برچسب: Art

  • 5 great art supplies to use in your art studio – Veronica Winters Painting

    5 great art supplies to use in your art studio – Veronica Winters Painting


    5 great art supplies to use in your art studio


    In this article you’ll find reviews of art materials I use a lot in my painting and drawing practice. These art supplies make a big difference in the final result of my art presentation.

    5 art tools for oil painting & drawing to keep in your studio:

    #1 The color shaper set

    5 art tools for your studio
    These are great tools for oil painting, pastel painting, and even colored pencil work (if you work on the Icarus board to blend the wax-based pencils).

    1. When I paint, they help me clean a sloppy edge. And that’s how I use them for the most part.
    2. It’s easy to take the extra paint off the area I put in by accident.
    3. I can “carve into” the freshly applied paint to make a specific pattern or texture. 
    4. I can create an entire underpainting by applying the brown paint first and then lifting out some of the paint with the color shaper creating a drawing!

    Made of silicone, the shapers have the unique property of not absorbing the paint. Rather the paint comes off their tips easily and doesn’t need washing. Just wipe the color shaper off with a paper towel. Besides moving the paint around, removing or carving into it, the color shapers are great for blending the oil pastels or wax-based colored pencils (Prismacolor Premier) when heated, using the Icarus Art board. The color shaper set has several tips that you can buy separately or as a complete set. I find that I mainly use the taper point (round tip) size #2 in my art.

    You can buy the color shapers at any art supply store online like Jerrysartarama or use this link to buy it on Amazon.

    #2 Gloves in a bottle

    gloves in a bottle review
    This is a truly unique product that I love! I especially use it when I paint since the lotion provides relief from a very dry skin, making a protective layer between the skin and the chemicals. A modest amount of lotion works like gloves I use while painting. Its unique formula bonds with the upper layer of my skin and creates the invisible protection from harmful chemicals. It’s waterproof and doesn’t wash off, rather it comes off naturally shredding the dead skin cells. The bottle comes in two sizes. Give it a try!

    Gloves in a bottle is a lotion https://amzn.to/3SxSE93

    #3 Luminance, professional colored pencils

    luminance review
    Swiss-made, Luminance colored pencils is the Cadillac of professional colored pencils. All colors have supreme lightfastness rating. They’re very durable, highly pigmented and have the softness I love. The price tag is very high. Please don’t be tempted to buy them in strange places because they could be the fakes. Buy these from the established art supply companies only like the jerrysartarama. You can buy them in sets or as open stock.

    https://www.youtube.com/watch?v=vu0kycGEWzc

    #4 Professional panels for oil and acrylic painting

    gessobord review
    These are durable, archival, and acid-free surfaces that are great for oil painting. Remember, paintings of the old masters have survived through the centuries because they were painted on panels, not canvases. If you paint professionally and want your art to last, paint on panels.

    The cradled gessobords provide much greater support against humidity as the panels resist warping.  Gessobords have a very slightly textured surface making them perfect for oil painting because the oil paint needs some tooth to adhere to to create a permanent bond with the surface. Avoid using panels that are too smooth or cheap canvases because the paint doesn’t adhere to the surface properly.
    I also use gessobords for my silver gilding. I do sand the surface some with a 800 grit sandpaper but the silver leaf goes over the panel perfectly.
    The toned, neutral gray surface of Richeson panels is great for beginning painting without any additional preliminary work, but I find their surfaces too smooth and thus questionable if the paint makes a bond with its surface.
    One disadvantage of painting on these panels (gessobords) is the damaged corners. They often arrive chipped in shipping and although art supply companies do replace the damaged stuff, it’s still a big inconvenience, in my opinion.

    https://www.youtube.com/watch?v=oxygIkpOwLA

    #5 Grumbacher final fixative for drawings and scratchboard art

    This is a really great product that’s different from cheaper brands. It makes a very nice, even sheen, eliminating the surface’s unevenness, fingerprints, and other imperfections in scratchboard. The colors look nice and bright. It works great on paper, too. I use 2-3 coats on my colored pencil drawings.
    Like other sprays, the final fixative protects your artwork from the UV-rays, moisture, smudges, and humidity.
    The only downside is its smell. It’s not a product to inhale. So spray it in a well-ventilated area or outside in low humidity environment.

    https://www.youtube.com/watch?v=o9UOM97rVUU

    Don’ confuse the fixatives with the varnishes as the varnishes are used in oil and acrylic painting.

    educational books, drawing instruction books, travel books
    Art Lessons in Drawing, Painting & Beyond, 2014 | This is an art inspiration book filled with creative and technical advice coming from contemporary realist artists. Realist artists share their painting and drawing inspiration in the Art Lessons book available in print, on Kindle and as a digital download (pdf file) from: https://veronicasart.com/product-category/art-instruction-books/
    colored pencil manual veronica winters how to color like an artist_coloring book_veronica winters
    These art instruction books are on sale on Amazon!

    https://www.youtube.com/watch?v=BWyIfBFuoBw

    Art supplies:



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  • How to find your unique art style – Veronica Winters Painting


    How to find your unique art style


    The artist’s style defines the creator in the eyes of art collectors, curators, artists and any art enthusiasts. The artist’s name becomes the brand name. In this episode, I share my thoughts on happiness, creativity and how to find your unique voice or art style. These are my ideas that you can explore further in your art and life.

    Video https://youtu.be/5YejRjRYLEQ

    You can read the essays here: https://veronicasart.com/can-you-just-do-on-artistic-inspiration-self-doubt-and-work/

    https://www.youtube.com/watch?v=5YejRjRYLEQ

    Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com



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  • Art + Tech Lab: Substrate AR Demonstration and Viewing with Nancy Baker Cahill

    Art + Tech Lab: Substrate AR Demonstration and Viewing with Nancy Baker Cahill



    Art + Tech Lab: Substrate AR Demonstration and Viewing with Nancy Baker Cahill

    jascencio

    Wed, 04/23/2025 – 14:48

    Art + Technology Lab grant recipient Nancy Baker Cahill will discuss her work Substrate, a monumental AR experience that invites the viewer to consider connections between knowledge-making organizations. Join Baker Cahill for a demonstration and viewing of Substrate from the balcony of LACMA’s BCAM building, where you can contribute your own descriptions of culturally significant artifacts to the artwork.

    Short Title
    Substrate AR Demonstration

    Event type

    Location (Campus)
    LACMA

    Location (Building)
    Smidt Welcome Plaza

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    RSVP

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    External

    Primary image
    Image courtesy of the artist

    Date
    Sun, 05/18/2025 – 11:00
    -Sun, 05/18/2025 – 13:45
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    Exhibition Format

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    On-sale time
    Wed, 04/23/2025 – 14:48

    Ticketing button label
    RSVP

    Credit line – Left column

    All education and outreach programs at LACMA are underwritten by the LACMA Education Fund and are supported in part by the Judy and Bernard Briskin Family Foundation, The Rosalinde and Arthur Gilbert Foundation, the William Randolph Hearst Endowment Fund for Arts Education, Alfred E. Mann Charities, The Ralph M. Parsons Foundation, Gloria Ricci Lothrop, the Flora L. Thornton Foundation, U.S. Bank, and The Yabuki Family Foundation.

    Credit line – Right column

    Image courtesy of the artist

    Ticket price

    Free, RSVP required

    Event Tier
    Tier 3

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  • How to paint realistic details by studying famous art & artists through art history – Veronica Winters Painting

    How to paint realistic details by studying famous art & artists through art history – Veronica Winters Painting


    How to paint realistic details by studying famous art & artists through art history


    When I travel and visit art museums, I study the art. I often take pictures of close-ups and details in the oil paintings to see how famous artists conveyed realism through texture and detail in their masterpieces. Some top art museums have digital art collections available to view and even download online these days, but many don’t.

    I find it enjoyable to take pictures of jewelry, fabric, bows, gowns, metal, gold, silver and other details I see in art. I learned a lot by studying such detailed paintings and if you’re interested in the realist oil painting techniques, I suggest making painted copies of your favorite paintings. I hope this blog post can inspire you to do just that. Enjoy!

    All photos are taken by me- Veronica Winters unless noted otherwise. Also, many famous paintings are in the public domain and can be downloaded for free from art museums websites like the Met, the National Gallery of Art, etc.

    Agnolo Bronzino-Eleonora of Toledo with Her Son Giovanni-painting details-blog
    Agnolo Bronzino, Eleonora of Toledo with Her Son Giovanni, painting details of pearls and fabric. | photo: V. Winters. From 1539 to 1572, Bronzino served as the court painter to Cosimo I, Duke of Florence. The Florentine artist, Bronzino, painted in the Mannerist art style – emotionless figures and hyperrealist painting details of jewelry and fabric gowns.
    Bronzino
    Titian, a close-up of hands, fur, and jewelry rings | photo: V. Winters
    Holbein-the ambassadors closeup
    Holbein, The ambassadors, a closeup of fur. National Art Gallery in London. Notice how soft the fur looks in comparison to the carefully painted golden details in fabric.
    A close-up of a painting showing white lace, Metz, France. Photo: Veronica Winters
    Art closeup at the CA’ d’Oro palace in Venice, Italy
    Sargent, Mrs. Joshua Montgomery Sears, a close-up of a white gown, Houston Art Museum
    lady reading letters of Heloise and Abelard-1780-A. dAgesci
    Auguste Bernard d’Agesci, A lady reading letters of Heloise and Abelard, 1780, oil painting, Art Institute of Chicago
    Titian, Portrait of a Lady, a golden earring and pearl detail, the Pitti Palace, Italy
    Some ribbon and fabric details at the Smithsonian National Art Gallery
    Turin, Italy. Here, the meticulously created details of fabric are layered over the initial painting of a fancy yellow jacket.
    oil painting closeup-the Soumaya Art museum, Mexico city, Mexico
    oil painting closeup, the Soumaya Art museum, Mexico city, Mexico | I love the variety of textures created in this fabric.
    veronica winters painting
    white fabric detail-Smithsonian
    White fabric detail at the Smithsonian National Art Gallery. | Notice how abstract the details look, painted over the base color. Stroke direction and curvature are essential to describe forms, shapes, and textures.
    how to paint realistic details-white fabric and gold details- the Smithsonian
    White fabric and gold details, the Smithsonian. | Notice how gold reads as gold because of a few light highlights added to the general shape of these golden accents. How to mix gold color: You should use browns with a touch of either red or yellow (depending on the reflected light) to mix gold color. It’s not about mixing lots of yellow into the oil paint, rather, it’s using ochre and brown oil paint like raw sienna, burnt sienna, raw umber, and burnt umber to create the shape first and then adding some strategic highlights over it where the light hits it the most.
    Élisabeth-Louise Vigée Le Brun, The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien 1787. Image downloaded from the Smithsonian website. | This is a beautiful close-up of the female face that shows how to paint hair, face, and fabric. The hair is always soft in classical art painting. The fabric has soft edges but definite highlights. The earring has the most defined edge. French female painter, Vigée Le Brun, was a self-taught artist who was quickly noticed by her future husband, famous art dealer Jean Baptiste Pierre Le Brun. The artist enjoyed both the opulent lifestyle and career in Paris and way beyond France, painting the wealthy and royals in Austria, Russia, Italy, Germany, England, etc. She is known for her official portrait of Marie-Antoinette. Her high-paying clientele loved her art style – creative poses based on classical ideals, realism, and color choices.
    Élisabeth-Louise Vigée Le Brun
The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien
1787
    Élisabeth-Louise Vigée Le Brun, The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien 1787. Image downloaded from the Smithsonian website. | Although I find Le Brun’s art less intriguing in terms of subject and meaning, I think her ability to paint realistic gowns and details is supreme. Notice how she catches the light on fabric in broad strokes of golden pink. We can feel the shimmer of fabric looking at this intense turquoise-blue and a lush golden sash.
    details of hands and animal-the Smithsonian
    Details of hands and animals, the Smithsonian.
    de heem details-the Smithsonian
    de Heem, still life painting detail, The Smithsonian, National Gallery of Art | The seventeenth-century painter, de Heem, is one of my favorite Dutch still life painters who captured the life of the wealthy in lux objects and food items. I learned a lot about classical realist painting by studying Dutch art, mainly composition, color choice,s and objects’ texture. His deliberate compositions feature a careful balance of all objects and textures. Usually, a piece of fabric leads the eye to the focal point. The background has subtle colors that support high-contrast still life.
    de Heem, oil painting details of glass, fabric, and silver. The Smithsonian.
    Dutch painting of donuts and sweets at the Smithsonian.
    Dutch painting of sweets at the Smithsonian.
    ringling art museum_Munari_still life with plates
    Munari, still life with plates, closeup, the Ringling Museum of Art.
    Lavinia Fontana, jewelry painting detail, The Smithsonian
    Lavinia Fontana, Portrait of Costanza Alidosi, close-up of jewelry- c. 1595, oil on canvas, National Museum of Women in the Arts, Washington. | A famous female artist of her time, Fontana lived in Bologna, Italy, in the late 1500s. It was highly unusual to have a name and a career as a female artist in Europe before the late 19th century. It was also a strange choice to depict the mythological nudes at that time. Like other female artists of the past, she was trained by her father, Prospero Fontana, in the late mannerist style. When she married, her husband became her manager; Apparently, Lavinia made a lot of money painting portraits of noblewomen and religious subjects for churches because she had a big family of 11 children whom she supported!
    Golden jewelry and fabric details at the Smithsonian
    Lace and jacket fabric details at the Smithsonian.
    Rembrandt, Lucretia, 1664, dress details. The National Gallery of Art (Smithsonian) has 737 works of art by Rembrandt! Notice how abstract the strokes are, describing the texture and light of the fabric. These are thick strokes with deliberate rotation and movement of the brush.
    Rembrandt, Lucretia, 1664, dress and jewelry details. Notice how the artist uses grays to juxtapose colors. Thick, painterly strokes shape and sculpt the subject.

    This article is getting updated with new art ideas. So come back soon by subscribing to my awesome VIP list!



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  • Youth Art Month (YAM) Trivia: Ignite Curiosity and Celebrate Creativity!

    Youth Art Month (YAM) Trivia: Ignite Curiosity and Celebrate Creativity!


    When you encounter an intriguing trivia question, you may notice you sit up taller and tenser, lean in closer to the screen, or even raise your eyebrows. That’s the power of trivia! A good fun fact is gripping and sparks a curiosity that makes us want to learn more. Trivia activates our sense of wonder and invites us to explore the world in new ways, which is exactly what art education and Youth Art Month are all about. 

    Turn Youth Art Month into a schoolwide celebration with a trivia competition to get everyone buzzing about the arts!

    holding the golden paintbrush in an art room

    Work with your administration to set the stage for success.

    The first step to launching a schoolwide trivia game is to engage your administrators. Share how trivia can foster teamwork and critical thinking while energizing the school community. Connect the benefits for the school to the mission behind Youth Art Month (YAM) to make your case. YAM shines a spotlight on the importance of art in schools. Its mission is to promote observation, problem-solving, creativity, and communication—all of which art trivia supports as well!

    Introduce trivia to teachers early to get them involved.

    Once your administration is on board, share the idea with your colleagues. Present Youth Art Month Trivia at a staff meeting through a sample game to garner excitement! Explain the format and don’t forget to mention any agreed-upon incentives!

    Select a week or month for the school to participate. If you’re doing one week, students will begin each day or first-period class with a trivia question. If you’re doing a month, spread it out to one day each week. Provide pre-populated slides to all staff members with the question of the day. Allow students to discuss and decide on an answer together as a class before the teacher submits the class’s final answer. This setup keeps the activity quick and organized!

    vincent van gogh trivia on the board

    No buy-in? No problem!

    If getting full-school participation in Youth Art Month Trivia feels like a challenge, don’t worry! You can still make art trivia a success. Run the trivia game in your art room with your students. Start class with a quick trivia question and let your students work together to find the answer. This approach keeps the activity contained while still building excitement.

    You can also take the game online to involve families and the wider community. Post weekly trivia questions on your school’s or art program’s social media pages. Encourage students and parents to work together to answer the questions and leave their responses in the comments.

    Make schoolwide implementation simple with a link.

    Teachers are busy, so simplify the trivia process for all. Create a link to a slideshow with art trivia questions. Participating teachers can copy and paste the questions into their weekly slides or use yours, eliminating extra prep work. Include a link to an online form for teachers to submit their class’ responses. This keeps everything in one place and ensures answers stay organized for you!

    girl pointing at trivia on a smartboard

    Keep trivia fresh and exciting with a variety of question types.

    Offer different kinds of questions to ignite interest in new ways. From visual challenges to inquiry-based prompts, a mix of questions will ensure trivia feels fun and dynamic every time.

    Get inspired with these three creative approaches to trivia:

    1. Reveal a Painting
      Build close observation skills and encourage students to think critically about how small details fit into a bigger picture. Choose a famous artwork and cover it with several squares or rectangles to mask the painting. Each minute, reveal a new section of the painting by deleting a square. As you reveal the painting, students will guess what it is.
    2. Standards-Based Questions
      Reinforce learning by reviewing key concepts from your curriculum. Ask questions about color theory, perspective drawing terminology, or printmaking tools.
    3. Inquiry-Based Questions
      Encourage research and critical thinking with questions that prompt students to explore art history. For example, Which Mexican artist turned a traumatic bus accident into inspiration for vivid, emotional self-portraits that explored her pain and identity? (Answer: Frida Kahlo.)

    reveal a painting

    Expand your trivia repertoire with these additional resources:

    Build excitement with rewards and a final celebration.

    Celebrate the winning class each week with an administration-approved award! Include the participating teacher in the award or give them a small gift to show your appreciation for their support of Youth Art Month and the arts. 

    Here are some fun award ideas:

    • Present a “Golden Paintbrush” award. Display it prominently to encourage friendly competition.
    • Host an Art pARTy with an open studio for students to explore special materials.
    • Allow students to have a “Dress Down Day.” This is particularly incentivizing if you are at a school that requires uniforms.
    • Distribute school-appropriate art-themed vinyl stickers.
    • Invite students to eat lunch in your art room and share a few art-themed treats.

    golden paintbrush and paint supplies

    Trivia is much more than entertainment! It can spark curiosity, build teamwork, and bring energy to learning about the arts. This Youth Art Month, make trivia the centerpiece of your celebration and art the talk of your school. Get administrator support, make it easy for all teachers to participate, and provide incentives for colleagues and students to set your initiative up for ultimate success. If you want to elevate your art program in just a few minutes each day, grab your golden paintbrush and let the games begin!

    What words of wisdom can you share about hosting a schoolwide initiative? 

    Tell us your favorite types of art trivia questions!

    To chat about Youth Art Month with other art teachers, join us in The Art of Ed Community!

    Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.



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  • 3 Ways to Cultivate Successful Relationships with Paraprofessionals in the Art Room

    3 Ways to Cultivate Successful Relationships with Paraprofessionals in the Art Room


    If you have students with special needs in your art room, they may come to class with a paraprofessional, teacher assistant, or a “one-on-one.” Sometimes, it can be a little vague on what their role is and how to work together. However, when you welcome instructional assistants into your art room and cultivate a great working relationship with them, there are many benefits. Students with special needs will blossom, you’ll spark a love for art in the paraprofessional, and you will be more efficient at your job.

    Foster positive relationships with paraprofessionals in the art room with these three ideas and then, dive into some frequently asked questions.

    1. Make paraprofessionals feel important—because they are important!

    Paraprofessionals are often the experts on our students in special education. They are with these students for most of the day and can answer questions about their skill level, interests, or even behavioral triggers. Ask for input for both the “in the moment” problem solving and the long-term “getting to know” the student. They can have the missing puzzle piece if you’ve tried everything and nothing’s working… or, you want to take a shortcut and go straight to what’s worked before!

    Another way to make them feel valued and respected is to collaborate on the “fun art stuff” too. Talk to them about the neat things they or their student are doing. Be cognizant that you balance bringing up problems and commands with positivity and encouragement. One way to do this is a simple “thank you” at the end of each period. Acknowledge their effort with specific tasks (no matter how small!) to let them know you appreciate them showing up and being an active participant. Another way to show you are grateful is to provide coffee, water, or treats.

    coffee cup

    2. Help yourself by helping them.

    A lot of people are uncomfortable with art because they feel like they’re “bad at art.” This is evident in the familiar response, “I can’t even draw a stick figure!” Also, many paraprofessionals don’t want to “mess up” a student’s project. Remember these sentiments when building relationships with your paraprofessionals. Although they are adults there to provide support to students, they can also be an extra art student. When you equip them to be more comfortable in the art room, they will be a positive catalyst for your students.

    One simple way to mitigate anxiety is to communicate clear expectations for the whole year and for each class period. Tell them what the students will be doing for the day and what the paraprofessional’s expectations are during this time. Just as you would for a student, provide specific instructions in more than one format, and don’t assume they already know what to do.

    A quick way to provide expectations is to print out a simplified, bulleted, step-by-step list of each action item for the lesson. You can also print the whole lesson and highlight what the students need to accomplish on that particular day. It’s very helpful to have photos showing each step because sometimes a finished art project can be visually overwhelming. If you don’t have the time to compile step-by-step instructions with photos, check out FLEX Curriculum. FLEX is a standards-aligned curriculum that includes detailed step-by-step project instructions with photos and student-facing videos and resources.

    step-by-step photos

    3. Give paraprofessionals their own art project.

    It can be wonderful when you have an eager and artistically-minded paraprofessional working with your students in the art room. However, sometimes they can be too eager to make art for the student. They are focused on having the project look “perfect” instead of indicative of the student’s true performance.

    One way to mitigate this is to preemptively leave out extra supplies and give the paraprofessionals permission to create their own piece of art next to their students. As long as the students are getting the attention and assistance they need, many paraprofessionals will appreciate the thought. They usually enjoy the opportunity to sneak in a little creative outlet during their day!

    If you’re short on supplies and worried about not having enough, many paraprofessionals can be invaluable support in helping you garner donations and recycled materials. Give them a list of what you’re looking for and chances are, they’ll work hard to collect boxes and bottles from other classrooms throughout the day. This creates many opportunities for them to feel like a contributing member of your classroom community!

    art supplies

    Let’s answer your most frequently asked questions about paraprofessionals!

    What if a paraprofessional doesn’t show up?

    It can be frustrating when a designated instructional aid doesn’t show up for your art class with their students. If you have a good relationship with them, ask them about it the next time you see them. They may have had an emergency or didn’t think it was a big deal. It’s a great time to remind them of their importance in the art room and how vital they are to maintaining a smoothly run classroom.

    However, what if this happened multiple times already? Email the lead special education teacher to gather thoughts and ask for guidance. The lead teacher often has a solid relationship with them since they work closely all day. The email will also create a paper trail documenting their absences.

    What if the paraprofessional does too much or too little of their student’s art project?

    If the paraprofessional is doing too much of a student’s project, provide enough supplies so they can make their own. If they’re not helping enough, pull them aside before class to reset expectations. Show them examples of what you need them to do and give them a quick list of written instructions. An example of a reminder expectation can sound like, “I really value your extra set of hands and eyes. Please sit at the same table with students, phone-free so you can be readily available to assist.

    What if the paraprofessional frequently leaves or disappears?

    As aforementioned, pull the paraprofessional aside to reset expectations. Remind them that they are an integral and important member of your class and it can be disruptive for students if they don’t have a steady source of support. Your chat can sound like, “I noticed you stepped out the other day. I’d really appreciate it if you remained here during class. I really rely on the support you bring because you know [insert student’s name] the best.” If the behavior persists, email the lead special education teacher for advice and follow their guidance.

    Bonus Tip

    If you’ve already had a friendly chat to reset expectations and tried emailing the lead special education teacher, you can also seek out the guidelines used in the paraprofessional’s training. This can reiterate that you, the art teacher, aren’t the one “coming up with” the rules and that they are a part of the job requirements.

    Building positive relationships with paraprofessionals in the art room is essential for fostering a collaborative and supportive learning environment. Not only does it model these skills for your students but it streamlines instructional tasks, strengthens classroom management, and bolsters individualized student support. Plus, when teachers and assistants work harmoniously together, they boost each other’s morale. Make your art room a welcoming and appreciative spot for paraprofessionals with the tips above so they’ll look forward to your class and spread a vigor for art to your students!

    What’s one thing you do to make paraprofessionals feel welcome and included in your classroom?

    How do you navigate challenging situations with paraprofessionals in the art room?

    To continue the conversation, join us in The Art of Ed Community!

    Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.



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  • What you don’t know about Ancient Delphi, God Apollo, Oracle, Myths, History, Architecture & Art – Veronica Winters Painting

    What you don’t know about Ancient Delphi, God Apollo, Oracle, Myths, History, Architecture & Art – Veronica Winters Painting


    What you don’t know about Ancient Delphi, God Apollo, Oracle, Myths, History, Architecture & Art


    You can take a deep dive into ancient Greek history by virtually visiting Delphi, the cult center with its gods, oracles, art, architecture, and myths.

    To see art, articles, and references for this episode, visit: https://veronicasart.com/cult-center-of-delphi-its-history-oracles-greek-myths-architecture-and-art/

    Video on YouTube: https://youtu.be/qogqH1kKzHM

    https://www.youtube.com/watch?v=qogqH1kKzHM

    Subscribe & rate this podcast on Spotify and Apple | Show your support for the podcast: here | Host: Veronica Winters, MFA | veronicasart.com



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  • The Top 5 FAQs About Printmaking in the Art Room

    The Top 5 FAQs About Printmaking in the Art Room


    Printmaking is a powerful process in the art room. It offers students hands-on, engaging artmaking experiences and teaches creative problem-solving and experimentation. The many methods of printmaking make it accessible for all students, classrooms, and budgets. However, this is also what can make printmaking so intimidating! Art teachers just like you in The Art of Ed Community asked their burning printmaking questions and we’re here to deliver practical solutions.

    Let’s answer your top five most frequently asked questions about printmaking in the K-12 art room!

    spread of prints

    1. “I’m not comfortable teaching printmaking. Where do I start?”

    Printmaking can be an overwhelming medium—there are so many forms, lots of tools and equipment, and several stages in the printmaking process. It can feel like a lot to teach on top of classroom management, ideation, assessment, and more. The great news about printmaking is that there is a process for everyone at every comfort and skill level!

    Start with simple techniques and processes like foam tray printing or stamping. These two methods are great entry points and are a good segue into block printing. They do not require any fancy printmaking tools and you probably already have the supplies you need in your closet. Boost your confidence by incorporating mediums you love! For example, if you love drawing, painting, or mixed media, try monoprinting or collagraphy.

    Another tip is to experiment first. Try exploring foam tray printing or stamping on your own for fun. Then, host a laidback Art Night event at your home with friends or at school with colleagues to practice teaching a mini-lesson. This can help you troubleshoot any considerations before you bring it to your students.

    Embrace imperfection! Printmaking is all about trial and error and the process. Don’t think you need to know everything about printmaking before diving in! Invite students into the creative process and show them how to learn from mistakes and discoveries.

    linocut plate and carving tool

    2. “I studied printmaking, but I still avoid teaching it. Why?”

    Even if you are comfortable with printmaking in your own artmaking, bringing it to students can be a whole different ball game. Printmaking can seem messy and intimidating if you have large classes and limited studio space. With a little intentional planning, printmaking can be a smooth process that is engaging for all of your students.

    Just like you’d scaffold a difficult skill with your students, scaffold the lesson and process for your instruction. Break down the printmaking process into small steps. Teach each step as an individual lesson and move on when the class as a whole is ready. For example, spend one class sketching ideas and then the next carving. When you get to “Printing Day,” set up student-led stations with clear roles to reduce chaos. Let the first round of printmaking be an experiment to see how everything works before diving in again to make more fully realized and final prints.

    Perhaps you love printmaking so much that you don’t know where to start because you want to bring every form to your students! This is a wonderful “problem” to have. Instead of overloading your students with every possibility, pick one very simple process and let your passion trickle down to your students. Once they’re hooked, you will be unstoppable together!

    pink ink on paper and brayer

    3. “How do I teach printmaking on a tight (or nonexistent) budget?”

    Certain types of printmaking can be on the pricier side and take up the bulk of your valuable art budget. For instance, lithography traditionally uses heavy blocks of limestone and requires a heavy-duty printing press with lots of studio space. Etching can also use expensive and toxic chemicals that aren’t school-friendly. However, there are many hacks and alternatives to make printmaking accessible to your students!

    Here are some budget-friendly printmaking ideas perfect for the K-12 art room:

    carved plate with black ink

    4. “I want to try block printing, but I’m worried about students cutting themselves!”

    Prioritizing student safety is a part of having excellent classroom management in the art room. Many items used for carving or incising designs, like linoleum cutters or etching tools, are very sharp. Paired with the force and pressure required for carving and many students’ poor hand strength and coordination, you may have cause for concern. With proper instruction, supervision, and limits, you can execute a printmaking lesson with zero injuries!

    Start by teaching students about the tools and equipment they will be using. Assume nothing and explain and show everything to ensure everyone is on the same page. Explain what each item is for and how to properly use it. Verbalize and demonstrate safe-cutting techniques, such as carrying sharps pointed toward the ground, cutting away from the body and helper hand, and using a bench hook or scrap board to stabilize the block. Do several exercise drills to get students in the habit of how to behave with, hold, and use these exciting tools!

    Another tip is to start with soft-cut materials, such as rubber blocks or foam, instead of traditional linoleum. These require less pressure to carve and often, duller tools. You can also practice the motions of carving with plastic tools and clay slabs before graduating to printmaking materials. These are all great alternatives for younger printmakers.

    two types of printing plates

    5. “How do I keep printmaking from becoming a total mess in my art room?”

    Art teachers spend hours and hours maintaining the art room. There are tons of materials, tools, and projects before adding printmaking to the mix. Plus, printing ink seems to multiply on hands, tables, clothes, and sometimes even the floor! In the chaos of a “Printing Day,” students may not follow cleanup instructions and leave the sink full of inky brayers. Avoid the mess and take a few simple steps to prepare for cleanup before class even starts.

    Take a look at these quick steps to avoid the mess:

    • Set up printmaking zones.
      Designate separate areas for drawing, carving, inking and printing, and drying to keep messes contained.
    • Use minimal ink.
      Show students how much they need and how to roll it out into a thin, even layer. You can even pre-portion ink into small cups so they don’t overuse and waste it.
    • Assign cleanup roles.
      Build ownership in the studio by putting students in charge of wiping tables, cleaning brayers, and organizing prints. This will free you up to supervise the class and the classroom as a whole.
    • Provide wipes and scrap paper.
      Baby wipes—store-bought or DIY—will be your best friend during printing to minimize the spread of ink! Use large scrap paper as “trays” or small scraps as “tweezers” to transport paper and prints without tiny fingerprints.
    • Grab a lot of newsprint.
      Order a bulk pack of newsprint or ask your local newspaper for scrap newsprint. Use this to blot prints to absorb excess ink. This reduces smudging and dry time.

    pink ink on paper and brayer

    Whether you’re new to printmaking or a seasoned expert, you can absolutely teach printmaking to your students! Printmaking may feel overwhelming, but it’s one of the most rewarding processes to teach. The key is to start simple so you will gain confidence and hook your students! From there, try some of the hacks and tips above to keep it budget-friendly and mess-free. Turn your most frequently asked questions about printmaking into your most frequently asked for art lesson!

    What’s your biggest classroom printmaking challenge that we can help with? 

    To chat about printmaking with other art teachers, join us in The Art of Ed Community!

    Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.



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  • Think Outside of the School: 9 Unique Art Show Locations

    Think Outside of the School: 9 Unique Art Show Locations


    Choosing a unique art show venue outside of your school creates a novel and exciting experience for your young artists. It also expands the audience for your students’ work and exposes your program to a wider segment of the community, including potential supporters and stakeholders. Partnering with community organizations and having your art show outside of your school makes the culmination of all of their hard work special and makes your students feel like professional artists. 

    art show display

    Reap the benefits of hosting your art show at a fresh location in the community!

    Hosting your art show in the halls of your school is usually the easier option. However, stepping outside of your school campus bubble can truly benefit your students and your art program. Aside from the positives listed above, hosting your art show at a community venue brings other people to help hang and take down your show. The business or organization will likely also promote your show. For families and students, it connects the visual arts with tangible careers in the community. Let’s take a look at nine unique locations to consider for your next art show!

    1. District Administration Building

    Place student artwork directly in the path of district decision-makers. Those with the power to influence budgets and approve new courses will experience the impact of your art program firsthand. This daily exposure to the creativity and skills fostered in your classroom can powerfully advocate for the value of art education.

    2. City Hall

    Showcase your students’ artwork in your local government building so the broader community will see the importance of your art program. Students will take pride in having their work displayed in a prestigious location. A gallery night will allow families and students to personally meet their city’s officials.

    3. Local Park

    Hold your art show amidst nature’s beauty in a local park. The Impressionists loved creating en plein air but outdoor spaces can be wonderful for viewing art as well. Take advantage of natural light to enhance the artwork. Families will enjoy the relaxed, outdoor setting, and the open space allows for larger crowds.

    conservatory

    4. Community Art League

    Many art leagues have a dedicated gallery space. Your students will benefit from professional hanging systems and lighting. This collaboration connects your school and students with experienced artists. Nothing motivates students to up their game like telling them accomplished artists will be examining their work!

    5. Community College

    Hosting your art show at the community college exposes them to a post-secondary environment. Many community college art departments have a small gallery space but there are usually plenty of other larger lobby spaces available too. Nearby classrooms or studio spaces work perfectly for workshops, demonstrations, or blacklight galleriesAs students see their best work hanging prominently in an institution of higher learning, they will naturally envision themselves continuing their education and thriving in college.

    6. Library

    Literacy isn’t just for Language Arts! Visual arts is all about visual literacy and a partnership with your local library is a natural connection. After all, every great art room has a library, and your local library should have a space for student art. The library offers a quiet, studious environment that encourages close examination of artwork. This public space attracts a diverse crowd with lots of community events, ensuring a steady flow of visitors. Libraries also do a really good job of advertising their events, guaranteeing built-in publicity for your students.

    7. Historic Buildings

    Choose a historic building or site for a truly unique backdrop. This adds a sense of grandeur and importance to the student artwork. Many buildings rent out their space and property on weekends for events such as weddings. However, they are often available during the week. 

    8. Local Museum

    Partnering with a local museum elevates your art show to a professional level. This venue provides top-notch display facilities and climate control to protect the artwork. This location lends credibility and prestige to your students’ work. Think outside of the box and reach out to any type of museum—not just an art museum! The type of museum you partner with can also dictate your art show theme.

    9. Feeder Schools

    Vertical alignment and partnerships across grade levels can be tremendously beneficial for everyone. When older students show their work in an elementary or middle school, the younger students see quality work that they will want to make one day. The older students will feel a surge of pride as they showcase their work in their old stomping grounds. When you display elementary artwork at the high school, it lightens the mood and can help older students remember the earnest joy of creating. This builds a stronger art program across the district and shows students that art is a lifelong journey. 

    art show display

    Stay focused on practical art show considerations.

    Choosing an unconventional venue for your art show is exciting, but demands careful planning. Fortunately, there are many people, often who work at the location you are partnering with, who are more than willing to help you plan and execute!

    Here are some things to consider as you choose and plan your venue:

    • Is the location accessible to all of your guests?
    • For outdoor locations, do you have an inclement weather plan?
    • Do you have access to restrooms and ample parking?
    • Do you have clear signage to find the event?
    • Are you allowed to offer refreshments in the space?
    • What are the associated costs, including furniture rentals, refreshments, prizes, and transportation?
    • How far in advance can you set up, and how much time do you have for takedown?
    • How will you safely transport, display, and light the artwork?

    art show brainstorming

    Let your community help you with your art show.

    Putting together an epic art show seems overwhelming. It is okay to ask for help and advice from colleagues. The Art of Ed Community is a tremendous resource with immeasurable collective wisdom. Delegate as many tasks as possible to your Art Club, students, colleagues, and friends. Get a peek behind the scenes of how Sarah Krajewski and Jenn Russell put on their art shows. Gain their best Art Show Secrets to help you put on your best art show yet! 

    https://www.youtube.com/watch?v=NPHW2zteeSQ

    Turning your unconventional art show vision into reality requires a bit more consideration and planning. However, the benefits are always worth it! Hosting your art show off-campus increases the visibility of your students’ artwork, your art program, and the value of art education as a whole. Look into partnering with a historic site, your city hall, the local library, or a feeder school to curate a truly memorable and impactful art show experience for families, students, administrators, and other community members.

    Tell us! Have you ever hosted an art show outside of your school?

    What is your dream location for your art show?

    To chat about art shows with other art teachers, join us in The Art of Ed Community!

    Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.





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  • 5 Ways Art Teachers Can Afford a Master’s Degree to Continue Learning and Growing

    5 Ways Art Teachers Can Afford a Master’s Degree to Continue Learning and Growing


    One thing that makes art teachers so amazing is that we are self-proclaimed forever students who embrace learning. Continuing your education is appealing! It’s a chance to feed your brain, interact with others on the same wavelength, revitalize your teaching strategies, and grow as a researcher. It gives you a chance to challenge yourself to go further than you ever thought you could. On the other hand, it can be costly to continue learning; it can seem unattainable on a teacher’s budget. It may leave you wondering, “How can I afford a master’s degree?”

    Explore five ways you can afford to pay for a master’s degree!

    Let’s take a look at five practical ways you can afford to continue learning. And don’t worry—it won’t be to stop buying a cup of coffee or adding guacamole to your burrito bowl. As you read, remember that none of these suggestions live in isolation. You may be able to pair tuition reimbursement or scholarships with paying as you go to lower the cost of your degree.

    laptop with aoeu's master's degree landing page

    1. Use district professional development funds.

    Many K-12 schools have tuition reimbursement programs, so they may already cover part of your continuing education. These programs are often not widely advertised, so you’ll have to seek them out. Research your district contract, talk to your union representative, and source information from fellow colleagues. Take the time to understand exactly how the funding works in your district and what limits apply. A few key things to note are deadlines, reimbursement, and payment policies with purchase orders.

    Insider Tip:

    District funds go quickly! Have your paperwork polished and ready to submit before the application window opens. 

    Learn More!

    2. Apply for grants and scholarships.

    Money is available through school scholarships, state education programs, cultural associations, and grants. Sometimes, you can find money available through your district’s parent-teacher association or other local community organizations. No matter what options you discover, take the time to apply! Any opportunity that offsets part of your tuition is worth your energy. 

    Insider Tip:

    Scholarship and grant applications can take time, but a tuition break is worth the extra effort to get and stay organized! Prepare your resume/CV, letters of recommendation, and references so they’re ready to go when an opportunity becomes available.

    art teacher on a laptop with the aoeu website

    3. Leverage salary lane changes.

    Research your district’s salary schedule to clearly understand how earning your master’s degree will affect your net salary over time. Some districts offer smaller pay increases for incremental steps between degrees, such as a BA +12 and BA +30 credit hours. If you time it right, you can use this increased salary to fund your degree—you won’t feel a thing because this salary increase is not part of your existing budget yet.

    Insider Tip:

    Pay attention to deadlines and work backward. You don’t want to miss a salary increase for an entire year by a few days. Ensure you have the credits you need beforehand from the issuing institution. Allot at least one month between the course end date and the day you need to submit official transcripts. 

    4. Pay out-of-pocket in small increments.

    Let’s talk budgeting! Consider items you can cut out or cut back on to help you hit your monthly tuition target. Taking a detailed look at your spending will identify where every dollar goes. Then, create a process to reallocate certain buckets of money toward your tuition. At The Art of Education University, you can make small payments toward your coursework so you’ll have tuition paid in full by the start date. Remember that this is a short-term adjustment. The goal is a completed degree, a potential raise, and more financial freedom!

    Insider Tip:

    Cut out the extra cost of guac on your burrito bowl—just kidding! Look for windfalls, like tax refunds or a month when you get an extra paycheck. Set that money aside specifically for your degree. 

    5. Determine the right pace.

    Pacing your coursework is one way to spread out your degree’s monthly or annual cost. Look for a program that you can tailor to meet your specific needs, compared to a strict, regimented course of learning. At The Art of Education University, take classes when it is convenient for you, your schedule, and your finances. Some students prioritize a faster pace to reach their end goal, while others spread their degree over four or five years to pay out-of-pocket as they go.

    Insider Tip:

    As you look at schools, ask specific questions about course pacing, course availability, and any requirements around staying on a particular timeline. Some programs require you to take courses continuously or progress with a cohort of classmates. 

    aoeu master's student with diploma and cap

    No matter where you are in your teaching career, the best time to invest in yourself is now. 

    Determining when to pursue and earn your master’s degree is personal. So many factors can determine what the “best” time is. Look at your season of life, how much time you have to dedicate, how much time you want to dedicate, and what your ultimate goal is. However, if we are talking strictly about earning potential and the return on your investment, there’s one clear answer—and I’m betting it won’t surprise you. The sooner you navigate the logistics of a master’s degree, the sooner you can increase your earning and learning potential!

    Share a professional goal you have as an art teacher.

    What’s holding you back from pursuing a master’s degree?

    To chat about how to afford a master’s degree with other art teachers, join us in The Art of Ed Community!

    Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.



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