art Council members share a deep affinity for the…

    Art Councils,Acquisition Groups,Art of the Middle East: CONTEMPORARY,Asian Art Council,Costume Council,Decorative Arts and Design Council,LENS: Photography Council,Modern and Contemporary Art Council,Prints and Drawings Council

    Welcome to the employment page of the Los Angeles County Museum of Art. To see a…

    Jobs,Careers,Internships,Volunteer

    Join museum educators, artists, curators, and experts for artist talks, virtual…

    Create+Collaborate

    In Golden Hour, over 70 artists and three photography collectives offer an aesth…

    Established in 1967, the Conservation Center at LACMA supports the museum’s comm…

    painting conservation,paper conservation,object conservation,textile conservation,conservation science,conservation imaging

    Barbara Kruger: Thinking of You. I Mean Me. I Mean You. is a major exhibition de…

    Featuring Ai Weiwei, Huang Yong Ping, Wang Guangyi, Xu Bing, Yue Minjun and more…

    Beyond the concrete materials of ink and paper, there is an intangible spirit un…

    To complement the presentation of The Obama Portraits by Kehinde Wiley and Amy S…

    From the moment of their unveiling at the Smithsonian’s National Portrait Galler…

    (Los Angeles, CA—January 13, 2022) – The Los Angeles County Museum of Art (LACMA…

    (Los Angeles, CA—December 14, 2021) The Los Angeles County Museum of Art (LACMA)…

    Mixpantli: Contemporary Echoes showcases the lasting impact of Indigenous creati…

    LACMA marks the 500th anniversary of the fall of the Aztec capital Tenochtitlan…

    Since the mid-20th century, California has been a beacon of both inventive desig…

    Revealing insights about family life and the quotidian in the 21st century, Fami…

    One of the most significant contributors to fashion between 1990 and 2010, Lee A…

    Comprising approximately 400 works, including an unprecedented number of loans f…

    Archive of the World: Art and Imagination in Spanish America, 1500–1800 is the f…

    Scandinavian Design and the United States, 1890–1980 is the first exhibition to…

    In the work of American artist Sam Francis (1923–1994), Western and Eastern aest…



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  • Making A Plane – Lost Art Press

    Making A Plane – Lost Art Press


    4–1. Wall rack of shop-made planes.

    This is an excerpt from “Making and Mastering Wood Planes by David Fink.


    Chapter 1 contains information on resawing the plane blank into the two cheeks and the midsection. It also shows how to determine which would become the front, back, top, and bottom of the blank, and how to mark these parts out with a cabinetmaker’s triangle.

    Following are the remaining techniques for making hand planes. Also included is a list of the tools needed for these procedures.

    Tools and Supplies Needed
    • Six-inch combination square
    • Protractor
    • Pencil
    • Block plane
    • Practice stock: straight-grained hardwood, about 18 inches long, 3/4 inch thick, and 3 inches wide
    • Dowels (5/16 x 2 inches) 
    • Brad-point drill bit (5/16 inch)
    • Drill press or power hand drill
    • Dovetail saw or razor saw
    • Chisel (1/2 inch)
    • Clamping cauls: two pieces of 3/4-inch particleboard or plywood about 12 inches long and 3 inches wide
    • Router with a 1/2-inch guide bushing and 3/8-inch bit

    Optional Tools and Materials
    • Double sticky tape—thin type for carpet
    • Plug cutter (5/16 inch) 
    • Sanding drum (3-inch diameter)

    Preparing the Glue Surfaces
    The plane blank has been resawn into the two cheeks and the midsection, and the front, back, top, and bottom have been marked. The next step is to smooth and flatten the adjacent surfaces of the cheeks and the midsection that eventually will be glued back together. With experience, hand tools quickly do the job: a plane can be used to smooth the surfaces or a scraper can be used to remove defects like raised lines left by a chips in the planer knives. Avoid hand-sanding because the outer margins tend to get rounded, which only accentuates the glue lines. Another option is to leave the surfaces as they are off the machine; the glue lines may be apparent once the plane is assembled, but it should hold together securely.

    Laying Out and Sawing the Front and Back Blocks

    Determine the position of the throat opening on the midsection and lay out the angles that when sawn will create the front and back blocks. A strong word of caution: The layout and cuts occur on the midsection; be sure to separate it from the cheeks before proceeding. The plane blank is ruined if the cheeks are sawn mistakenly.

    The throat opening will be slightly more than halfway along the bottom of the mid-section, closer to the front end than the back. (If you feel stranded without precise measurements, a throat opening located five-ninths of the total length will do. To determine this, multiply the length of the blank times five, divide this number by nine, and measure that result from the back end of the blank.)The exact location is not critical, but why should the throat plate be in this area? One of the most demanding planing tasks is preparing boards for edge-joining. It requires precise control of the plane. The planing stroke begins at a stand still and ends with the plane in motion. With the throat opening forward of center, less of the sole of the plane is resting on the board when the blade begins its cut, but the plane is easy to control because it is motionless. Because of the throat opening placement, when the blade finishes its cut more of the sole will be in contact with the board, which helps you balance the plane while it is in motion.

    4–2. A plane blank with front-and-back-block layout on the midsection.

    From the point of the throat opening, lay out a 45-degree line angled back toward the rear of the plane. This defines the back block and the ramp that the plane iron will eventually rest upon. From the point of the throat opening, move forward about 1/16 inch and draw a line angling to the front of the plane at 62 degrees. The center block is now divided into three sections: the back block, the triangular center section, which becomes scrap, and the front block, forming both the front of the throat opening and the front portion of the plane (4–2).

    4–3. Finger clearance between the cross-pin and front block must be wide enough to conveniently extract jammed shavings.

    The front block is angled at 62 degrees for several reasons. It’s about the steepest slope that gives sufficient clearance for shavings to exit between the front block and the cross-pin while allowing enough space for most people’s fingers to remove an occasional jammed shaving (4–3). If it were much steeper, the space between the cross-pin and front block would be so tight that if shavings collected and jammed there, removal would be an irritating task requiring a pencil point or needle-nose pliers.

    4–4. An enlarged view of the throat opening. It widens as the bottom wears. The steeper the angle at the tip of the front block, the slower the process.

    The angle can be made lower, but that may interfere with the shaping of shorter planes. Also, as the bottom of the plane wears, the throat opening widens; the lower the angle of the front block, the faster the widening occurs. One of our goals and one of the advantages of making your own plane is that the plane can have a very narrow throat opening (4–4); it pays to maintain this narrow opening as long as possible. Alternatively, the front block can be cut with a curve, keeping the angle steep at the throat opening and sweeping away in the vicinity of the cross-pin (4–5). This is a good solution. Still, I prefer a straight cut for the first plane because you can practice truing that cut before advancing to the critical job of truing the ramp of the back block, using the same techniques.

    4–5. The curved front block increases finger clearance between it and the cross-pin.

    Prepare the band saw for making the cuts along the angled lines by precisely squaring the blade to the table. The band saw may not seem the natural choice for this task over the table saw, but in actuality neither machine will make the cuts accurately enough. Making these angled cuts on short, thick stock feels dangerous with a table saw, and requires some setup time. I prefer to use the more benign band saw, carefully making the cuts freehand, and cleaning up the sawn surface to perfection with a block plane. Saw to the waste side of the lines—within the triangular area. Make the 45-degree cut first and don’t be concerned if the saw kerf nicks a bit of the 62-degree line (4–6). Save the triangular scrap.

    4–6. The sawn-out front and back blocks.

    Now clean up the cuts to produce smooth, square, and straight surfaces on both the front and back blocks. Use the block plane to do this. In experienced hands the task is completed in one or two minutes for each block. A complete novice may require half an hour for the first block and five or ten minutes for the second. This is time very well spent, for in the process you will have touched on almost all the skills needed for just about every other type of planing task. It is a challenging way to start off—trial by fire, if you will—but persevere and there will be great rewards.

    4–7. Bottom view of a block plane. Set the cutting edge precisely parallel to the bottom
    of the plane.

    Cleaning Up the Cuts – Adjusting the Block Plane
    The block plane must be tuned up and effectively sharpened for the work to proceed smoothly (see Chapters 2 and 3). Set the blade for a very fine cut with the blade protruding evenly across its width. Back off the blade until it does not protrude through the bottom. View the cutting edge from the back of the plane with the plane turned upside down. As you slowly bring the blade forward, see if the cutting edge is skewed in relation to the bottom of the plane; it should appear parallel (4–7). To make adjustments, pivot the blade, bringing one corner up and the other down, using the plane’s lateral adjuster. For some inexpensive block planes that lack adjusting mechanisms, the blade is brought forward and adjusted laterally by gently tapping the back of it with a two- to three-ounce hammer, and it is backed up by tapping the back edge of the plane itself (see Making an Adjusting Hammer on pages 102 and 103). The plane must be properly tensioned for this to work well (see Chapter 2). You will probably find it more precise to adjust the plane with a hammer even if it has a mechanical lateral adjuster. 

    4–8. The thumb is used to feel for the protruding cutting edge.

    When the blade is nearly protruding, let your sense of touch guide the adjustments. Gently caress both sides of the throat opening with the pad of the thumb while bringing the blade forward (4–8). Both corners of the blade should simultaneously become barely discernible. If not, make lateral adjustments until the same amount of slight drag is felt on the thumb at both corners. If the throat opening is very fine, you will be very close to the final setting. If the throat is wide, the blade will most likely need to come out a bit further yet. That is because the pad of the thumb dips into the larger opening and can feel the blade before it actually extends beyond the bottom of the plane.

    Final Adjustments
    Begin a stroke on the practice stock. If the blade thunks against the wood and you feel yourself tensing to shove it through, stop: the blade is out too far. Though it is difficult to suppress the urge, there is no need to continue; the only likely result is damage to the planed surface, be it a serious dig or planing it out of true. Back the blade up and try again.

    Ideally, the first stroke should either produce no shavings or take the smallest bit, requiring little if any effort to slide the plane across the wood. The shaving should be so thin that it falls apart and is almost dusty. This is because the jointed surface of the wood is not smooth, but slightly scalloped by the action of the jointer cutters; the blade hits the high points of each scallop and misses the low. Always adjust the depth of cut in this fashion, progressing from no shaving to a very thin shaving to the final setting. In this way, you will eliminate accidental digs and the frustrations of dealing with them.

    To produce a shaving of equal thickness across its width requires setting the lateral adjustment of the blade exactly. The blade edge must be perfectly parallel to the bottom of the plane. This is crucial; if not done properly, it is very difficult to adequately true or polish a surface. When the blade takes a deeper bite from one side of a surface, either each subsequent pass dips it lower and lower or that corner of the blade may leave a prominent dig.

    4–9. Planing with the left edge of the blade.

    To check the lateral blade setting, take two shavings, first utilizing only the left side of the blade, and then only the right. The plane is held flat on the practice stock but offset to the left, and then the right, rather than planing right down the middle of the stock (4–9 and 4–10). Compare the thickness of the two shavings and be sensitive to the amount of resistance you feel; it takes more effort to produce a thicker shaving. You may find that one side takes a small bite and the other side produces nothing. Adjust the blade in the direction of the lesser cut and try again, until the resistance feels identical when planing with either corner of the blade. It may also be necessary to readjust the depth of cut.

    4–10. Planing with the right edge of the blade.

    The shavings are of the proper thickness when they lose their “woodiness” or stiffness; instead they feel fluffy and soft when bunched together, like a cotton ball (4–11). Practice your stroke (see below) until continuous shavings can be consistently made from one end of the practice stock to the other. If the board gets out of true from the initial efforts, true it with the jointer; otherwise, it’s difficult to produce a continuous, thin shaving.

    4–11. “Cottony” shavings on the left; “woody” shavings on the right.

    With only a little experience, peeking at the throat opening and stroking your thumb across it will reveal almost all that is needed to know to set the blade properly. Practice stock becomes unnecessary. It takes just a few minor adjustments as you begin planing to set the blade; this is done without a second thought and with no time lost.



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  • David Geffen Galleries Member Preview

    David Geffen Galleries Member Preview



    David Geffen Galleries Member Preview

    adriansantiago

    Mon, 04/28/2025 – 16:46

    The Los Angeles County Museum of Art invites all members to a special preview of the David Geffen Galleries. Before the collection is installed, enjoy a historic opportunity to explore the David Geffen Galleries as a singular work of art. See how the building frames breathtaking new vistas of Los Angeles, experience how its materials celebrate and converse with light and space, and discover the extraordinary design details of Peter Zumthor’s architectural wonder.

    Accessibility
    To request accessibility accommodations, please email membership@lacma.org.

    Short Title
    Geffen Galleries Preview

    Event type

    Policies/Notes

    For LACMA members only; invitation sent via email

    Not a Member? Join today!

    Location (Campus)
    LACMA

    Location (Building)
    Smidt Welcome Plaza

    Ticketing format
    External

    Primary image
    David Geffen Galleries—Afternoon Reception and Previews for Partner-level Members

    Date
    Thu, 07/03/2025 – 11:00
    -Thu, 07/03/2025 – 18:00
    Mobile tile settings
    Image tile format
    Exhibition Format

    Tile type
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    Hide on mobile
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    On-sale time
    Wed, 10/20/2021 – 10:00

    Event audience

    Ticketing button label
    JOIN

    Credit line – Left column

    Image credit: Illustration by Levente Szabo

    Event Tier
    Tier 3

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  • In Focus Tour—Line, Form, Qi: Calligraphic Art from the Fondation INK Collection


    Chris Burden’s Metropolis II is an intense kinetic sculpture, modeled…

    Perhaps the most dominant art form of the last 100 years, film has an important…

    Tuesday Matinees

    Enjoy concerts featuring leading international and local ensembles in programs o…

    Art & Music,Jazz at LACMA,Latin Sounds

    LACMA offers in-person art classes for kids, teens, and adults, offering the cha…

    Random International’s Rain Room (2012) is an immersive environment of…

    Rain Room

    Artist Robert Irwin’s work in the last five decades has investigated perception…

    Barbara Kruger’s Untitled (Shafted) features her distinctive use of advertising…

    Band (2006) may qualify as Richard Serra’s magnum opus, representing the fullest…

    LACMA’s Modern Art collection features primarily European and American art from…

    LACMA’s Acquisitions Group and Art Council members share a deep affinity for the…

    Art Councils,Acquisition Groups,Art of the Middle East: CONTEMPORARY,Asian Art Council,Costume Council,Decorative Arts and Design Council,LENS: Photography Council,Modern and Contemporary Art Council,Prints and Drawings Council

    Welcome to the employment page of the Los Angeles County Museum of Art. To see a…

    Jobs,Careers,Internships,Volunteer

    Join museum educators, artists, curators, and experts for artist talks, virtual…

    Create+Collaborate

    In Golden Hour, over 70 artists and three photography collectives offer an aesth…

    Established in 1967, the Conservation Center at LACMA supports the museum’s comm…

    painting conservation,paper conservation,object conservation,textile conservation,conservation science,conservation imaging

    Barbara Kruger: Thinking of You. I Mean Me. I Mean You. is a major exhibition de…

    Featuring Ai Weiwei, Huang Yong Ping, Wang Guangyi, Xu Bing, Yue Minjun and more…

    Beyond the concrete materials of ink and paper, there is an intangible spirit un…

    To complement the presentation of The Obama Portraits by Kehinde Wiley and Amy S…

    From the moment of their unveiling at the Smithsonian’s National Portrait Galler…

    (Los Angeles, CA—January 13, 2022) – The Los Angeles County Museum of Art (LACMA…

    (Los Angeles, CA—December 14, 2021) The Los Angeles County Museum of Art (LACMA)…

    Mixpantli: Contemporary Echoes showcases the lasting impact of Indigenous creati…

    LACMA marks the 500th anniversary of the fall of the Aztec capital Tenochtitlan…

    Since the mid-20th century, California has been a beacon of both inventive desig…

    Revealing insights about family life and the quotidian in the 21st century, Fami…

    One of the most significant contributors to fashion between 1990 and 2010, Lee A…

    Comprising approximately 400 works, including an unprecedented number of loans f…

    Archive of the World: Art and Imagination in Spanish America, 1500–1800 is the f…

    Scandinavian Design and the United States, 1890–1980 is the first exhibition to…

    In the work of American artist Sam Francis (1923–1994), Western and Eastern aest…



    Source link

  • Gallery Tour—Line, Form, Qi: Calligraphic Art from the Fondation INK Collection


    Chris Burden’s Metropolis II is an intense kinetic sculpture, modeled…

    Perhaps the most dominant art form of the last 100 years, film has an important…

    Tuesday Matinees

    Enjoy concerts featuring leading international and local ensembles in programs o…

    Art & Music,Jazz at LACMA,Latin Sounds

    LACMA offers in-person art classes for kids, teens, and adults, offering the cha…

    Random International’s Rain Room (2012) is an immersive environment of…

    Rain Room

    Artist Robert Irwin’s work in the last five decades has investigated perception…

    Barbara Kruger’s Untitled (Shafted) features her distinctive use of advertising…

    Band (2006) may qualify as Richard Serra’s magnum opus, representing the fullest…

    LACMA’s Modern Art collection features primarily European and American art from…

    LACMA’s Acquisitions Group and Art Council members share a deep affinity for the…

    Art Councils,Acquisition Groups,Art of the Middle East: CONTEMPORARY,Asian Art Council,Costume Council,Decorative Arts and Design Council,LENS: Photography Council,Modern and Contemporary Art Council,Prints and Drawings Council

    Welcome to the employment page of the Los Angeles County Museum of Art. To see a…

    Jobs,Careers,Internships,Volunteer

    Join museum educators, artists, curators, and experts for artist talks, virtual…

    Create+Collaborate

    In Golden Hour, over 70 artists and three photography collectives offer an aesth…

    Established in 1967, the Conservation Center at LACMA supports the museum’s comm…

    painting conservation,paper conservation,object conservation,textile conservation,conservation science,conservation imaging

    Barbara Kruger: Thinking of You. I Mean Me. I Mean You. is a major exhibition de…

    Featuring Ai Weiwei, Huang Yong Ping, Wang Guangyi, Xu Bing, Yue Minjun and more…

    Beyond the concrete materials of ink and paper, there is an intangible spirit un…

    To complement the presentation of The Obama Portraits by Kehinde Wiley and Amy S…

    From the moment of their unveiling at the Smithsonian’s National Portrait Galler…

    (Los Angeles, CA—January 13, 2022) – The Los Angeles County Museum of Art (LACMA…

    (Los Angeles, CA—December 14, 2021) The Los Angeles County Museum of Art (LACMA)…

    Mixpantli: Contemporary Echoes showcases the lasting impact of Indigenous creati…

    LACMA marks the 500th anniversary of the fall of the Aztec capital Tenochtitlan…

    Since the mid-20th century, California has been a beacon of both inventive desig…

    Revealing insights about family life and the quotidian in the 21st century, Fami…

    One of the most significant contributors to fashion between 1990 and 2010, Lee A…

    Comprising approximately 400 works, including an unprecedented number of loans f…

    Archive of the World: Art and Imagination in Spanish America, 1500–1800 is the f…

    Scandinavian Design and the United States, 1890–1980 is the first exhibition to…

    In the work of American artist Sam Francis (1923–1994), Western and Eastern aest…



    Source link

  • Gallery Tour—Line, Form, Qi: Calligraphic Art from the Fondation INK Collection


    Chris Burden’s Metropolis II is an intense kinetic sculpture, modeled…

    Perhaps the most dominant art form of the last 100 years, film has an important…

    Tuesday Matinees

    Enjoy concerts featuring leading international and local ensembles in programs o…

    Art & Music,Jazz at LACMA,Latin Sounds

    LACMA offers in-person art classes for kids, teens, and adults, offering the cha…

    Random International’s Rain Room (2012) is an immersive environment of…

    Rain Room

    Artist Robert Irwin’s work in the last five decades has investigated perception…

    Barbara Kruger’s Untitled (Shafted) features her distinctive use of advertising…

    Band (2006) may qualify as Richard Serra’s magnum opus, representing the fullest…

    LACMA’s Modern Art collection features primarily European and American art from…

    LACMA’s Acquisitions Group and Art Council members share a deep affinity for the…

    Art Councils,Acquisition Groups,Art of the Middle East: CONTEMPORARY,Asian Art Council,Costume Council,Decorative Arts and Design Council,LENS: Photography Council,Modern and Contemporary Art Council,Prints and Drawings Council

    Welcome to the employment page of the Los Angeles County Museum of Art. To see a…

    Jobs,Careers,Internships,Volunteer

    Join museum educators, artists, curators, and experts for artist talks, virtual…

    Create+Collaborate

    In Golden Hour, over 70 artists and three photography collectives offer an aesth…

    Established in 1967, the Conservation Center at LACMA supports the museum’s comm…

    painting conservation,paper conservation,object conservation,textile conservation,conservation science,conservation imaging

    Barbara Kruger: Thinking of You. I Mean Me. I Mean You. is a major exhibition de…

    Featuring Ai Weiwei, Huang Yong Ping, Wang Guangyi, Xu Bing, Yue Minjun and more…

    Beyond the concrete materials of ink and paper, there is an intangible spirit un…

    To complement the presentation of The Obama Portraits by Kehinde Wiley and Amy S…

    From the moment of their unveiling at the Smithsonian’s National Portrait Galler…

    (Los Angeles, CA—January 13, 2022) – The Los Angeles County Museum of Art (LACMA…

    (Los Angeles, CA—December 14, 2021) The Los Angeles County Museum of Art (LACMA)…

    Mixpantli: Contemporary Echoes showcases the lasting impact of Indigenous creati…

    LACMA marks the 500th anniversary of the fall of the Aztec capital Tenochtitlan…

    Since the mid-20th century, California has been a beacon of both inventive desig…

    Revealing insights about family life and the quotidian in the 21st century, Fami…

    One of the most significant contributors to fashion between 1990 and 2010, Lee A…

    Comprising approximately 400 works, including an unprecedented number of loans f…

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    In the work of American artist Sam Francis (1923–1994), Western and Eastern aest…



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  • Gallery Tour—We Live in Painting: The Nature of Color in Mesoamerican Art

    Gallery Tour—We Live in Painting: The Nature of Color in Mesoamerican Art



    Gallery Tour—We Live in Painting: The Nature of Color in Mesoamerican Art

    jascencio

    Mon, 04/28/2025 – 15:05

    Join a LACMA for a gallery tour of We Live in Painting: The Nature of Color in Mesoamerican Art.

    Mesoamerican artists held a cosmic responsibility: as they adorned the surfaces of buildings, clay vessels, textiles, bark-paper pages, and sculptures with color, they (quite literally) made the world. The power of color emerged from the materiality of its pigments, the skilled hands that crafted it, and the communities whose knowledge imbued it with meaning. Color mapped the very order of the cosmos, of time and space. By engineering and deploying color, artists wielded the power of cosmic creation in their hands. We Live in Painting: The Nature of Color in Mesoamerican Art explores the science, art, and cosmology of color in Mesoamerica. Histories of colonialism and industrialization in the “color-averse” West have minimized the deep significance of color in the Indigenous Americas. This exhibition follows two interconnected lines of inquiry—technical and material analyses, and Indigenous conceptions of art and image—to reach the full richness of color at the core of Mesoamerican worldviews.

    Please be aware that these tours are volunteer-led and subject to cancellation. Ask a member of our team on the day for details.

    Short Title
    Gallery Tour—We Live in Painting

    Event type

    Location (Building)
    Resnick Pavilion

    Primary image
    Alfonso Nava Larios, Cosmic Tree (Guamuchil), 2023, Nahua, Watercolor on amate paper, 23 1/2 × 15 1/2 in. (59.69 × 39.37 cm), © Alfonso Nava Larios, photo © Museum Associates/LACMA, by Javier Hinojosa

    Date
    Sat, 05/31/2025 – 15:00
    -Sat, 05/31/2025 – 16:00
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    On-sale time
    Wed, 09/11/2024 – 15:55

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    All education and outreach programs at LACMA are underwritten by the LACMA Education Fund and are supported in part by the Judy and Bernard Briskin Family Foundation, The Rosalinde and Arthur Gilbert Foundation, the William Randolph Hearst Endowment Fund for Arts Education, Alfred E. Mann Charities, The Ralph M. Parsons Foundation, Gloria Ricci Lothrop, the Flora L. Thornton Foundation, U.S. Bank, and The Yabuki Family Foundation.

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    Image Credit: Alfonso Nava Larios, Cosmic Tree (Guamuchil), 2023, Nahua, Watercolor on amate paper, © Alfonso Nava Larios, photo © Museum Associates/LACMA, by Javier Hinojosa

    Ticket price

    Free with museum admission

    Event Tier
    Tier 3

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  • Art 101—Imagining Black Diasporas: 21st-Century Art and Poetics

    Art 101—Imagining Black Diasporas: 21st-Century Art and Poetics



    Art 101—Imagining Black Diasporas: 21st-Century Art and Poetics

    adriansantiago

    Tue, 04/15/2025 – 11:16

    Join us for an exclusive members-only lecture on Imagining Black Diasporas: 21st-Century Art and Poetics with Dhyandra Lawson, Andy Song Associate Curator, Contemporary Art.

    Imagining Black Diasporas: 21st-Century Art and Poetics finds aesthetic connections among 60 artists working in Africa, Europe, and the Americas. The exhibition and its catalogue are among the first to examine nearly a quarter century of production by Black artists. The project debuts new acquisitions for LACMA and expands the Pan-African exhibition canon, historically focused on the Black Atlantic, by showcasing artists working along the Pacific Rim.

    Nearly 70 works of painting, sculpture, photography, works on paper, and time-based media are organized into four themes: speech and silence, movement and transformation, imagination, and representation. Contemporary poets contributed original work to the catalogue, extending the historical use of poetry in Pan-African discourse. Diaspora’s general definition as a displacement from origins excludes all the creativity the term entails. People reinvent their heritage through artistic expressions, transforming diaspora from regional movement into a wellspring of imagination. Through an analysis of Black artists’ aesthetic choices, Imagining Black Diasporas reveals their insights about existence.

    Guests will have an opportunity to participate during the conversation’s question and answer period via Zoom’s Q&A function.

    Short Title
    Art 101—Imagining Black Diasporas

    Event type

    Policies/Notes

    LACMA members only. Invitations sent via email.

    This event will take place online via Zoom.

    Location (Campus)
    Online

    Primary image
    Art 101—Imagining Black Diasporas

    Date
    Thu, 05/15/2025 – 19:00
    -Thu, 05/15/2025 – 20:00
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    Tue, 10/22/2019 – 10:07

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    Image credit: Chelsea Odufu, Moved By Spirit, 2021, two channel video, color, sound, duration: 7 minutes, © Chelsea Odufu, digital image © Museum Associates/LACMA

     

     

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